San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires ... See full summary »
Mo Alexander's bad luck is that she misses the plane in Paris carrying her tour group and her luggage. On top of this, she finds that it will take several days for the travel agent to work ... See full summary »
A millionaire and a million-dollar prostitute, a star-maker and a nation-killer, a woman whose lusts are as cold as graveyard snow...Five of the most powerful people in the world, gathered ... See full summary »
Dr Calgary returns home from an expedition and goes looking for a hitchhiker whom he gave a lift to two years previously in order to return the man's address book. He discovers the man has been executed for his mother's murder.
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
A German spy carrying information that will reveal the target of Operation Overlord becomes involved with the wife of a crippled man on an isolated island off the Scottish coast while he waits to be picked up. Written by
Keith Loh <firstname.lastname@example.org>
Though Donald Sutherland portrays a Nazi German spy, he is never seen in German Nazi military uniform in this movie and only vaguely as a German army cadet in a black-and-white group photo. See more »
When Faber pulls into the train station in the cab, an 80s-style sign for National Westminster Bank can been seen in the cab's rear window. Also in the same shot on the side window of the cab an 80s style blue car can be seen. See more »
[calling on radio to submarine]
Singvogel. Hier ist die Nadel. Kommen.
["Songbird. This is the Needle. Come."]
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This film about a German agent trying to escape from Britain might seem to offer limited scope for interest, but Sutherland's menacing performance and the events on the island turn it into something approaching a study in psychopathy, laden with uncertainty and fear. The vulnerability of Lucy (Kate Nelligan, a sensitive and intelligent but definitely pre-feminist woman helps to give the film an added poignancy. Sutherland's performance is such that we are always fascinated by the damaged and ruthless character he portrays. Those who dislike war films may find themselves surprised by this film.
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