Mo Alexander's bad luck is that she misses the plane in Paris carrying her tour group and her luggage. On top of this, she finds that it will take several days for the travel agent to work ... See full summary »
A millionaire and a million-dollar prostitute, a star-maker and a nation-killer, a woman whose lusts are as cold as graveyard snow...Five of the most powerful people in the world, gathered ... See full summary »
San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires ... See full summary »
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
A German spy carrying information that will reveal the target of Operation Overlord becomes involved with the wife of a crippled man on an isolated island off the Scottish coast while he waits to be picked up. Written by
Keith Loh <firstname.lastname@example.org>
When Faber pulls into the train station in the cab, an 80s-style sign for National Westminster Bank can been seen in the cab's rear window. Also in the same shot on the side window of the cab an 80s style blue car can be seen. See more »
[calling on radio to submarine]
Singvogel. Hier ist die Nadel. Kommen.
["Songbird. This is the Needle. Come."]
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Sutherland proves that having sex is easier than riding a bike!
Eye of the Needle is based on historical fact - the allies deceived the Germans into thinking that the D-Day invasion would take place at Calais rather than Normandy by assembling a dummy military force in Kent (not East Anglia as in the film). However, the intelligence and counter-intelligence manoeuvres that took place in maintaining this deception were rather more complex than in this simplistic movie.
The best part of the film is the culminating love affair on a remote Scottish island between the murderous German spy, Faber (Donald Sutherland), and the sexually frustrated Lucy (Kate Nelligan), which is credible and convincingly portrayed. Sutherland also has a few good scenes in the earlier parts of the movie, though certainly not the opening sequence with his curious accent and ludicrously stiff one-handed cycling! But most of the other characters are cardboard stereotypes, and the dialogue would not have been out of place in a 1930s B picture. (In particular, Ian Bannen as an MI5 sleuth makes the least of some especially ludicrous lines.)
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