Sean Kane is forced to resign from the San Francisco Police Department's Narcotics Division when he goes berserk after his partner is murdered. He decides to fight alone and follows a trail... See full summary »
The archetypical renegade Texas Ranger wages war against a drug kingpin with automatic weapons, his wits and martial arts after a gun battle leaves his partner dead. All of this inevitably ... See full summary »
Sisters Myra and Ellie have finally had enough of their miserable, dead-end lives. When their step-father Charley (The Bonnie from the title being long dead) tried to rape Myra, Ellie ... See full summary »
J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to ... See full summary »
A gang of street boys foil a master crook who sends commands for robberies by cunningly altering a comic strip's wording each week, unknown to writer and printer. The first of the Ealing ... See full summary »
Sean Kane is forced to resign from the San Francisco Police Department's Narcotics Division when he goes berserk after his partner is murdered. He decides to fight alone and follows a trail of drug traffickers into unexpected high places. Written by
Scott Lane <email@example.com>
During the Triad assault on James Chan's house, Sean Kane attacks a Triad terrorist who knocks an ornamental box off a desk as he falls. When Kane runs for the door, the box is back on the desk again. See more »
[knocking a bad guy out with a handy desk telephone]
The warrior uses whatever is closest to hand.
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To have the mo, or not have the mo. Is the question?
'Chuck Norris doesn't need a weapon... he is a weapon!' Oh, yeah. Don't you know it! This is what I like to see. Where can you get a Norris film which has him in a red sports car, flaunting a blinding fashion sense, glowing golden hair, a sensitive pet dog called Mort, Mako as his comical martial arts mentor, an unstoppable henchman, Richard Roundtree, Christopher Lee, haunting flashbacks, plenty of fodder for some ass-whooping and of course that fuzzy mo. Hey wait on. What, there's no mo on show?! I don't know, but I guess I have to deal with it. Even though it has dynamism of its own. More so than the man! Anyhow all of this can be found in director Steve Carver's "An Eye For An Eye", who was also responsible for the highly amusing and surprisingly stylish Norris' outing "Lone Wolf McQuade (1983)".
Carver knows his stuff, by keeping it at a cracking pace, competent flair and plastering it with brilliantly stylised and choreographed action set-pieces. Some lively suspense, and jolting thrills are randomly worked in along the way. The premise is routine, and the twists foreseeable. Vengeance, vengeance. I think Norris has got vengeance on mind, and flashy slow motion is the weapon of choice. Of course nothing is going to get in his way. This makes it quite exciting, over-the-top and at times comical. Yes there's some intentional humour too, even in the wonky script. The San Francisco backdrop is well-used (from the gritty to the attractive) as its spaciously photographed and William Goldstien's moodily appealing score is pitch-perfect. The wooden plank that's Norris does what's needed of him, and strangely holds your attention in an adequate turn. A tip-top supporting cast give it a little more credit. Mako brings a wilful personality that suitably feeds off Norris. Richard Roundtree's cynical, frown-beating Capt. Stevens and Christopher Lee's smooth presence features largely as Morgan Canfield. Rosalind Chao, Maggie Cooper and Matt Clarke are solid too. In a role that's hard to forget is Professor Toru Tanaka as the formidable, stone-engraved opponent that Norris must encounter. A swiftly executed and undoubtedly engaging actioner.
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