In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.
Philipe Gastone, a thief, escapes from the dungeon at Aquila, sparking a manhunt. He is nearly captured when Captain Navarre befriends him. Navarre has been hunted by the Bishop's men for ... See full summary »
The myth of King Arthur brought once again to the screen. Uthur Pendragon is given the mystical sword Excalibur by the wizard Merlin. At his death Uthur buries the sword into a stone, and the next man that can pull it out will be King of England. Years later Arthur, Uthur's bastard son draws Excalibur and becomes king. Guided by Merlin, Arthur marries Guenivere and gathers the Knights of the Round Table. Arthur's evil half-sister Morgana sires a son with him, who may prove his downfall. Written by
Greg Bole <firstname.lastname@example.org>
Polo ponies were used because they are easier to control than regular horses, and could be ridden with one hand while the other held the various weapons used in the film. See more »
When Lancelot is injured and Merlin heals him, Guinevere holds Lancelot's hand up close to her but in the next shot, their hands are resting on his body. See more »
[Arthur has broken Excalibur on Lancelot's chest]
Merlin! What have I done?
You have broken what could not be broken! Now, hope is broken.
My pride broke it. My rage broke it! This excellent knight, who fought with fairness and grace, was meant to win. I used Excalibur to change that verdict. I've lost, for all time, the ancient sword of my fathers, whose power was meant to unite all men... not to serve the vanity of a single man. I am... nothing.
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At different times in his illustrious career, John Boorman has announced that his intention to make film versions of both The Lord Of The Rings, and Wagners "Ring" cycle.Like Scorsese's plans to do film biographies of Gershwin and Robert Johnson, or Coppola's plans to make versions of Faust and Pinocchio, these grandiose projects have come to nothing. Fortunately, in Excalibur, we have something that comes close..VERY close. Boorman retells the Arthur legend in a way that evokes both the mythic power of Tolkien and the operatic splendor of Wagner.. ( Indeed, the sound track makes frequent use of Wagner.)Some have criticized Boorman for making the story of King Arthur too sexy and violent. Well, in their original , unexpurgated form, the Arthurian legends were just that. Boorman also looks at the Druidic and pagan roots of the arthur story, (" The Land is the King."), and examines the inner conflict between Paganism and Christianity that gave the myth its original power. A great film, and one of my personal favorites. I have not seen Robert Bresson's version of the Arthur myth, Lancelot Du Lac, but I suspect that it may be the only other one by a major film-maker that comes close to the eerie, mythic, glorious heart of Arthurian legend.
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