Aspiring actress Eva Duarte rises from a minor celebrity to the wife of a powerful Argentine dictator, but her all consuming fiery rage, ambition, and hatred eventually become her downfall.

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Won 1 Primetime Emmy. Another 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Cypriano Reyes (as Pedro Armendariz Jr.)
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Jaime Yankelevich
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German Official
John Van Dreelen ...
Capt. von Weber
Robert Viharo ...
Kai Wulff ...
Lt. Frick
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Renata Riguel
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Agustin Magaldi (as Jose Ferrer)
Peter Bromilow ...
Capt. Gayado
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Col. Imbert
Severn Darden ...
Alfredo Suero
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Storyline

Aspiring actress Eva Duarte rises from a minor celebrity to the wife of a powerful Argentine dictator, but her all consuming fiery rage, ambition, and hatred eventually become her downfall.

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Drama | History

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23 February 1981 (USA)  »

Also Known As:

Evita Peron: I zoi mou  »

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1.33 : 1
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Did You Know?

Trivia

While released in the United States by CBS as a four hour television miniseries, Paramount later had the film re-edited into a two hour feature for theatrical release internationally. See more »

Goofs

Juan Peron's regime did not endorse any anti-Semitic riots, nor was Peron himself anti-Semitic. In fact, Eva's foundation sent a substantial amount of money to aid the formation of Israel in 1948, and it was under Peron's regime Argentine Jews were allowed to run for political office and some of his highest ranking cabinet members were Jewish. See more »

Connections

Version of Mother (1973) See more »

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User Reviews

 
Kind of silly
22 January 2009 | by (United States) – See all my reviews

Dunaway was absolutely wrong for the part of Evita Peron, from start to finish. As with nearly all her roles, she played it all with out-sized shoulder-pads and overblown line delivery. What's worse, the film looks like it was shot in some dingy Mexican border town instead of the opulent capital of Argentina, Buenos Aires. The building they'd chosen for the iconic Casa Rosada looks something like an old Spanish war prison in Baja.

They have the chronology fairly correct, but little else is really accurate or even compelling drama in this adaptation of history. Peron launched a mass movement that transformed Argentina, at the time one of the biggest economic forces in the world, and his wife was a highly complex, colorful public person who worked herself to death for him and won the hearts of his political base with her naive, crypto-fascist concepts of the state's role as a mother to its people.

This film, sadly, portrays it all like a story arc on some Dynasty rip-off, set in some unrecognizable banana republic.

This is purely for die-hard Faye fanatics, and certainly NOT for any fans of the Peron story.


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