Eugenie is the capricious daughter of a rich diplomat, living in a seaside resort in Spain. She exhibits her young and splendid body in the beach and night-clubs. She feels an incredible ...
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Eugenie, a beautiful but shy young girl, lives with her stepfather, a famous writer specializing in stories of erotica. One day she happens to read one of his "erotic" books and its power ... See full summary »
Betsy Norman is a happy assistant at a luxurious Spanish hotel. Shiela, the hotel owner, caters for all wishes of her clientele with another lucrative business, the brothel "Rio Amore" ... See full summary »
New inmate Marie arrives at an island prison in the women's sector and receives the number 99. The inmates are controlled by the sadistic lesbian warden Thelma Diaz and Governor Santos and ... See full summary »
After her recent release from a deep psychiatric care institution, a Libertine-styled countess goes back to her very evil ways and fixes her eyes on a pretty girl with the intention to destroy her after fully corrupting her body and soul.
Without a family, penniless and separated from her sister, a beautiful chaste woman will have to cope with an endless parade of villains, perverts and degenerates who will claim not only her treasured virtue but also her life.
Eugenie is the capricious daughter of a rich diplomat, living in a seaside resort in Spain. She exhibits her young and splendid body in the beach and night-clubs. She feels an incredible adoration for her father who returns his daughter's passion. Franco impressively delivers themes of eroticism, violence, sadism and nihilism. Written by
Sad and poetic minimalistic S/M drama, remains one of Franco's best!
A really, really good early 1980s Franco title which remains one of his most underestimated according to me. It's basically a remake on Eugenie, the Story of a Young Girl's Journey into Perversion (a title he would remake many times, even as a HC porno) but this is way better than the original according to me. Great atmosphere, perverse, voyeuristic and detached, and as with many of the better of his 1980s films: much more focused than most of his 60/70s output. A benefit of the ultra low budget I reckon. When you're making a movie with such a ridiculously low budget as this, you have to really make the best use of the elements you've got and you've got to keep it minimal. The cute Katja Bienert is the perfect face for innocence-to-be-corrupted and Antonio Mayans has one of his best roles as sadistic Alberto de Rosa. Anyway, if you're at all interested in Franco, make sure to catch this one, if only to see Lina Romay as a dog (!). I'd also like to add that the sandfigures is one of the best images Franco has come up with yet!
I think Franco during his career has been the filmmakers who have reached closest to the true spirit of De Sade in his work... unlike all the other sleaze merchants and bozos that have consistently missed the point.
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