Eugenie is the capricious daughter of a rich diplomat, living in a seaside resort in Spain. She exhibits her young and splendid body in the beach and night-clubs. She feels an incredible ... See full summary »
A man who lost an arm and his family to a tribe of cannibals returns ten years later to bring back his teenager daughter, only to find that she grew up into a beautiful blonde woman who became the cannibals' queen.
Private eye Al Crosby is paid by millionaire Harry Feldman to take his place at a meeting with Emilio, a gangster. He is drugged and photographed in compromising positions by two hookers, ... See full summary »
Miguel Ángel Aristu,
A young woman is hired to care for an elderly man who lives on an island off the Greek coast. When she arrives there the man warns her that his daughters are evil and dangerous. The woman ... See full summary »
Eugenie is the capricious daughter of a rich diplomat, living in a seaside resort in Spain. She exhibits her young and splendid body in the beach and night-clubs. She feels an incredible adoration for her father who returns his daughter's passion. Franco impressively delivers themes of eroticism, violence, sadism and nihilism. Written by
Jess Franco goes the de Sade route again with this film, which is a remake of similar films from 1969 and 1970 (among others). In this version, a perverted couple (Robert Foster, Mabel Escano) stalk a young teenage girl named Eugenie (Katja Bienert) and eventually take her to their island where they try to deflower her. Franco has countless credits to his name and many times he remakes his own films. In some cases, as here, he remakes them several times. I was really looking forward to this film because both earlier versions are among the directors best work but the story here doesn't quite flow as well. The first forty-minutes of the film we see the couple stalking the young girl who is usually walking around totally naked. Franco makes a lot of this very erotic but after a while it grows tiresome and by the time they hit the island, you know where the story is going and the psychedelic sexual scenes come off rather lame whereas in the earlier films they were quite disturbing and freakish. I've never been a fan of Foster so his presence here doesn't do much for me and Escano doesn't work either. Lina Romay plays a sex slave who thinks she's a dog but she doesn't add anything. Katja Bienert is the one who comes off the best but I'm sure many will have a problem with her nudity and sexual situations since, according to the birthdate she gave, she's only fifteen here. Check out Eugenie de Sade and Eugenie...The Story of Her Journey Into Perversion instead as they show Franco, this story and the eroticism at their peak.
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