The wire-frame computer graphics on the display screens in the glider were not actually computer-generated, as computers capable of 3D wire-frame imaging were too expensive when the film was made. To generate the "wire-frame" images, special effects designers built a model of the city, painted it black, attached bright white tape to the model buildings in an orderly grid, and moved a camera through the model city.
Ox Baker struck Kurt Russell very heavily with some of his blows during the boxing ring fight scene. Russell had finally had enough and and asked Baker to take it easy, tapping him in the groin to let him know he was serious. Baker then calmed down.
The night street scenes were filmed in East St. Louis, Illinois, which had entire neighborhoods burned out in 1976 during a massive urban fire. Across the Mississippi River from the more prosperous St. Louis, Missouri, East St. Louis was filled with old buildings that look seedy and run-down.
John Carpenter originally wrote the film in the mid-'70s as a reaction to the Watergate scandal, but no studio wanted to make it because it was deemed to be too dark and too violent. That all changed after the success of Halloween (1978).
In an interview, John Carpenter said the story for Escape from New York was inspired by the science fiction novel "Planet of the Damned" by Harry Harrison, which was about a man, who is sent to a place, with no choice to do a job.
"Everyone's Coming To New York" is the song being sung at the stage show where Snake first meets Cabbie. The lyrics are as follows: Shoot a cop/With a gun/The Big Apple is plenty of fun/Stab a priest/With a fork/And you'll spend your vacation in New York/Rob a bank/Take a truck/You can get here by stealing a buck/This is bliss/It's a lark/Honey, everyone's coming to New York!/No more Yankees/Strike the word from your ears/Play the roulette/There's no more opera at the Met/This is hell/This is fate/But now this is your home and it's great/So rejoice/Pop a cork/Honey, everyone's coming to New York!
The President's downed plane was an old Convair 580 bought from an airplane graveyard in Tucson, Arizona. The plane was carved up into 3 separate pieces and trucked into the film's St Louis locations in the dead of night as they didn't have the requisite paperwork.
Avco Embassy approached John Carpenter after the success of Halloween (1978) and The Fog (1980) to make a film based on a novel that they had acquired titled "The Philadelphia Experiment". When Carpenter got stuck on that project, he proposed instead his idea for "Escape from New York". Avco liked the idea and green-lit the project almost immediately.
This was the first film to be shot on Liberty Island beneath the Statue of Liberty. The Liberty Island scene, along with the morning shot of Manhattan (where a helicopter is seen), were the only scenes of the film shot in New York City.
The fight scene in the boxing ring was filmed in the abandoned grand hall of St. Louis Union Station several years before the building's renovation. While the hall was extremely dilapidated, viewers can make out the stained glass window representing New York, St. Louis, and San Francisco in the background. This window is still above the front entry into the grand hall from Market Street.
Back in June 2003, Production I.G. started pre-production on an 80-90 minute anime feature film based off of this movie. Mitsuro Hongo was attach as director and a script was written by Corey Mitchel and William Wilson under supervision of John Carpenter, Debra Hill and Kurt Russel. John Carpenter was also going to score the music and Kurt Russel would of provided the voice of his own character Snake Plisken. The film was meant to be released back in 2005, however the project ended up be shelved and the only thing that remains is a 30 second teaser trailer and a collection of character designs and storyboards.
Isaac Hayes's '77 Cadillac Fleetwood sedan with the fender-mounted chandeliers has been used as an influence for the modern-day art car - a vehicle decorated or customized as works of art. Two other vehicles used in the film (a late 1970s Ford LTD Country Squire station wagon fitted with rebar around the windshield and windows, along with Cabbie's Checker Cab with wire mesh cages) were the ancestors of the mutant vehicles seen at Burning Man (a public art festival outside Reno, Nevada) or during the annual Houston Art Car Parade.
The Hartford, CT Summit mentioned in the film had two visiting Communist nations (People's Republic of China and the Union of Soviet Socialist Republics) - the USSR/Soviet Union ceased to exist in late 1991.
Scenes of the movie were filmed in the Swift Printing Company building in downtown St Louis, abandoned since Swift's move out in 1969. The building was renovated in 1991, and is now the home of the St. Louis Brewing Company - the makers of the Schlafly brand of beers.
The skeletal weapons being carried by the police in the beginning of the movie are M16A1 rifles with the ventilated hand-guards and gas tubes removed. In reality, though the rifles can fire without the handguards, they are unable to fire with the gas tube removed. Cocking manually, the M16 can fire single shots even with the gas tube removed, but not in semi-automatic, full automatic or three-shot burst modes.
Bill Bartell was the pilot in the glider sequence at the start of the movie. He sold the glider to the production company, and then flew it. The glider used had the designation N2927B and was a Romanian-made IS28-B2.
The trivia items below may give away important plot points.
The additional shot of Adrienne Barbeau's corpse (shot in John Carpenter's driveway long after principal shooting was completed) was added after a then teen-aged J.J. Abrams suggested it to Carpenter. Abrams saw an early cut because his father worked for the studio that produced the film, and pointed out to Carpenter that Maggie's death was never fully established.
John Carpenter had originally considered a scene where Hauk reveals that the explosive charges in his neck were a hoax intended to coerce Snake into rescuing the President, but decided not to use it. Carpenter did, however, use said plot device in the sequel Escape from L.A. (1996).