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Escape from New York (1981)

 -  Action | Sci-Fi  -  10 July 1981 (USA)
7.2
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Ratings: 7.2/10 from 73,930 users  
Reviews: 264 user | 128 critic

In 1997, when the US President crashes into Manhattan, now a giant max. security prison, a convicted bank robber is sent in for a rescue.

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Cast

Cast overview, first billed only:
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Taylor (scenes deleted)
Frank Doubleday ...
John Strobel ...
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Gypsy #1 (as John Cothran Jr.)
Garrett Bergfeld ...
Gypsy #2
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Storyline

In the future, crime is out of control and New York City is a maximum security prison. Grabbing a bargaining chip right out of the air, convicts bring down the President's plane in bad old Gotham. Gruff Snake Plissken, a one-eyed lone warrior new to prison life, is coerced into bringing the President, and his cargo, out of this land of undesirables. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis

Taglines:

The world's greatest leader is a hostage in the most dangerous place on Earth. Now only the deadliest man alive can save him. See more »

Genres:

Action | Sci-Fi

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

Release Date:

10 July 1981 (USA)  »

Also Known As:

John Carpenter's Escape from New York  »

Box Office

Budget:

$6,000,000 (estimated)

Gross:

$25,244,700 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Isaac Hayes's '77 Cadillac Fleetwood sedan with the fender-mounted chandeliers has been used as an influence for the modern-day art car - a vehicle decorated or customized as works of art. Two other vehicles used in the film (a late 1970s Ford LTD Country Squire station wagon fitted with rebar around the windshield and windows, along with Cabbie's Checker Cab with wire mesh cages) were the ancestors of the mutant vehicles seen at Burning Man (a public art festival outside Reno, Nevada) or during the annual Houston Art Car Parade. See more »

Goofs

When Snake gets into a car to steal it to take himself, Brain and Maggie to the Duke's place the headlights are on. However when he starts to drive the car away the lights are off. The next shot shows the car font the front with the lights on. After crashing the car through the barrier after the run down Broadway the lights are off again but when the car stops the lights are on again. See more »

Quotes

[first lines]
Narrator: In 1988, the crime rate in the United States rises four hundred percent. The once great city of New York becomes the one maximum security prison for the entire country. A fifty-foot containment wall is erected along the New Jersey shoreline, across the Harlem River, and down along the Brooklyn shoreline. It completely surrounds Manhattan Island. All bridges and waterways are mined. The United States Police Force, like an army, is encamped around the island. There are no guards ...
See more »

Connections

Referenced in The Thing: Terror Takes Shape (1998) See more »

Soundtracks

Engulfed Cathedral
By Claude Debussy
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"Call me Snake..."
13 January 2003 | by (Canada) – See all my reviews

"Escape From New York" is a solid action noir by John Carpenter, although it lacks the punch of Carpenter's other three previous features ("The Fog", "Halloween", "Assault on Precinct 13"). Kurt Russell became famous for his Snake Plissken, and rightfully so, although the character seems to be only a more gritty version of Napoeleon Wilson in "Assault". What makes this film the cult classic it is is Carpenter's very apocalyptic and brash story. This is a very dark film, and it holds up especially well today when shown against the countless fluff films that Hollywood seems to be churning out.

Carpenter made the most out of his meeger budget and created a very convincing New York City. Not only is the set design fantastic, but so are the typically strong performances. Russell, Hayes, Barbeau, Pleasence, Stanton, Atkins, Cyphers and Borgnine are all cult legends, and seeing them all work together makes Robert Altman's casts look feeble in comparison.

What limits this film from greatness is surprisingly lax direction by Carpenter. The film is not as tight as it should have been, and really fails to generate any sort of suspense during the action. Deaths just happen out of nowhere, with little to no build up, which is a shame. This movie could have really been amazing. The ending is perfect though, and easily makes up for the film's faults. See it for Kurt Russell and the great ending and you will come away a happy viewer. Watch "Escape From LA" though to see what this movie should have been.


60 of 88 people found this review helpful.  Was this review helpful to you?

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