| Barbara Hershey | ... | Carla Moran | |
| Ron Silver | ... | Phil Sneiderman | |
| David Labiosa | ... | Billy | |
| George Coe | ... | Dr. Weber | |
| Margaret Blye | ... | Cindy Nash | |
| Jacqueline Brookes | ... | Dr. Cooley | |
| Richard Brestoff | ... | Gene Kraft | |
| Michael Alldredge | ... | George Nash | |
| Raymond Singer | ... | Joe Mehan | |
| Allan Rich | ... | Dr. Walcott | |
| Natasha Ryan | ... | Julie | |
| Melanie Gaffin | ... | Kim | |
| Alex Rocco | ... | Jerry Anderson | |
| Sully Boyar | ... | Mr. Reisz | |
| Tom Stern | ... | Woody Browne | |
| Curt Lowens | ... | Dr. Wilkes | |
| Paula Victor | ... | Dr. Chevalier | |
| Lee Wilkof | ... | Dr. L. Hose | |
| Deborah Stevenson | ... | Intern | |
| Mark Weiner | ... | Intern | |
| Lisa Marie Gurley | ... | Receptionist (as Lisa Gurley) | |
| Chris Howell | ... | Guard | |
| John Branagan | ... | Student | |
| Daniel Furie | ... | Student | |
| Amy Kirkpatrick | ... | Student | |
| Todd Kutches | ... | Student | |
| Pauline Lomas | ... | Student | |
| Renee Neimark | ... | Nurse |
Directed by | |||
| Sidney J. Furie | |||
Writing credits | ||
| Frank De Felitta | (novel) | |
| Frank De Felitta | (screenplay) | |
Produced by | |||
| Michael Leone | .... | executive producer | |
| Andrew Pfeffer | .... | executive producer (as Andrew D.T. Pfeffer) | |
| Harold Schneider | .... | producer | |
Original Music by | |||
| Charles Bernstein | |||
Cinematography by | |||
| Stephen H. Burum | |||
Film Editing by | |||
| Frank J. Urioste | |||
Casting by | |||
| Barbara Claman | (as Barbara S. Claman) | ||
Production Design by | |||
| Charles Rosen | |||
Set Decoration by | |||
| Jerry Wunderlich | |||
Makeup Department | |||
| Zoltan Elek | .... | makeup artist | |
| James Kagel | .... | special makeup effects creator | |
| Christine Lee | .... | hair stylist | |
| Stan Winston | .... | special makeup effects creator | |
Production Management | |||
| David Salven | .... | executive in charge of production | |
| David Salven | .... | production manager | |
Second Unit Director or Assistant Director | |||
| William Cosentino | .... | second assistant director | |
| Tommy Thompson | .... | first assistant director | |
Art Department | |||
| Gene Anderson | .... | assistant property master | |
| Barry Bedig | .... | property master | |
| Nigel A. Boucher | .... | lead man (as Nigel Boucher) | |
| Frank L. Brown | .... | lead man (as Frank Brown) | |
| Richard Eckols | .... | construction foreman | |
| Bruce J. Gfeller | .... | construction coordinator (as Bruce Gfeller) | |
| Daniel Gluck | .... | set designer | |
| Tony Leonardi | .... | painter (as A.J. Leonardi Jr.) | |
| John Tyrrell | .... | painter foreman | |
| Boyd Willat | .... | set designer | |
| Mark Sparks | .... | propmaker (uncredited) | |
Sound Department | |||
| Willie D. Burton | .... | sound mixer | |
| Robert W. Harris | .... | cable person (as Robert Harris) | |
| Gregg Landaker | .... | sound re-recording mixer | |
| Marvin E. Lewis | .... | boom operator (as Marvin Lewis) | |
| Steve Maslow | .... | sound re-recording mixer | |
| Keith Stafford | .... | sound effects editor | |
| Bill Varney | .... | sound re-recording mixer | |
Special Effects by | |||
| Martin Bresin | .... | special effects (as Marty Bresin) | |
| Joe Digaetano | .... | special effects | |
| Joe Lombardi | .... | special effects | |
| Steve Lombardi | .... | special effects | |
| Gary Monak | .... | special effects | |
| Robert G. Willard | .... | special effects (as Bob Willard) | |
Visual Effects by | |||
| Tom Ajar | .... | process projectionist: visual effects unit (as Thomas Ajar) | |
| Allen Blaisdell | .... | assistant camera: visual effects unit | |
| Jim Brigham | .... | projection consultant: visual effects unit | |
| James Cotten | .... | puppeteer: visual effects unit | |
| William Cruse | .... | visual effects designer | |
| Sam DiMaggio | .... | camera operator: visual effects unit | |
| Elizabeth Goldsmith | .... | production coordinator: visual effects unit | |
| Margaret Goldsmith | .... | production assistant: visual effects unit | |
| Mentor Huebner | .... | illustrator: visual effects unit | |
| Phil Keil | .... | camera technician: visual effects unit | |
| Julie Kelly | .... | production assistant: visual effects unit | |
| Norman Markowitz | .... | process projectionist: visual effects unit | |
| Francis McConnell | .... | optical assistant: visual effects unit | |
| Hubert Nichols | .... | optical camera operator: visual effects unit | |
| Paul Nielson | .... | camera technician: visual effects unit | |
| George Risko | .... | ice sculpture: visual effects unit | |
| Walter Shipley | .... | optical coordinator: visual effects unit (as Walt Shipley) | |
| Kim Waugh | .... | production assistant: visual effects unit | |
| Bill Wysock | .... | electrical engineering: visual effects unit | |
Stunts | |||
| John Ashby | .... | stunts | |
| Janet Brady | .... | stunts (as Janet Gibbs) | |
| Ron Burke | .... | stunts | |
| William H. Burton | .... | stunts (as Bill Burton) | |
| Eddy Donno | .... | stunts | |
| Kenny Endoso | .... | stunts | |
| Donna Garrett | .... | stunts | |
| Buddy Joe Hooker | .... | stunts | |
| Chris Howell | .... | stunt coordinator | |
| Shawn Howell | .... | stunts | |
| Tommy J. Huff | .... | stunts (as Thomas Huff) | |
| Linda Jacobs | .... | stunts | |
| Gary McLarty | .... | stunts | |
| Ernie F. Orsatti | .... | stunts (as Ernie Orsatti) | |
| Harry Wowchuk | .... | stunts (as Harry Wowchuck) | |
Camera and Electrical Department | |||
| Leon Ayres | .... | grip | |
| Ben Beaird | .... | grip | |
| Dustin Blauvelt | .... | first assistant camera | |
| Emmett Brown | .... | key grip (as Emmett A. Brown) | |
| John Englert | .... | best boy (as John D. Englert) | |
| Jon Timothy Evans | .... | gaffer (as Jon T. Evans) | |
| Robert E. Gaynor | .... | dolly grip | |
| John R. Hamilton | .... | still photographer | |
| Dennis M. Kuneff | .... | grip | |
| Hal Landaker | .... | video consultant | |
| Joe R. Marquette Jr. | .... | camera operator (as Joe Marquette Jr.) | |
| Michael R. Marquette | .... | second assistant camera | |
| W.J. Randall | .... | grip | |
| J.B. Richner | .... | best boy (as Jonathan B. Richner) | |
| Dave Friedman | .... | still photographer (uncredited) | |
| Gary Stark | .... | rigging gaffer (uncredited) | |
Casting Department | |||
| Judy Courtney | .... | casting associate: BCI N.Y. | |
| Vince Liebhart | .... | casting associate: BCI N.Y. | |
| Tom O'Shea | .... | casting associate: BCI N.Y. | |
Costume and Wardrobe Department | |||
| Darryl M. Athons | .... | costumer | |
| Nancy McArdle | .... | costume supervisor | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Derek Brechin | .... | assistant editor | |
| Mark Eggenweiler | .... | assistant editor | |
| Robert Raring | .... | color timer | |
Music Department | |||
| Joel Fein | .... | music recording mixer | |
| Ken Wilhoit | .... | music editor | |
Transportation Department | |||
| Jerry F. Johnson | .... | transportation captain (as Jerry Johnson) | |
| William Hogue | .... | transportation captain (uncredited) | |
Other crew | |||
| Ed Begley Jr. | .... | additional voice (as Ed Begley) | |
| Jerrold T. Brandt Jr. | .... | production representative: ACP | |
| Kathy Breen | .... | assistant: Mr. Furie | |
| Mickey Chonos | .... | caterer | |
| Carol DeBeau | .... | assistant auditor (as Carol DuBeau) | |
| Robert Eggenweiler | .... | location manager | |
| Lyla Foggia | .... | unit publicist | |
| Leigh French | .... | additional voice | |
| Kerry Gaynor | .... | technical advisor | |
| Merrill Grinnell | .... | production assistant | |
| Marcia Karr | .... | stand-in | |
| Gene Kraft | .... | title designer | |
| Renee Neimark | .... | first aid | |
| H. Bud Otto | .... | script supervisor | |
| Jane Prosnit | .... | production coordinator | |
| Todd Schneider | .... | production assistant | |
| Arlene Singer-Gross | .... | studio teacher (as Arlene Singer) | |
| Barry Taff | .... | technical advisor | |
| Ann Tait | .... | production controller | |
| Mark Weiner | .... | stand-in | |
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| I Spit on Your Grave | Last Stop on the Night Train | The Girl Next Door | Star of David: Beauty Hunting | Island of Death |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
The Entity has an extremely sloppy script. First of all, it basically repeats itself a dozen times. Each attack is more or less identical. The biggest problem has to do with the psychologist. He thinks it's all in Carla's head. It would have been nice for the filmmakers to give us the possibility for interpretation, but we see these attacks outside of Carla's point of view. The audience knows for sure that what is happening is real. And then there are half a dozen witnesses. When they corroborate her story, the psychologist still refuses to believe them. Jerry (Alex Rocco) swears that he saw Carla's body being manipulated by an unseen force, and Dr. Sneiderman still believes it's all just in her head. What this does is make him the bad guy throughout the film - we know that, because of him, Carla's attacks are going to go on without a chance of relief. And the script wants us to feel a romantic connection between the two of them. A lot of the film is told from his point of view, trying to get us to believe he is a helpful force, and all we can do is despise him as if he were a weasel taking advantage. This, more than anything else, stops the film dead in its tracks.
However, there are a couple of positive things that save the film and make it worth a watch. Barbara Hershey is absolutely excellent as the frightened victim who gradually grows stronger. The rest of the acting isn't bad, either, but only her performance stands out. Also, the special effects, even though they are very cheap, are enormously effective. Well, the lightning wasn't, but this film goes to show you that a simple rattling mirror is worth so much more than a million dollar CGI ghost.
...and wait until the final moments of the film. I don't think ANYTHING has made me shiver as violently as that moment after the door slams closed. Also, I've rarely been as proud of a character after Carla opens it right back up.