A poor family in the Northeast of Brazil (Fabiano, the father; Sinhá Vitória, the mother; their 2 children and a dog called Baleia) wander about the barren land searching for a better place... See full summary »
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. Cesare, however, is wounded and captured during... See full summary »
Fictionalized account of the adventures of hired gunman Antonio das Mortes, set against the real life last days of rural banditism. The movie follows Antonio as he witnesses the descent of ... See full summary »
Geraldo Del Rey,
André, relatively poor, falls in love with Silvia, a neighbor whom he spies with a telescope. Falling more and more in love with her, he begins to follow her around the city and realizes ... See full summary »
Renata de Lélis,
Brazilian baroque. The young son that ran from his dominant family, descends into decadence and then returns to the nest. With melodramatic themes of tyrannical fathers, incest, fierce ... See full summary »
Luiz Fernando Carvalho
Juliana Carneiro da Cunha
A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs... See full summary »
Cássia Kis Magro
Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981,... See full summary »
Tite de Lemos,
In São Paulo, the worker Tião (Carlos Alberto Riccelli) is the son of the idealistic Otávio (Gianfrancesco Guarnieri), who tries to organize the workers with his friend Bráulio (Milton Gonçalves) against the exploitation of the employers. Tião's girlfriend, the also worker Maria (Bete Mendes), got pregnant and he decides to get married with her in a hurry. Tião was raised in the repressive period of the Brazilian dictatorship and is very afraid of losing his job, while his father has a totally different political position. Tião believes that the struggle between classes never changes, while his father has an opposite opinion, having confidence in better days. His mother Romana (Fernanda Montenegro) is the balance of their family. The dramatic story is not conclusive, portraying a period in Brazilian history when the workers were trying to organize the strikes and other movements against the employer, after a long period of dictatorship. Having a magnificent interpretation of an outstanding cast, this movie was awarded with the Golden Lion Special Jury Prize - in Cannes Festival (1981), and also awarded in minor international festivals in Cuba (1981), France (1981) and Colombia (1983), besides winning four prizes in a national festival (Air France). In the present days, the president of Brazil is a former worker, derived from the labor union and elected by the hopeful people, with the expectation of improving the life of our suffered people. He was one of the men who fought against the dictatorship and organized the movement of workers in Brazil. Ironically, he seems to have forgotten his campaign promises and origin, and Brazil has presently one of the highest unemployment rate in our history. In the end, unfortunately it seems that Tião was right. My vote is nine.
Title (Brazil): `Eles Não Usam Black Tie' (`They Do Not Wear Black Tie')
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