At the beginning of the 20th Century Egon Schiele is one of the most provocative artists in Vienna. His life and work are driven by beautiful women and an era that is coming to an end. Two ... See full summary »
The story of a Nazi-looted painting, Egon Schiele's 'Portrait of Wally,' that was discovered on the walls of the Museum of Modern Art in 1997, triggering a historic court case that pitted ... See full summary »
Life in an elegant Parisian brothel in the early twentieth century. The madam essentially owns the women: their expenses exceed earnings, they are in debt. They face problems of pregnancy, ... See full summary »
In Venice, forty-old-year old Serge Fabergé has just been given the best advertisement director award. While taking a walk on the Piazza San Marco, Serge meets Evelyn Nicholson, a ... See full summary »
Serge Morgan is a killer working for the American Mafia. After performing a contract in New York for his employers, he takes the plane back to Paris and, during the flight, he gets to know ... See full summary »
The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris ... See full summary »
Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date.
The life of Schiele is presented here as a puzzle; well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer.
The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.
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