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The Beyond (1981)
"...E tu vivrai nel terrore! L'aldilà" (original title)

 -  Horror  -  1 March 1983 (USA)
6.9
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Ratings: 6.9/10 from 13,043 users  
Reviews: 250 user | 167 critic

A young woman inherits an old hotel in Louisiana where after a series of supernatural 'accidents', she learns that the building was built over one of the entrances to Hell.

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Title: The Beyond (1981)

The Beyond (1981) on IMDb 6.9/10

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Edit

Cast

Complete credited cast:
Catriona MacColl ...
Liza Merril (as Katherine MacColl)
David Warbeck ...
Dr. John McCabe
Cinzia Monreale ...
Emily (as Sarah Keller)
Antoine Saint-John ...
Schweick
Veronica Lazar ...
Martha
Anthony Flees ...
Larry
Giovanni De Nava ...
Al Cliver ...
Dr. Harris
Michele Mirabella ...
Martin Avery
Gianpaolo Saccarola ...
Arthur (as Giampaolo Saccarola)
Maria Pia Marsala ...
Jill
Laura De Marchi ...
Mary-Ann
Edit

Storyline

The cellar of an old hotel is built on top of the door to the beyond. Bloody zombies roam there. A young woman who is heir of the hotel wants to restaurate it. She is confronted with strange events. A painter has a lethal fall, the plumber vanishes and her friend breaks his neck. When she escapes to the hospital of a friendly doctor she doesn't know what a nightmare is waiting there... Written by Matthias Luehr <mluehr@htwm.de>

Plot Summary | Plot Synopsis

Plot Keywords:

hotel | hell | plumber | painter | doctor | See All (191) »

Taglines:

Behind this doorway lie the terrifying and unspeakable secrets of hell. No one who sees it lives to describe it. And you shall live in darkness for all eternity. See more »

Genres:

Horror

Certificate:

X | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

1 March 1983 (USA)  »

Also Known As:

7 Doors of Death  »

Box Office

Budget:

$400,000 (estimated)

Opening Weekend:

$113,795 (USA) (11 September 1998)

Gross:

$126,387 (USA) (13 November 1998)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (R-rated) | (cut)

Sound Mix:

(US version)| (original version)

Color:

(Sepia)|

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Lucio Fulci:  when David Warbeck answers the phone at the Jazz saloon, the director is reflected in the mirror behind him. See more »

Goofs

The position of the painter's hands as he is crucified. See more »

Quotes

Liza Merrill: How long will it take?
Joe: It'll take as long as it takes.
See more »

Crazy Credits

Just after the credits, when the screen turns black, a scream is heard. See more »

Connections

Referenced in School of the Dead (2005) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A true masterpiece from a legendary master of horror!
17 January 2005 | by (United States) – See all my reviews

A couple of years back (late 90's), I had the pleasure of experiencing Fulci's The Beyond the way it was meant to be watched...on the big screen at the Angelica Movie Theater in Soho (NYC) at midnight, in all of its uncut glory (thanks to Quentin Tarantino's Rolling Thunder Films).

For a couple of hours, I was taken aback to the greatest days of horror! It even had previous of movies like 2000 Maniacs, The Evil Dead and Zombie (aka Zombie 2) before the movie started. To truly appreciate this movie, one has to remember the era it came from. The post Exorcist and Dawn of the Dead period saw many imitations, especially from Italy. However, there were a handful of filmmakers that had actual imagination, skills and creativity to set their pictures apart from the rest. Of the bunch, Argento, Bava (father and son), and Fulci stood quite apart from the rest, each with their own talents.

Fulci was perhaps the most prolific of them, adding a flare of his own Art to his works. His movies each played like paint on canvas from beginning to end. The Beyond was his greatest Masterpiece, combining a better plot than most of his works, with the high quality level of gore Fulci was and always will be well known for.

The Beyond starts with a Warlock being executed in the 1930's by a lynch mob. Little do they know that the hotel where the act takes place happens to be one of the seven doorways to hell. Flashing forward about 50 years later, Liza inherets the hotel and decides to restore it. From there all hell breaks loose. The ending is as disturbing as it gets, and the deaths are both unique and horrifying (vintage Fulci).

I remember walking to the subway station that night, still thinking about what my eyes had just seen (occasionally looking over my shoulder) - realizing I had been genuinely scared and disturbed by a movie that at the time was about 17 years old. Man I miss the "Hey-Day" of horror, and the true masters of it!


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