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...E tu vivrai nel terrore! L'aldilà (1981)

R | | Horror | 11 March 1983 (USA)
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A young woman inherits an old hotel in Louisiana where after a series of supernatural 'accidents', she learns that the building was built over one of the entrances to Hell.

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Cast

Complete credited cast:
Catriona MacColl ...
Liza Merril (as Katherine MacColl)
David Warbeck ...
Dr. John McCabe
Cinzia Monreale ...
Emily (as Sarah Keller)
Antoine Saint-John ...
Schweick
Veronica Lazar ...
Martha
Larry Ray ...
Larry (as Anthony Flees)
Giovanni De Nava ...
...
Dr. Harris
Michele Mirabella ...
Martin Avery
Gianpaolo Saccarola ...
Arthur (as Giampaolo Saccarola)
Maria Pia Marsala ...
Jill
Laura De Marchi ...
Mary-Ann
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Storyline

The cellar of an old hotel is built on top of the door to the beyond. Bloody zombies roam there. A young woman who is heir of the hotel wants to restaurate it. She is confronted with strange events. A painter has a lethal fall, the plumber vanishes and her friend breaks his neck. When she escapes to the hospital of a friendly doctor she doesn't know what a nightmare is waiting there... Written by Matthias Luehr <mluehr@htwm.de>

Plot Summary | Plot Synopsis

Plot Keywords:

hotel | hell | plumber | painter | doctor | See All (192) »

Taglines:

The seven dreaded gateways to hell are concealed in seven cursed places... And from the day the gates of hell are opened, the dead will walk the earth. See more »

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

11 March 1983 (USA)  »

Also Known As:

7 Doors of Death  »

Box Office

Budget:

$400,000 (estimated)

Opening Weekend:

$113,795 (USA) (11 September 1998)

Gross:

$126,387 (USA) (13 November 1998)
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Company Credits

Production Co:

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Technical Specs

Runtime:

| (R-rated) | (cut)

Sound Mix:

(US version)| (original version)

Color:

(Sepia)|

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

'The Book Of Eibon', featured prominently throughout the film, is the creation of American pulp fiction author, poet and fine artist Clark Ashton Smith and is a recurring text associated with the so-called "Cthulhu Mythos" cycle of literature. The book, which deals with various arcane subjects including the resurrection of the dead, demonic magic, parallel dimensions and other black magic subjects is alleged to have been imparted to the infamous necromancer Eibon by the ancient devil-god Tsathoggua in a remote prehistoric epoch. See more »

Goofs

John fires nine shots from his Colt .357 Python revolver before it is empty. This pistol only holds six rounds. See more »

Quotes

Dr. John McCabe: No, Liza, I'm a doctor, and I won't accept irrational explanations. I want to talk to Harris. I'm gonna call the FBI.
See more »

Crazy Credits

Just after the credits, when the screen turns black, a scream is heard. See more »

Connections

Featured in Midnight Movie Review: Fulci Lives! (2012) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Beyond = Horror.
19 January 2005 | by (Argentina) – See all my reviews

If someone uses as reference the IMDb rating of L'aldilá he is going to notice something particular. L'aldilá unlike many B-Euro-horror movies of the 80s has almost a 7 points rating with less than 2000 votes. The reason: Many people worship this cult movie. If someone ranks this movie with a 1 on the other side there will be a 10 to compensate. We are speaking about a true cult movie. Acclaimed by a small number of fans worldwide, a movie scorned by critics and the regular viewer. One strange case indeed.

The story is a disturbing mix of elements. In the first minutes during the execution of Schweick , it is clear what kind of tale is L'aldilá. Vengeance beyond the grave, an apocalypse that is unavoidable. Common people trapped in the middle. One of the merits of Sarchetti's script is the character of Katriona Maccoll a real down to earth human being, his partner is a curious but good man. Both of them tried to do things right, but in the end that won't help . The brutality of violence is another great detail, is unexpected, extreme and very, very graphic. And as the final touch, the climatic ending. The assonant music has its logic, this is disturbing terror, it wouldn't be the same with new-age, reggae, or a ballad.

Lucio Fulci was an unique director. With L'aldilá he tried to create an 'artaudian' study of horror. He achieved that. He used less than 90 minutes to mix ominous menaces that are beyond this world waiting their time for return and extremely gory horror. The unavoidable tragedy strikes in the form of hungry zombies. He was a demanding director, he never let that their actors underestimate their roles. His use of zoom-effects are a trademark, the zoom in used in a completely original way. Let's say the zoom is the hand of someone that keep your eyes open in an awful or transcendental sequence, Fulci forces you to pay attention when he wants your attention. Delightful. Nowadays audiences are very comfortable watching horror movies. They expect to see some scares and then laugh with the jokes of some stupid teens avid of rave music and easy sex. Fulci in that aspect was an author beyond his time. He tried to shock people, scare them, revolve their stomachs, those were his methods to gain the public but he NEVER underestimated the audiences, he gave his 100% and made cult classics.

Note for Fulci newcomers: The more interesting works of this director are in the period of middle 70's to 1985. If you see two or three of his movies in this period and you dislike them then don't bother anymore because you will never like his style.


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