| Photos (See all 13 | slideshow) |
| Peter MacNicol | ... | Galen | |
| Caitlin Clarke | ... | Valerian | |
| Ralph Richardson | ... | Ulrich | |
| John Hallam | ... | Tyrian | |
| Peter Eyre | ... | Casiodorus Rex | |
| Albert Salmi | ... | Greil | |
| Sydney Bromley | ... | Hodge | |
| Chloe Salaman | ... | Princess Elspeth | |
| Emrys James | ... | Valerian's Father | |
| Roger Kemp | ... | Horsrik | |
| Ian McDiarmid | ... | Brother Jacopus | |
| Ken Shorter | ... | Henchman | |
| Jason White | ... | Henchman | |
| Yolande Palfrey | ... | Victim | |
| Douglas Cooper | ... | Urlander | |
| Alf Mangan | ... | Urlander | |
| David Mount | ... | Urlander | |
| James Payne | ... | Urlander | |
| Chris Twinn | ... | Urlander |
Directed by | |||
| Matthew Robbins | |||
Writing credits | ||
| Hal Barwood | (written by) & | |
| Matthew Robbins | (written by) | |
Produced by | |||
| Hal Barwood | .... | producer | |
| Howard W. Koch | .... | executive producer | |
| Eric Rattray | .... | associate producer | |
Original Music by | |||
| Alex North | |||
Cinematography by | |||
| Derek Vanlint | (director of photography) | ||
Film Editing by | |||
| Tony Lawson | |||
Casting by | |||
| Deborah Brown | |||
| Debbie McWilliams | (as Deborah McWilliams) | ||
Production Design by | |||
| Elliot Scott | |||
Art Direction by | |||
| Alan Cassie | |||
Set Decoration by | |||
| Ian Whittaker | |||
Costume Design by | |||
| Anthony Mendleson | |||
Makeup Department | |||
| Graham Freeborn | .... | makeup artist | |
| Barbara Ritchie | .... | hair stylist | |
| Jane Royle | .... | makeup artist | |
| Bobbie Smith | .... | hair stylist | |
| Nick Dudman | .... | makeup artist (uncredited) | |
Production Management | |||
| Donald Toms | .... | unit production manager | |
Art Department | |||
| Sid Alden | .... | property storeman | |
| Ted Ambrose | .... | chief draughtsman | |
| Ernest Archer | .... | assistant art director | |
| Graham Britton | .... | stand-by carpenter: second unit | |
| David Bunnett | .... | graphics | |
| Jock Campbell | .... | chief painter | |
| Peter Childs | .... | draughtsman | |
| Philip Connolly | .... | stand-by crew | |
| Tommy Davies | .... | property stand-by crew | |
| Bill Evans | .... | chief carpenter | |
| Arthur Healey | .... | sculptor | |
| Bernie Hearn | .... | dressing props (as Bernard Hearn) | |
| Wally Hill | .... | property stand-by crew | |
| Derek Howarth | .... | chief sculptor | |
| Tony Jordon | .... | stand-by crew | |
| John Kijko | .... | property maker | |
| Andrew Knapman | .... | chief plasterer | |
| Fred Meakin | .... | stand-by crew | |
| Tony Morris | .... | assistant construction manager | |
| Brian Muir | .... | sculptor | |
| Terry Newvell | .... | stand-by crew | |
| Trevor Nicol | .... | stand-by crew | |
| Michael Redding | .... | construction manager | |
| Nick Rivers | .... | dressing props | |
| Bob Sherwood | .... | property stand-by crew (as Robert Sherwood) | |
| Bryn Siddall | .... | property buyer | |
| Ernest Smith | .... | scenic artist (as Ernie Smith) | |
| Michael Spivey | .... | stand-by crew | |
| Frank Walsh | .... | draughtsman | |
| Barry Wilkinson | .... | property master | |
| Trevor Cripps | .... | special prop fabricator (uncredited) | |
| Duncan Guest | .... | carpenter (uncredited) | |
| Robert Jackson | .... | carpenter (uncredited) | |
Sound Department | |||
| Andy Aaron | .... | sound effects recordist | |
| C.J. Appel | .... | sound assistant (as Carol Jean Appel) | |
| David Batchelor | .... | production sound assistant | |
| Louis Benioff | .... | assistant sound designer | |
| Mark Berger | .... | supervising sound re-recordist | |
| Jay Boekelheide | .... | sound editor | |
| George Budd | .... | sound apprentice | |
| Tony Dawe | .... | production sound recordist (as Anthony Dawe) | |
| Nicholas Dunn | .... | boom operator | |
| Teresa Eckton | .... | sound editor | |
| Barbara Ellis | .... | sound assistant | |
| Ken Fischer | .... | sound assistant | |
| Doug Hemphill | .... | sound effects recordist (as Douglas Hemphill) | |
| Tim Holland | .... | sound editor | |
| Daniel Kenney | .... | sound apprentice | |
| Cliff Latimer | .... | sound assistant (as Clifford Latimer) | |
| Walter Murch | .... | sound re-recordist | |
| Leslie Shatz | .... | dialogue editor | |
| Dale Strumpell | .... | sound designer | |
| Dale Strumpell | .... | sound re-recordist | |
| Dennie Thorpe | .... | sound assistant | |
| Karen G. Wilson | .... | sound assistant (as Karen Wilson) | |
| Lionel Strutt | .... | adr mixer: UK (uncredited) | |
Visual Effects by | |||
| Peter Amundson | .... | effects editorial assistant: ILM (as Peter Amundsen) | |
| Charles Bailey | .... | model maker: ILM (as Charlie Bailey) | |
| Craig Barron | .... | matte photography assistant: ILM | |
| Dennis Bartlett | .... | travelling matte consultant | |
| William Beck | .... | effects technician: ILM | |
| Jon Berg | .... | dragon consultant: ILM | |
| David Berry | .... | optical printer operator: ILM | |
| Conrad Bonderson | .... | machinist: ILM | |
| Kris Brown | .... | computer engineer: ILM | |
| Laura Buff | .... | production accountant: ILM (as Laura Kaysen) | |
| Scott Caple | .... | animator: ILM | |
| Dave Carson | .... | dragon set designer: ILM | |
| Chris Casady | .... | additional animator: VCE | |
| Terry Chostner | .... | still photographer: ILM | |
| Sam Comstock | .... | animation supervisor: ILM (as Samuel Comstock) | |
| Dick Dova | .... | effects technician: ILM | |
| Loring Doyle | .... | animator: ILM | |
| Selwyn Eddy | .... | effects camera assistant: ILM (as Selwyn Eddy III) | |
| Judy Elkins | .... | animator: ILM | |
| John Ellis | .... | optical printer operator: ILM | |
| Chrissie England | .... | administrative coordinator: ILM | |
| Christopher Evans | .... | matte artist: ILM | |
| Rick Fichter | .... | effects cameraman: ILM | |
| Bob Finley III | .... | effects technician: ILM (as Bobby Finley III) | |
| Pat Fitzsimmons | .... | effects technician: ILM (as Patrick Fitzsimmons) | |
| Warren Franklin | .... | optical coordinator: ILM | |
| Dietrich Friesen | .... | animator: ILM | |
| Michael Fulmer | .... | model maker: ILM (as Mike Fulmer) | |
| Ray Gilberti | .... | effects camera assistant: ILM | |
| James Hagedorn | .... | optical cameraman: VCE | |
| Edward Hirsh | .... | effects technician: ILM | |
| Paul Huston | .... | model maker: ILM | |
| Robert Jacobs | .... | animation cameraman: VCE | |
| Jerry Jeffress | .... | electronic systems designer: ILM | |
| Erik Jensen | .... | dragon assistant: ILM (as E. Eric Jensen) | |
| Ed Jones | .... | optical line-up: ILM | |
| Katherine Kean | .... | additional animator: VCE (as Kathrine Kean) | |
| Sylvia Keulen | .... | animator: ILM | |
| Kim Knowlton | .... | animator: ILM | |
| Neil Krepela | .... | matte photography: ILM | |
| Peter Kuran | .... | additional animator: VCE | |
| Gary Leo | .... | dragon mover: ILM | |
| Mike MacKenzie | .... | electronic engineer: ILM | |
| Alan Maley | .... | matte painting supervisor: ILM | |
| Scott Marshall | .... | model maker: ILM | |
| Michael J. McAlister | .... | effects cameraman: ILM (as Micheal McAlister) | |
| Roberto McGrath | .... | still photography assistant: ILM | |
| John McLeod | .... | effects technician: ILM (as John McCleod) | |
| Ted Moehnke | .... | effects technician: ILM (as T.E. Moehnke) | |
| Len Morganti | .... | additional animator: VCE | |
| Thaine Morris | .... | pyrotechnics: ILM | |
| Dennis Muren | .... | supervisor of special visual effects: ILM | |
| Duncan Myers | .... | optical technician: ILM (as Duncan Meyers) | |
| Bruce Nicholson | .... | optical photography supervisor: ILM | |
| Kerry Nordquist | .... | still photography assistant: ILM | |
| Ease Owyeung | .... | model maker: ILM | |
| Udo Pampel | .... | machinist: ILM | |
| Michael Pangrazio | .... | matte artist: ILM | |
| Lorne Peterson | .... | model shop supervisor: ILM | |
| Ken Ralston | .... | dragon supervisor: ILM | |
| Arthur F. Repola | .... | visual effects editor: ILM (as Arthur Repola) | |
| Bruce Richardson | .... | model maker: ILM | |
| Thomas Rosseter | .... | optical line-up: ILM (as Tom Rosseter) | |
| Wesley Seeds | .... | dragon assistant: ILM | |
| Kenneth Smith | .... | optical printer operator: ILM | |
| Thomas G. Smith | .... | effects production supervisor: ILM (as Thomas Smith) | |
| Tom St. Amand | .... | dragon mover: ILM | |
| Howard Stein | .... | visual effects editor: ILM | |
| Peter Stolz | .... | dragon assistant: ILM | |
| Marc Thorpe | .... | dragon assistant: ILM | |
| Phil Tippett | .... | dragon supervisor: ILM | |
| Susan Turner | .... | additional animator: VCE | |
| John T. Van Vliet | .... | animator: ILM (as John Van Vliet) | |
| Mark Vargo | .... | optical line-up: ILM | |
| Jim Veilleux | .... | additional photography: ILM | |
| Laurie Vermont | .... | effects production coordinator: ILM | |
| Pam Vick | .... | additional animator: VCE | |
| Garry Waller | .... | animator: ILM | |
| Jody Westheimer | .... | effects camera assistant: ILM | |
| Gene Whiteman | .... | equipment engineering supervisor: ILM | |
| Bess Wiley | .... | dragon assistant: ILM (as Bessie K. Wiley) | |
| Stuart Ziff | .... | dragon mover: ILM | |
| Marty Brenneis | .... | electronic technician: ILM (uncredited) | |
| Roy Field | .... | blue screen and optical consultant: London (uncredited) | |
| Brian Johnson | .... | special visual effects (uncredited) | |
Stunts | |||
| Tony Smart | .... | stunts | |
| Terry Walsh | .... | stunt coordinator | |
| Terry Walsh | .... | stunts | |
| Vic Armstrong | .... | stunts: fire gag (uncredited) | |
| Kiran Shah | .... | stunt double (uncredited) | |
Camera and Electrical Department | |||
| Beaumont Alexander | .... | assistant camera: second unit | |
| Nick Allder | .... | halo crane | |
| Frank Batt | .... | grip: second unit | |
| George Beavis | .... | grip | |
| Bert Bosher | .... | chief electrician | |
| Tony Brown | .... | assistant camera | |
| John Campbell | .... | camera operator: second unit | |
| Robin Carlyle | .... | assistant camera | |
| Eddie Collins | .... | camera operator | |
| Albert Cowlard | .... | grip | |
| Mark Cridlin | .... | assistant camera: second unit | |
| Ray Evans | .... | halo crane | |
| Ian Foster | .... | clapper loader: extra unit | |
| John Golding | .... | second assistant camera | |
| Brian Harris | .... | assistant camera | |
| Ron Hutton | .... | chargehand electrician | |
| John Keen | .... | assistant camera | |
| Dennis Lowe | .... | halo crane (as Dennis Low) | |
| Joe Pearce | .... | still photographer | |
| Laurie Ridley | .... | still photographer | |
| Nick Schlesinger | .... | assistant camera | |
| Chris Warren | .... | video operator (uncredited) | |
Costume and Wardrobe Department | |||
| Ken Crouch | .... | wardrobe assistant | |
| Dorothy Edwards | .... | wardrobe mistress | |
| Renee Heimer | .... | wardrobe assistant | |
| John Hilling | .... | wardrobe master | |
| Ken Lawton | .... | wardrobe assistant | |
| Rene Leonard | .... | wardrobe assistant | |
Editorial Department | |||
| Duwayne Dunham | .... | assistant film editor | |
| Paul Hodgson | .... | assistant film editor | |
| David Spiers | .... | first assistant film editor | |
Music Department | |||
| June Edgerton | .... | music editor | |
| Christopher Page | .... | period music | |
| Sidney Sax | .... | music contractor | |
| Eric Tomlinson | .... | music recordist | |
| Dan Goldwasser | .... | soundtrack producer (uncredited) | |
|
|
|
|
|
| The Hobbit | Krull | Eragon | The Sorcerer's Apprentice | The Lord of the Rings |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This movie benefits from an interesting plot, a wonderful female character played by Caitlin Clarke, and good plot twists. I'm not a big fan of the male lead; his looks are a little average and uninteresting to me. The only other drawback are the ugly hats characters wear in this film. However, what makes this movie unique are its visuals, which through creativity and hard work, outshines many fantasy movies of the 90's and early 2000's.
This film proves that it doesn't need 21st century technology to make a beautiful and visually complex piece. As I watched the dragon, it was easy to tell that it was not real; it had flaws in its appearance and its movements were not perfect. But that did not detract at all from the film, because what made the dragon impressive was the artistic elements of its design; its many layers of thin, translucent membrane, its finely chiseled and formed teeth, and the almost charcoal-like, tough scales on its hide. In many modern fantasy movies, the creatures and dragons are uninspired, dull, and drab, despite the computer engineering behind them. In the 80's, directors had to be creative to produce their desired effect, and this creativity went a long way in producing visuals that both wowed audiences with their appearance and the thought of the work that went into making them.