| Laurie Lapinski | ... | Joanne Murray | |
| Stephen Sachs | ... | Craig | |
| David Snow | ... | Brian | |
| Pamela Holland | ... | Patti | |
| Dennis Ely | ... | Bobby Lee Tremble | |
| Woody Roll | ... | John Hemmit | |
| Daphne Zuniga | ... | Debbie | |
| Jake Jones | ... | Bill Edgar | |
| Robert Fredrickson | ... | Tim (as Robert Frederick) | |
| Chris Morrill | ... | Jack | |
| Chandre | ... | Alice | |
| Billy Criswell | ... | Rick | |
| Richard Cowgill | ... | Debbie's Father | |
| Kay Beth | ... | Doris, Debbie's Mother | |
| Jimmy Betz | ... | Officer Lewis | |
| Thomas Christian | ... | Officer Dean | |
| Robert Richardson | ... | Policeman | |
| Chris Schroeder | ... | Policeman | |
| rest of cast listed alphabetically: | |||
| Leesa Gallentine | ... | Nancy (uncredited) | |
Directed by | |||
| Stephen Carpenter | |||
| Jeffrey Obrow | |||
Writing credits | ||
| Stephen Carpenter | (screenplay) & | |
| Jeffrey Obrow | (screenplay) & | |
| Stacey Giachino | (screenplay) | |
Produced by | |||
| Stacey Giachino | .... | associate producer | |
| Jeffrey Obrow | .... | producer | |
Original Music by | |||
| Christopher Young | (as Chris Young) | ||
Cinematography by | |||
| Stephen Carpenter | |||
Film Editing by | |||
| Stephen Carpenter | |||
| Jeffrey Obrow | |||
Casting by | |||
| Wesley Lou David | |||
Art Direction by | |||
| Charlotte Grant | |||
Makeup Department | |||
| Matthew W. Mungle | .... | makeup and special effects (as Matthew Mungle) | |
Production Management | |||
| Samson Aslanian | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Hopkins | .... | assistant director | |
Art Department | |||
| Dale Herigstad | .... | graphic designer | |
Stunts | |||
| Stephen Sachs | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Tony Allard | .... | grip | |
| Lars Hauglie | .... | grip | |
| Chris Hopkins | .... | key grip | |
| Chris Lombardi | .... | first assistant camera | |
| Joel McConaughy | .... | best boy | |
| Marc Reshovsky | .... | gaffer | |
| Leslie Rosenthal | .... | second assistant camera | |
| Bret Shelton | .... | grip | |
| Lawrence L. Simeone | .... | gaffer (as Lawrence Simeone) | |
Editorial Department | |||
| Harold English | .... | assistant editor | |
| Earl Ghaffari | .... | assistant editor | |
| Walter Gorey | .... | editing staff | |
| Lars Hauglie | .... | editing staff | |
| Chris Hopkins | .... | editing staff | |
| John Penney | .... | assistant editor | |
| Bret Shelton | .... | assistant editor | |
| Richard Villa | .... | editing staff | |
Other crew | |||
| Shannon Aikman | .... | production staff | |
| Juliette Deinum | .... | production staff | |
| Harold English | .... | production associate | |
| Michel Horvat | .... | production staff | |
| Mark Howell | .... | production staff | |
| Jodi Lampert | .... | production staff | |
| Ida Medaglia | .... | production staff | |
| Robert L. Newman | .... | production consultant | |
| Dianne Nezgoda | .... | script supervisor | |
| Jon O'Brien | .... | production staff | |
| Lauren E. Polizzi | .... | production staff (as Lauren Polizzi) | |
| Lenny Shaw | .... | production staff | |
| Darren Star | .... | production staff | |
| Robert Stone | .... | production accountant | |
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| Night of the Demon | Friday the 13th | La polizia chiede aiuto | Torso | A Bay of Blood |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Not a bad word to say about this film really. I wasn't initially impressed by it but it grew on me quickly. I like it a lot and I think its a shame that many people can't see past the fact that it was banned in some territories, mine being one of them. The film delivers in the shock, gore and atmosphere department. The score is a beautiful piece of suspense delivering apparatus. It only seems fair that Chris Young went on to be one of the best composers in the business. The acting in this film is of a somewhat high standard, if a little wooden in some spots, and the effects are very real and gritty. All of this is high praise for a good slasher film in my book. I've noted in some reviews that the film has gotten serious flack having the famous killer's P.O.V shot. And I ask: WHAT'S WRONG WITH THAT??? It is a classic shot that evokes dread into any good fan of the genre and is a great to keep the killer's identity a secret. The only thing that stops this film getting top marks in my book is that the surprise twist(killer revealed) is not handled with more care, I mean it just happens kind of quickly, though the great performances make it just about credible. Aside from that PRANKS is a great movie (though I prefer the original title) and its a shame that so many people knock it off as just a cheap piece of crap. Its more than that, but only few know that as it seems to have gotten lost in the haze of early 80s slasher. What a shame.... Its a really good movie people! Believe me!