| Photos (see all 27 | slideshow) |
| Wilhelmenia Fernandez | ... | Cynthia Hawkins (as Wilhelmenia Wiggins Fernandez) | |
| Frédéric Andréi | ... | Jules | |
| Richard Bohringer | ... | Gorodish | |
| Thuy An Luu | ... | Alba | |
| Jacques Fabbri | ... | Jean Saporta | |
| Chantal Deruaz | ... | Nadia | |
| Anny Romand | ... | Paula | |
| Roland Bertin | ... | Weinstadt | |
| Gérard Darmon | ... | L' Antillais | |
| Dominique Pinon | ... | Le curé | |
| Jean-Jacques Moreau | ... | Krantz | |
| Patrick Floersheim | ... | Zatopek | |
| Raymond Aquilon | |||
| Eugène Berthier | |||
| Gérard Chaillou | |||
| Andrée Champeaux | |||
| Nathalie Dalyan | (as Nathalie Dalian) | ||
| Laurence Darpy | |||
| Michel Debrane | |||
| Etienne Draber | |||
| Laure Duthilleul | |||
| Nane Germon | |||
| Gabriel Gobin | |||
| Jim Adhi Limas | |||
| Louise Malapert | |||
| Dimo Mally | |||
| Vaneta Mally | |||
| Alain Marcel | |||
| Isabelle Mergault | |||
| Marthe Moudiki-Moreau | |||
| Jean-Luc Porraz | |||
| Bernard Robin | |||
| Yann Roussel | |||
| Brigitte Lahaie | ... | La fille sans culotte (as Brigitte Simonin) | |
| Jean-Louis Vitrac | |||
| Tania Zabaloieff | |||
| rest of cast listed alphabetically: | |||
| Dominique Besnehard | ... | (uncredited) | |
| Vladimir Cosma | ... | Chef d'orchestre (uncredited) | |
Directed by | |||
| Jean-Jacques Beineix | |||
Writing credits | ||
| Daniel Odier | (novel) (as Delacorta) | |
| Jean-Jacques Beineix | (adaptation) & | |
| Jean Van Hamme | (adaptation) | |
| Jean-Jacques Beineix | (dialogue) | |
Produced by | |||
| Claudie Ossard | .... | executive producer | |
| Irène Silberman | .... | producer: Greenwich Film Production | |
| Serge Silberman | .... | producer: Les Films Galaxie | |
Original Music by | |||
| Vladimir Cosma | |||
Cinematography by | |||
| Philippe Rousselot | |||
Film Editing by | |||
| Monique Prim | |||
| Marie-Josèphe Yoyotte | |||
Casting by | |||
| Dominique Besnehard | |||
Production Design by | |||
| Hilton McConnico | (as Hilton Mc Connico) | ||
Set Decoration by | |||
| Gérard Marcireau | |||
Costume Design by | |||
| Hilton McConnico | (uncredited) | ||
Makeup Department | |||
| Judith Gayo | .... | key makeup artist | |
Production Management | |||
| Richard Dupuy | .... | assistant unit manager | |
| Catherine Mazières | .... | unit manager | |
| Ulrich Picard | .... | production manager (as Ully Pickard) | |
Second Unit Director or Assistant Director | |||
| Jean-Jacques Albert | .... | second assistant director | |
| Patrick Halpine | .... | second assistant director | |
| Gérard Pujolar | .... | first assistant director | |
Art Department | |||
| Carlos Conti | .... | assistant art director | |
| Gérard Marcireau | .... | set dresser | |
| Jacques Preisach | .... | property master | |
| Ferracci | .... | poster designer (uncredited) | |
Sound Department | |||
| Louis Gimel | .... | sound assistant | |
| Jean-Pierre Lelong | .... | foley artist | |
| Gina Pignier | .... | sound editor | |
| Jean-Pierre Ruh | .... | sound | |
| Claude Villand | .... | sound mixer | |
Special Effects by | |||
| Paul Trielli | .... | special effects | |
Stunts | |||
| Michel Norman | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jean-Pierre Baronsky | .... | chief electrician | |
| Dominique Brenguier | .... | camera operator | |
| André Canda | .... | key grip | |
| Angelo Chinosi | .... | grip | |
| Arnaud Duboisberanger | .... | assistant camera (as Arnaud Du Boisberanger) | |
| Dominique Le Strat | .... | still photographer | |
Costume and Wardrobe Department | |||
| Claire Fraisse | .... | chief costumer | |
Editorial Department | |||
| Michel Crivellaro | .... | assistant editor | |
| Michèle Darmon | .... | assistant editor (as Michele Darmon) | |
| François Gédigier | .... | assistant editor | |
| Josef Lieck | .... | on-line editor | |
| Christine Pansu | .... | assistant editor | |
Music Department | |||
| Vladimir Cosma | .... | conductor | |
| William Flageollet | .... | music mixer | |
| Catherine Leygonie | .... | music editor (as Catherine Leygonnie) | |
| Jacqueline Porel | .... | music editor | |
Other crew | |||
| Jacqueline Benloulou | .... | production administrator | |
| Maurice Cadaze | .... | production administrator | |
| Marie-Jo Duchemin | .... | production secretary | |
| Sylvie Koechlin | .... | script supervisor | |
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| Magnum Force | De battre mon coeur s'est arrêté | Christiane F. - Wir Kinder vom Bahnhof Zoo | Big Fish | Cruel Intentions |
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One of the best films of the eighties, "Diva" seamlessly manoeuvres across as many genres as it's possible to imagine in a single movie. For starters, it's an elegant romance, as the young postal messenger Jules (Frederic Andrei) haplessly woos his operatic idol Cynthia Hawkins (Wilhelmenia Wiggins Fernandez) against the dreamy backdrop of rainy Paris. Then, it's also an invigorating action thriller as this same Jules, who has made a much sought-after bootleg recording of Ms. Hawkins for his own personal enjoyment, finds himself on the receiving end of more unwanted attention when he accidentally comes into possession of another tape revealing corruption in high places. In the blink of an eye, fledgling director Jean-Jacques Beineix transforms his exhilaratingly romantic vision of Paris into a hard-edged city of neon and nocturnal menace. The action sequences and twists and turns of the plot are handled with a great deal of panache and humour, both visual and verbal, so much so that there are several laugh out loud moments. If it doesn't quite qualify as a full-on comedy, "Diva" is nevertheless a film one certainly watches with a smile on one's face.
I think the reason why this film stands up so well today, even though its super-cool insouciant ambiance has been so often imitated, is not merely due to the freshness and quality of Beineix' direction, or indeed of the performances, but especially because the production values are so staggeringly high for what was basically a modestly budgeted debut feature. The striking, innovative design of Hilton Mc Connico (Jules' loft apartment is a masterpiece) and the cinematography of that superb craftsman Philippe Rousselot (either gritty or lustrous, depending on the mood), are beautifully accompanied by Vladimir Cosma's memorable score. The film is bookended by Fernandez' lovely rendition of the haunting aria from Catalini's "La Wally", and features flawless performances. I particularly enjoyed Richard Bohringer's omniscient zen-like existentialist Gorodish, and Thuy An Luu as his playful chilled-out shop-lifting sidekick Alba.