Two tapes, two Parisian mob killers, one corrupt policeman, an opera fan, a teenage thief, and the coolest philosopher ever filmed. All these characters twist their way through an intricate and stylish French language thriller.
Thierry (Gérard Sandoz) drops out of school to apprentice as a lion tamer at the zoo when he meets Roselyne (Isabelle Pasco), who shares his passion. They fall in love and when he loses his... See full summary »
Fred is living in the Paris Metro system. He is blackmailing Helena, whose safe he has robbed. Fred has various 'friends' all living in this surreal setting. The Roller is a rollerskating ... See full summary »
Michel, a psycho-analyst, falls asleep while listening to his patient Olga, a kleptomaniac and a sexual pervert, tell him how she likes her husband beating her. When he wakes up, he finds ... See full summary »
Hélène de Fougerolles,
Predrag 'Miki' Manojlovic
A young opera-loving mailman, Jules, becomes inadvertently entangled in murder, when a young woman fleeing two mob hit men drops an incriminating cassette into his mailbag. Jules has just recently recorded opera star Cynthia Hawkins' latest concert, something of a coup as Hawkins refuses to make recordings of any kind. Soon Jules finds himself the target of the hit men, who want the voice recording, and also of another couple of ominous and mysterious agents. Written by
The movie is based on the book by Delacorta, which is part of a series of stories in which Alba and Gorodish are the main characters. See more »
When Nadia is just exiting the metro station and runs into Jules, he is wearing his postman's cap. Later, in the police station when Paula is recounting Nadia's death, the same scene is replayed, except this time Jules is not wearing his cap. See more »
[eyeing the scene printed on Alba's miniskirt]
Is that the Opera House?
No, that's my ass.
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The music continues for a minute and five seconds after the credits end. See more »
The rich colors and soundtrack make this movie great.
Diva was very influential on me as a young college student. Diva represented the archetype of a foreign art film. Sure it was new, strange, and unpredictable as Avante-Garde films tend to be. But it was more than that.
I've seen Diva three times -all in the 1980's. Twenty years later, what I remember most is not the plot and the message, but the rich texture of the film. As a viewer I was submersed in a new and different reality; one that was visually stunning, intriguing, and edgy. The submersion was achieved both visually and with the hauntingly beautiful soundtrack.
The colors man, the colors... Diva included many beautiful shot scenes with intense colors and dramatic lighting. There are several shots the stills of which could be turned into farmable artwork. At the time I was thinking they would make great dorm-room posters.
I think Diva has had a lasting influence on cinematography. You may have noticed that movies, TV shows and especially advertisements have moved to be very color intense. Dramatic lighting showing sharp contrasting hues, are the norm. Diva was the first film I can remember with rich color saturation made intentionally to make this type of artistic impression.
Another movie whose cinematography was likely influenced by Diva is Betty Blue (1986).
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