A French psychologist investigates about famous suicidal women. She finds the case of Antonieta Rivas Mercado, a Mexican writer who died inside Paris' Notre Dame in 1931. To follow the ... See full summary »
Ignacio López Tarso
The story of Salomé told as one of extreme love and vengeance. A director prepares a troupe of flamenco dancers for a performance. He summarizes the story and describes his spring for the ... See full summary »
In Madrid, the orphan sisters Irene, Ana and Maite are raised by their austere aunt Paulina together with their mute and crippled grandmother after the death of their mother and their ... See full summary »
When the single middle-aged Luis travels from Barcelona to bury the remains of his mother in the vault of his family in Segovia, he is lodged by his aunt Pilar in her old house where he ... See full summary »
José Luis López Vázquez,
Main characters lived in Villaverde Alto, Madrid. When they appear riding horses and crossing a road, Villaverde Alto is seen behind them. You can find the place writing this in Google Maps: 40.350861,-3.722332 See more »
This movie makes beautiful use of Flamenco music, and does it better than any I've seen. Carlos Saura obviously cares deeply about the medium, as he also made a movie called Flamenco (although it's just a concert piece).
The story is very basic; it deals with the adventures of young street-criminals in Madrid who graduate from car-theft to bank-robbery. What's interesting is the way Saura makes us care about these "hijos de nadie", who are kind and decent people 50% of the time, and feel they have no future in regular society. But the movie never sentimentalizes them - they do exactly what you'd expect such people to do.
Dialogue is kept to a minimum; a lot of the communication is via the graceful gestures the Spanish are so good at. This allows extra time for the soundtrack, and it really gets you into the spirit of the film, which is really more like dance than acting.
Flamenco originated among the dispossessed, among beggars and gypsies condemned to live in waste places and junkyards on the edge of town, and the scenes of the barren housing-projects on the fringes of Madrid really bring this feeling to life.
Deprisa, Deprisa conveys a better understanding of the spirit of Flamenco than more elegant movies dedicated to the subject. (And Carlos Saura is a genius).
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