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A British woman visits her husband at the Mexican mine he is attempting to reopen and discovers that the workers refuse to enter the mine fearing an ancient curse. The couple enter the mine to prove there is no danger and inadvertently release a demon which possess people's left hands and forces them to behave in a suitably diabolical manner. The only way for a possessed person to free themselves from this torment is to cut off their left hand after which it scurries away in search of its next victim. Written by
*Note: Like many of my reviews, this is taken from my blog, which is called "Talk of Horrors." This one comes from the last entry of "Not on DVD Week."
The workers at a Mexican mine don't exactly want to go there because of a curse. Well, Jennifer (Samantha Eggar) and Mark Baines (Roy Jones) go in anyways, and accidentally unleash a demonic force that has a fondness for possessing people's left hands. I guess Ned Flanders was wrong when he said "Lord Love a Leftie." Anyways, the only way a person can free themselves from committing acts of evil is severing said hand-which will then go after someone else and kill or possess them. Can Jennifer and Father Cunningham (Stuart Whitman) stop this handy horror?
As you can tell from the premise, "Demoniod" is about as goofy as they get. The plot really doesn't hold up to scrutiny, most of the performances are lackluster, and the film is loaded with moments that are unintentionally hilarious. The highlight of those goofy moments is a police officer demanding "cut my hand off or you die!"
In spite of it's problems, I found myself kind of enjoying this movie. It's not really good, but the whole concept is so daffy that you can't help but go along with it. It's like "Death Bed: The Bed That Eats" or "I Bought a Vampire Motorcycle", only played straight and without evil inanimate objects. Apart from that, Eggar and Whitman aren't great, but do their best carrying the material, and there's something perversely amusing about seeing people finding different ways of getting their hands severed, providing some fun bloody moments. Add a great score by Richard Gillis, plenty of (unintentional) laughs and a downbeat (though predictable) conclusion, and you've got yourself an amusing little piece of trash cinema. It's amazing that a movie this offbeat hasn't gotten a DVD release yet, as it's the kind of cult oddity fans of trash live for.
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