| Photos (see all 8 | slideshow) |
| James Farentino | ... | Sheriff Dan Gillis | |
| Melody Anderson | ... | Janet Gillis | |
| Jack Albertson | ... | William G. Dobbs | |
| Dennis Redfield | ... | Ron | |
| Nancy Locke | ... | Linda (as Nancy Locke Hauser) | |
| Lisa Blount | ... | Girl on the Beach / Nurse Lisa | |
| Robert Englund | ... | Harry | |
| Bill Quinn | ... | Ernie | |
| Michael Currie | ... | Herman | |
| Christopher Allport | ... | George LeMoir / Freddie | |
| Joseph G. Medalis | ... | The Doctor (as Joe Medalis) | |
| Macon McCalman | ... | Ben | |
| Lisa Marie | ... | The Hitchhiker | |
| Estelle Omens | ... | Betty | |
| Barry Corbin | ... | Phil | |
| Linda Shusett | ... | Midge the Waitress (as Linda Turley) | |
| Ed Bakey | ... | The Fisherman | |
| Glenn Morshower | ... | Jimmy | |
| Robert Boler | ... | Mr. Haskell | |
| Michael Pataki | ... | Sam | |
| Jill Fosse | ... | The Nurse | |
| Mark Courtney | ... | Jamie | |
| Michael Courtney | ... | Jamie | |
| Renee McDonell | ... | Girl #1 | |
| Dottie Catching | ... | Lady Car Passenger | |
| Colby Smith | ... | Female Stranger | |
| Judy Ashton | ... | Joyce | |
| rest of cast listed alphabetically: | |||
| Tony Cecere | ... | Townsperson (uncredited) | |
| Bill Couch | ... | Townsperson (uncredited) | |
| Bill Couch Jr. | ... | Townsperson (uncredited) | |
| Angelo De Meo | ... | Townsperson (uncredited) | |
Directed by | |||
| Gary Sherman | |||
Writing credits(in alphabetical order) | ||
| Jeff Millar | story | |
| Dan O'Bannon | screenplay | |
| Ronald Shusett | writer | |
| Alex Stern | story | |
Produced by | |||
| Robert Fentress | .... | producer | |
| Michael I. Rachmil | .... | associate producer | |
| Ronald Shusett | .... | producer | |
| Richard R. St. Johns | .... | executive producer | |
Original Music by | |||
| Joe Renzetti | |||
Cinematography by | |||
| Steven Poster | (as Steve Poster) | ||
Film Editing by | |||
| Alan Balsam | |||
Casting by | |||
| Linda Francis | |||
Art Direction by | |||
| Joe Aubel | |||
| William Sandell | (as Bill Sandell) | ||
Makeup Department | |||
| Jan Cook | .... | hair stylist | |
| Ziggy Geike | .... | special wigs | |
| Stan Winston | .... | makeup effects designer | |
Production Management | |||
| John W. Hyde | .... | executive in charge of production | |
| William P. Owens | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Andrew A. Ackerman | .... | second assistant director (as Andy Ackerman) | |
| Brian E. Frankish | .... | first assistant director | |
| Scott Thaler | .... | second assistant director (as Scott Ira Thaler) | |
Art Department | |||
| Dominick Bruno | .... | property master | |
| Amanda J. Flick | .... | scenic artist | |
| Jay M. Hirsch | .... | construction foreman | |
| James E. Tocci | .... | set designer | |
Sound Department | |||
| Robert L. Harman | .... | sound re-recording mixer | |
| William L. McCaughey | .... | sound re-recording mixer | |
| Anthony Milch | .... | sound editor | |
| Lettie Odney | .... | dialogue editor | |
| Charles Randall | .... | boom operator (as Chuck Randall) | |
| Bill Randall Jr. | .... | second boom operator | |
| William Randall | .... | sound mixer (as Bill Randall) | |
| Richard D. Rogers | .... | adr mixer | |
| Howard S. Wollman | .... | sound re-recording mixer | |
Special Effects by | |||
| James Cummins | .... | lab technician | |
| Vincent Prentice | .... | special makeup effects crew: Stan Winston Studio | |
Stunts | |||
| Tony Cecere | .... | stunts | |
| Bill Couch | .... | stunt coordinator | |
| Bill Couch | .... | stunts | |
| Bill Couch Jr. | .... | stunts | |
| Angelo De Meo | .... | stunts | |
Camera and Electrical Department | |||
| Ron Batzdorff | .... | gaffer | |
| Vito Carenzo | .... | best boy grip | |
| Jim Dyer | .... | dolly grip | |
| Roger Gebhard | .... | first assistant camera | |
| Jeff Goldenberg | .... | second assistant camera | |
| John Koester | .... | camera operator | |
| Elliott Marks | .... | still photographer | |
| Ken Miller | .... | key grip | |
| Ernest Paul Roebuck | .... | lighting best boy | |
Costume and Wardrobe Department | |||
| Bill Jobe | .... | costumes | |
| Erica Edell Phillips | .... | costume supervisor | |
Editorial Department | |||
| Ross Albert | .... | associate editor | |
| Donah Bassett | .... | negative cutter | |
| Rick Greenhead | .... | telecine colorist | |
| Robert K. Lambert | .... | post-production executive | |
Music Department | |||
| Murray McFadden | .... | score mixer | |
| Jack K. Tillar | .... | music editor | |
Transportation Department | |||
| Wayne Nelson | .... | transportation captain | |
Other crew | |||
| Dustin Bernard | .... | production assistant | |
| Dixie J. Capp | .... | production coordinator | |
| Kimberley Coy | .... | unit publicist | |
| Alvin Greenman | .... | script supervisor | |
| Toni Lemos | .... | location coordinator | |
| Jim McCarthy | .... | assistant accountant | |
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| La polizia chiede aiuto | Giallo a Venezia | E tu vivrai nel terrore - L'aldilà | La tarantola dal ventre nero | L'uccello dalle piume di cristallo |
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| News articles | IMDb Horror section | IMDb USA section |
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In Potter's Bluff, a quiet coastal town in America, a photographer is seduced by a young woman but just as he is about to have sex with her on the beach, a bunch of local thugs turn up and burn him alive. But this horrific opening only turns out to be the tip of the iceberg, when a few scenes later the very same photographer is seen working at a local gas station - very alive, very happy, and with not a single burn scar on his body! The local cop finds it strange too; in fact, the whole town seems to be full of people who were dead recently and are now very much alive. There's even a character who loses an arm in a car accident, but simply picks up the severed limb and runs off.... apparently suffering from no pain at all!
Dead & Buried has an enjoyably dumb resolution (I won't spoil things, but let's just say that the local mortician has been experimenting with the dead). It also has some genuinely effective scares and infrequent but powerful gore scenes. Leading actor James Farentino is a bit of a bore, but Jack Albertson is wonderful in an atypical role as the cranky old mortician. Stan Winston's makeup effects are suitably gruesome, and some of the killings are imaginatively handled. There are some logic loopholes, though, which seriously mar the film. The twist ending in which Farentino makes a chilling discovery about himself doesn't really make sense and is a good example of scripter's trying to be too smart for themselves - and merely tying themselves up into knots. However, misjudgements aside, Dead & Buried is a goofy and entertaining early '80s spine-tingler.