| James Farentino | ... | Sheriff Dan Gillis | |
| Melody Anderson | ... | Janet Gillis | |
| Jack Albertson | ... | William G. Dobbs | |
| Dennis Redfield | ... | Ron | |
| Nancy Locke | ... | Linda (as Nancy Locke Hauser) | |
| Lisa Blount | ... | Girl on the Beach / Lisa | |
| Robert Englund | ... | Harry | |
| Bill Quinn | ... | Ernie | |
| Michael Currie | ... | Herman | |
| Christopher Allport | ... | George Le Moyne / Freddie | |
| Joseph G. Medalis | ... | Doctor (as Joe Medalis) | |
| Macon McCalman | ... | Ben | |
| Lisa Marie | ... | Hitchhiker | |
| Estelle Omens | ... | Betty | |
| Barry Corbin | ... | Phil | |
| Linda Shusett | ... | Waitress (as Linda Turley) | |
| Ed Bakey | ... | Fisherman | |
| Glenn Morshower | ... | Jimmy | |
| Robert Boler | ... | Mr. Haskell | |
| Michael Pataki | ... | Sam | |
| Jill Fosse | ... | Nurse | |
| Mark Courtney | ... | Jamie | |
| Michael Courtney | ... | Jamie | |
| Renee McDonell | ... | Girl #1 | |
| Dottie Catching | ... | Lady Car Passenger | |
| Colby Smith | ... | Female Stranger | |
| Judy Ashton | ... | Joyce | |
| rest of cast listed alphabetically: | |||
| Tony Cecere | ... | Townsperson (uncredited) | |
| Bill Couch | ... | Townsperson (uncredited) | |
| Bill Couch Jr. | ... | Townsperson (uncredited) | |
| Angelo De Meo | ... | Townsperson (uncredited) | |
Directed by | |||
| Gary Sherman | (as Gary A. Sherman) | ||
Writing credits | ||
| Ronald Shusett | (screenplay) & | |
| Dan O'Bannon | (screenplay) | |
| Jeff Millar | (story) & | |
| Alex Stern | (story) | |
Produced by | |||
| Robert Fentress | .... | producer | |
| Michael I. Rachmil | .... | associate producer | |
| Ronald Shusett | .... | producer | |
| Richard R. St. Johns | .... | executive producer | |
Original Music by | |||
| Joe Renzetti | |||
Cinematography by | |||
| Steven Poster | (as Steve Poster) | ||
Film Editing by | |||
| Alan Balsam | |||
Casting by | |||
| Linda Francis | |||
Art Direction by | |||
| Joe Aubel | |||
| William Sandell | (as Bill Sandell) | ||
Makeup Department | |||
| Jan Cook | .... | hair stylist | |
| Ziggy Geike | .... | special wigs | |
| Stan Winston | .... | makeup effects designer | |
Production Management | |||
| John W. Hyde | .... | executive in charge of production | |
| William P. Owens | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Andrew A. Ackerman | .... | second assistant director (as Andy Ackerman) | |
| Brian E. Frankish | .... | first assistant director | |
| Scott Thaler | .... | second assistant director (as Scott Ira Thaler) | |
Art Department | |||
| Dominick Bruno | .... | property master | |
| Amanda J. Flick | .... | scenic artist | |
| Jay M. Hirsch | .... | construction foreman | |
| James E. Tocci | .... | set designer | |
Sound Department | |||
| Robert L. Harman | .... | sound re-recording mixer | |
| William L. McCaughey | .... | sound re-recording mixer | |
| Anthony Milch | .... | sound editor | |
| Lettie Odney | .... | dialogue editor | |
| Charles Randall | .... | boom operator (as Chuck Randall) | |
| Bill Randall Jr. | .... | second boom operator | |
| William Randall | .... | sound mixer (as Bill Randall) | |
| Richard D. Rogers | .... | adr mixer | |
| Howard S. Wollman | .... | sound re-recording mixer | |
Special Effects by | |||
| James Cummins | .... | lab technician | |
| Vincent Prentice | .... | special makeup effects crew: Stan Winston Studio | |
Stunts | |||
| Tony Cecere | .... | stunts | |
| Bill Couch | .... | stunt coordinator | |
| Bill Couch | .... | stunts | |
| Bill Couch Jr. | .... | stunts | |
| Angelo De Meo | .... | stunts | |
Camera and Electrical Department | |||
| Ron Batzdorff | .... | gaffer | |
| Vito Carenzo | .... | best boy grip | |
| Jim Dyer | .... | dolly grip | |
| Roger Gebhard | .... | first assistant camera | |
| Jeff Goldenberg | .... | second assistant camera | |
| John Koester | .... | camera operator | |
| Elliott Marks | .... | still photographer | |
| Ken Miller | .... | key grip | |
| Ernest Paul Roebuck | .... | lighting best boy | |
Costume and Wardrobe Department | |||
| Bill Jobe | .... | costumes | |
| Erica Edell Phillips | .... | costume supervisor | |
Editorial Department | |||
| Ross Albert | .... | associate editor | |
| Donah Bassett | .... | negative cutter | |
| Rick Greenhead | .... | telecine colorist | |
| Robert K. Lambert | .... | post-production executive | |
Music Department | |||
| Murray McFadden | .... | score mixer | |
| Jack K. Tillar | .... | music editor | |
Transportation Department | |||
| Wayne Nelson | .... | transportation captain | |
Other crew | |||
| Dustin Bernard | .... | production assistant | |
| Dixie J. Capp | .... | production coordinator | |
| Kimberley Coy | .... | unit publicist | |
| Alvin Greenman | .... | script supervisor | |
| Toni Lemos | .... | location coordinator | |
| Jim McCarthy | .... | assistant accountant | |
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| La tarantola dal ventre nero | Giallo a Venezia | E tu vivrai nel terrore - L'aldilà | Lo squartatore di New York | L'uccello dalle piume di cristallo |
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Excellent Twilight Zone-type thriller is a true gem among the many horror films of the '80's.
In the quiet little New England town of Potters Bluff a series of inexplicably violent murders has been taking place. It's up to the local sheriff to solve the horrid crimes, but that's proving to be hard, especially since the murder victims seem to still be alive!
Dead & Buried is an especially intriguing and well-crafted horror film. Director Sherman gives the film an ice-chilling, moody atmosphere. The filming locations are great, especially the rocky beaches used in the opening sequences. Ronald Shusett and Dan O'Bannon's storyline is full of quiet uncertainty and over-whelming shocks! The music score is as wonderfully moody as the atmosphere.
One true highlight of this film is its stars. James Farentino is perfect as the mystified sheriff Dan Gillis (likely named after screenwriter Dan O'Bannon). The lovely Melody Anderson is wonderfully believable as Gillis's wife. The late-great Jack Albertson (here in his final role) is awesome as the mortician Dobbs.
Yet another highlight is the truly gory makeup FX of Stan Winston, which provides for more than one unforgettable moment in this film.
Dead & Buried is simply a classic of modern horror and is too often over-looked for lesser films of its day. A must-see for horror and thriller fans.
**** out of ****