6.6/10
7,750
108 user 102 critic

Dead & Buried (1981)

R | | Horror, Mystery | 29 May 1981 (USA)
A suspense horror film set in a small coastal town where, after a series of gory murders commited by mobs of townspeople against visiting tourists, the corpses begin to come back to life.

Director:

(as Gary A. Sherman)

Writers:

(story), (story) | 3 more credits »
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2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Sheriff Dan Gillis
...
Janet Gillis
...
William G. Dobbs
...
Ron
...
Linda (as Nancy Locke Hauser)
...
Girl on the Beach / Nurse Lisa
...
Harry
...
Ernie
Michael Currie ...
Herman
...
George Le Moyne / Freddie
Joseph G. Medalis ...
Doctor (as Joe Medalis)
...
Ben
...
Hitchhiker
Estelle Omens ...
Betty
...
Phil
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Storyline

Sheriff Dan Gillis has a nice life with his wife, the teacher Janet Gillis, in the small coastal and friendly town of Potter's Bluff. When visitors are mysterious killed in the town, Sheriff Gillis investigates the cases carefully and finds that dead people are reanimating and coming back to life. Dan finds a book of witchcraft and voodoo in his wife's drawer and he suspects that she might be practicing black magic. Dan meets the coroner-mortician William G. Dobbs and learns the dreadful and surprising secret. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

The writers of alien... ...bring a new terror to earth. See more »

Genres:

Horror | Mystery

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 May 1981 (USA)  »

Also Known As:

Död och begraven  »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The shot where Paul Haskel pulls into the gas station next to Dan was shot from inside Dan's Jeep and required the crew to build a track across the inside of the vehicle for the camera move. See more »

Goofs

When the young female hitchhiker is taken from the truck, she is thrown onto the muddy ground. Her face is covered in mud, before the rock is smashed onto her face. Later when we see the videos of Dobb's "murders and creations" the young female hitchhiker is being held down on the hood of the truck, and her face is clean before they smash the rock down on her face. See more »

Quotes

Dan Gillis: Betty and her toys. There's nobody else to talk to on that damn police channel and she can't call me by my name. That's TV cop shows, Harry. That's what does it.
Harry: Do you think the county would let me have this rig for salvage?
Dan Gillis: Anyhow, she said that he was on his way.
Harry: Okay, no hurry. The fellow in there is a definite goner. Get a good gander that that face, Danny?
See more »

Connections

Referenced in The Sixth Sense (1999) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Moody, magical horror
9 January 2004 | by (Mountains of Madness) – See all my reviews

Gary Sherman's horror masterpiece begins with one of cinema's best beatings (and burnings) of a fellow human being. The scene takes place on a beach in Potter's Bluff (Mendocino, No. Cal) and is a hypnotic, brutal, black shock to the system.

The beating is filmed by a mild-mannered pipe-smoking old man, a waitress, a mechanic and many other affable citizens of the area. It sets the scene for much grotesquery to come.

DEATH LINE (aka RAW MEAT) demonstrated that Sherman had the goods. DEAD AND BURIED cements him into the brickwork of the horror hall of fame.

Future Freddy Kruger (Robert Englund) makes an appearance, as does sexy Lisa Blount from AN OFFICER AND A GENTLEMAN. But the film's real star is the (now dead and buried himself) Jack Albertson as the coroner of Potter's Bluff. Albertson's is an eccentric, layered, career-best performance.

The tone is dream-like and ethereal. Even interiors are filled with mist. A foghorn is heard constantly. Nobody is who they seem.

A stand-out is a Super-8 home video shot by some students. Its climax provides a not unexpected revelation and the film itself perfectly embodies the horror of corruption which director Sherman is pushing.

The film did zero theatrical business because it's too damn weird for most audiences, and too damn good. But it has developed a cult on video.

Exceptional.


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