The Staten Island apartment of lovely model Danielle becomes the scene of a grisly murder that is witnessed by her neighbor, Grace, a reporter. But the police don't believe her story, so ... See full summary »
Brian De Palma
A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Potters Bluff, Rhode Island. may seem to be a sleepy little town. At least for the casual visitor and the local sheriff, Daniel Gillis. However, all of a sudden, there are a lot of strange murders where strangers or people passing through are killed by mobs of townspeople. Only Sheriff Gillis has no clue to what's going on. Fortunately, the town has an excellent undertaker, William G. Dobbs, who is happy to take care of this sudden death-wave which is good for his business. Gillis soon discovers clues that lead to many of the local inhabitants involved in the killings, including his own wife Janet. Written by
The films plot was re-edited numerous times throughout the production. Originally the attack on the family occurred later in the film, after the hitchhikers murder, which is why the resurrected hitchhiker can be seen among the attackers during the scene with the traveling family in the old house. See more »
The hitchhiker can be seen as a zombie before she is actually killed, reconstructed and brought back to life. This is because the abandoned house scene - where she is clearly visible as one of the dead townfolk - was originally placed in the film after her resurrection. See more »
How do you do it? How did you bring them back to life?
Call it black magic. Call it a medical breakthrough. I'll take my secret to the grave.
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Gary Sherman's horror masterpiece begins with one of cinema's best beatings (and burnings) of a fellow human being. The scene takes place on a beach in Potter's Bluff (Mendocino, No. Cal) and is a hypnotic, brutal, black shock to the system.
The beating is filmed by a mild-mannered pipe-smoking old man, a waitress, a mechanic and many other affable citizens of the area. It sets the scene for much grotesquery to come.
DEATH LINE (aka RAW MEAT) demonstrated that Sherman had the goods. DEAD AND BURIED cements him into the brickwork of the horror hall of fame.
Future Freddy Kruger (Robert Englund) makes an appearance, as does sexy Lisa Blount from AN OFFICER AND A GENTLEMAN. But the film's real star is the (now dead and buried himself) Jack Albertson as the coroner of Potter's Bluff. Albertson's is an eccentric, layered, career-best performance.
The tone is dream-like and ethereal. Even interiors are filled with mist. A foghorn is heard constantly. Nobody is who they seem.
A stand-out is a Super-8 home video shot by some students. Its climax provides a not unexpected revelation and the film itself perfectly embodies the horror of corruption which director Sherman is pushing.
The film did zero theatrical business because it's too damn weird for most audiences, and too damn good. But it has developed a cult on video.
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