Stefan finds that he can no longer tolerate the arrangement of his cheating wife ... he, the husband, gets her during the week and her lover gets her on the weekends. At the same time the ... See full summary »
Clio plays a fun loving girl who likes men. She leaves her home town and meets up with Wilma, a once famous singer. After Wilma bombs out at a local joint they hook up together and become ... See full summary »
Rosalie is amicably divorced, dividing her time between her mother's house, with her siblings and small daughter, and César's. He's self made, a scrap iron king, outgoing, amiable, in love ... See full summary »
Beatrice is a very reserved and quiet young woman. Her friend Marylene is left by her lover and brings her to Cabourg (Normandy) for a few days' vacation. There, Beatrice, an apprentice ... See full summary »
Today, Camille turns nine. He had sworn that on his 9th birthday he would show his parents the videos he was shooting on the side-the tail of a cat scampering away, a window, and a veiled ... See full summary »
In 1942 in occupied France, a Jewish refugee marries a soldier to escape deportation to Germany. Meanwhile a wealthy art student loses her first husband to a stray Resistance bullet; at the... See full summary »
Lola is an independent woman, a professional writer with 2 men on a string. Both men are married with children. When the men, and Lola, face having to make choices, Lola's comfortable life ... See full summary »
The young, naive Annie enters a hotel to spend the night - without knowing that it's this special kind of hotel, that serves more than breakfast. Curiously she walks around and watches the ... See full summary »
Mauro Bolognini's THE LADY OF THE CAMELLIAS is a French-Italian co-production. It gives us the "true" demystified story of one of French literature's most famous courtesans and who was the basis of many later variations including Verdi's Violetta in LA TRAVIATA and Greta Garbo's Camille. The premise is excellent, by the execution is marred by the presence of Isabelle Huppert in the title role. She seems just too scant and passive to be the self-sacrificing femme-fatale she is supposed to be portraying. And although the settings and decor are nothing short of superb (always dependable in Bolognini's films like THE INHERITANCE and LA GRANDE BOURGEOISE), little is gained by the constant clinical insistence on Alphonsine's genuine sickness (she is constantly coughing up blood for our edification) and by the unconvincing delineation of her relationships with her suitors. The film is very much worth seeing if for no other reason than to compare it with other better versions of the story, perhaps the Zeffirelli film version of the opera, with Teresa Stratas and Placido Domingo.
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