Not until three years after the death of her husband Jolly, Kay dares to move back into their former home, persuaded by her new fiancée Rupert. But soon her worst expectations come true, ... See full summary »
The Pickering Commission concluded that a lone gunman killed the US President in 1960, in Philadelphia, but 19 years later a dying man confesses to be one of the real hit-men who killed President Kegan, sparking an investigation.
San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires ... See full summary »
An all-black inner city school has to become an integrated school. Few dozen white kids are transfered there, but the black students are aggressively opposed to this. The school then approaches a tough black teacher for help.
Lewis Tater writes Wild West dime novels and dreams of actually becoming a cowboy. When he goes west to find his dream he finds himself in possession of the loot box of two crooks who tried... See full summary »
John Heard came back from the war minus an eye, a leg and an arm. He drinks a lot and abuses his wife, who also drinks a lot. Jeff Bridges is a friend who witnesses a murder. From this point John is "after" the killer, along side the diseased sister, while Jeff doesn't really want to get involved in it. Written by
The picture was awarded the Grand Prix by the Belgian Film Critics Association in 1983. See more »
Just after Bone's car breaks down in the alleyway we see a shot of the second car pulling up behind his and stopping. In the following shot from the inside of Bone's car you can see the the headlights of the second car still moving through the back windscreen. See more »
Sooner or later you're going to have to make a decision about something.
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Cutter's Way cannot be overpraised. This movie is a masterpiece of the first order. Ivan Passer, a compatriot of Milos Forman, came to the USA as an experienced Czech movie director. Not unlike Alfred Hitchcock or some German directors 30 years before him, he seems to have made a thorough analysis of the American social conditions and general manners. He then transformed his findings into movies. Two of them I know deal with New York. They are appropriately gritty. The setting of Cutter's way is a Californian beach community for the rich and beautiful and the movie is appropriately glossy. The whole story takes place in those paradisiac locales. They are presented like an enchanted kingdom, a country of its own.
Under the glossy surface, there is a darker side to the place. There is prostitution, drug abuse and murder. Cutter, living on the fringes of the enchanted kingdom, sees that more clearly than everyone else. He has his own code of chivalry by which he wants to live. He develops conspirational theories and strains to convert them into hard facts. The world around him, populated by indifferent, amoral rich and beautiful people, does not understand him, does not even want to listen, laughs at him. So Cutter mounts a white stallion and rides a charge.
Repeatedly the film slips into surrealistic situations, in which the impression made on the viewers is more relevant than the storyline. This technique was well known in the forties (e.g. in film noir), present day audience are less used to it. In the earlier days of film making, surrealism was created on a soundstage, and the change between reality and "dream" became immediately clear. Passer uses real locations for situations removed from reality a daring experiment that rewards the viewers with hauntingly beautiful pictures but might also confuse many. The director took this risk and we are rewarded with a magnificent picture about a distinguished slice of America. I predict: Cutters way will one day become an honored classic.
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