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Cutter's Way (1981)

6.9
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Ratings: 6.9/10 from 3,015 users  
Reviews: 47 user | 31 critic

Richard spots a man dumping a body, and decides to expose the man he thinks is the culprit with his friend Alex Cutter.

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Title: Cutter's Way (1981)

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Cast

Cast overview, first billed only:
...
...
...
'Mo'
Ann Dusenberry ...
Valerie Duran
Stephen Elliott ...
J. J. Cord
Arthur Rosenberg ...
George Swanson
Nina van Pallandt ...
Woman in the Hotel (as Nina Van Pallandt)
...
Mrs. Cord
Geraldine Baron ...
Susie Swanson
Katherine Pass ...
Toyota Woman
...
Toyota Man (as Frank McCarthy)
George Planco ...
Toyota Cop
Jay Fletcher ...
Cord Security Guard
George Dickerson ...
Mortician
Jack Murdock ...
Concession Owner
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Storyline

John Heard came back from the war minus an eye, a leg and an arm. He drinks a lot and abuses his wife, who also drinks a lot. Jeff Bridges is a friend who witnesses a murder. From this point John is "after" the killer, along side the diseased sister, while Jeff doesn't really want to get involved in it. Written by Jonathan <jrd@netvision.net.il>

Plot Summary | Plot Synopsis

Taglines:

Cutter does everything his way. Fighting. Loving. Working. Tracking down a killer.


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 February 1982 (France)  »

Also Known As:

Cutter and Bone  »

Filming Locations:

 »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The nickname of Maureen Cutter (Lisa Eichhorn) was "Mo". See more »

Goofs

When Alex Cutter is charging across the estate on a horse, his missing arm changes sides briefly. See more »

Quotes

Alex Cutter: I watched the war on TV just like everyone else, OK? Thought the same damn things, you know, what you thought when you saw a picture of a young woman with a baby lying face down in a ditch. Two gooks. You had three reactions Rich. Same as everybody else. First one was real easy. I hate the United States of America. Yeah.
[snickers]
Alex Cutter: You see the same damn thing the next day and you move up a notch. There is no God. But you know what you finally say, what everybody finally says. No matter what. I'm...
[...]
See more »

Connections

Featured in Los Angeles Plays Itself (2003) See more »

Soundtracks

We're Old Enough to Know
Written by Jack Nitzsche & John Byrum
Sung by Jack Nitzsche
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User Reviews

 
A hauntingly beautiful portrayal of cynicism and the pathetic human condition
1 April 2005 | by (United States) – See all my reviews

I stumbled upon this movie at the Nickelodeon on Cape Cod the year of its release...at a time when VCR's and DVD's weren't a part of our culture...when you had to travel to obscure and far-out theaters to see obscure and far-out films during the fading window of opportunity offered as its limited run at the movie house. What a gem. I was instantly riveted by the story and the classic performances that brought it to life. The pathetic human condition personified in Cutter, Bone, and Mo is so exquisitely rendered as to be tragic...only salvaged by the clear-eyed wit and insight of John Heard's Cutter and the tempered and logical cynicism and indifference offered up by Bone(Jeff Bridges)as the balance that only these begrudging friends could provide each other. Lisa Eichorn's character(Mo) exhibits equal measures of the qualities both her male couterparts have and her subtle performance points up the conflict she feels in simultaneously rejecting and craving their opposing energies. The scene where she chews them both out for their selfish and naive plot and their spirited responses seems to spill from their beings as genuine emotion...not written dialogue...and it still sends chills through me...very powerful...and the scene where she is made painfully aware of Bone's incurable drive to bed women as she falls prey to his momentary sympathies ..when coupled with her husband's(Cutter) inability to give a soft refuge to her is so tragically realistic...tears flow. Everyone's shortcoming's cross-up everyone else's and as the surrealistic climax develops its symbolism and power are Shakespearian. This movie works as a crime thriller, a portrait of the underbelly of American culture most evidenced in its loss of confidence and embrace of cynicism that came to the surface post-Vietnam...but most successfully as a great character-driven love story and tragedy.


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