Not until three years after the death of her husband Jolly, Kay dares to move back into their former home, persuaded by her new fiancée Rupert. But soon her worst expectations come true, ... See full summary »
Lewis Tater writes Wild West dime novels and dreams of actually becoming a cowboy. When he goes west to find his dream he finds himself in possession of the loot box of two crooks who tried... See full summary »
Jack is now out of jail and he meets Nick, his adolescent son. Their relationship will be complicated, because Jack has a problem with alcohol. But his love for Nick will help him to get over the past and reach his dreams.
19 years after President Timothy Keegan was assassinated, his brother Nick discovers a dying man claiming to have been the gunman. While trying to avoid his wealthy and domineering father's... See full summary »
John Heard came back from the war minus an eye, a leg and an arm. He drinks a lot and abuses his wife, who also drinks a lot. Jeff Bridges is a friend who witnesses a murder. From this point John is "after" the killer, along side the diseased sister, while Jeff doesn't really want to get involved in it. Written by
Producer Paul Gurian' had bought the rights to Newton Thornburg's novel and asked screenwriter Jeffrey Alan Fiskin if he could adapt it into screenplay form. Gurian got the studio, EMI, interested in financially backing the film with Robert Mulligan to direct and Dustin Hoffman to play Alex Cutter. However, a scheduling conflict forced Hoffman to leave the project. This prompted Mulligan to leave as well. To make matters worse, EMI pulled their money once Mulligan and Hoffman left the project. Gurian then took the film to United Artists where the studio's vice president, David C. Field, became interested in backing it. See more »
When Alex Cutter is charging across the estate on a horse, his missing arm changes sides briefly. See more »
Maureen Cutter, 'Mo':
Speaking of which, you're home awfully early aren't you? Couldn't you find a matron with a taste for gutter squalor?
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This is an excellent movie and one of the most consistently underrated. John Heard has never been better, and he is (alongside the late J.T. Walsh) amongst the most under-appreciated actors ever (one of the few mistakes in 'The Sopranos' was to let him go). However, Jeff Bridges yet again proves his credentials by turning in a beautifully nuanced performance as an unattractive, self-absorbed failed playboy in counterpoint to Heard's righteous crippled Vietnam veteran.
This is a companion piece to 'Chinatown' in its study of corrupt power structures, but is more intimate and believable (and 'Chinatown' is superb). We still wait for its recent equal in the noir stakes.
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