6.9/10
3,755
49 user 36 critic

Cutter's Way (1981)

Richard spots a man dumping a body, and decides to expose the man he thinks is the culprit with his friend Alex Cutter.

Director:

Writers:

(novel), (screenplay)
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2 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
'Mo'
Ann Dusenberry ...
Valerie Duran
Stephen Elliott ...
J. J. Cord
Arthur Rosenberg ...
George Swanson
Nina van Pallandt ...
Woman in the Hotel (as Nina Van Pallandt)
...
Mrs. Cord
Geraldine Baron ...
Susie Swanson
Katherine Pass ...
Toyota Woman
...
Toyota Man (as Frank McCarthy)
George Planco ...
Toyota Cop
Jay Fletcher ...
Cord Security Guard
George Dickerson ...
Mortician
Jack Murdock ...
Concession Owner
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Storyline

Alex Cutter (Heard) came back from war minus an eye, a leg, and an arm and mad as hell. He lacks direction, drinks too much, and abuses his wife (Eichhorn). One night his friend Richard Bone (Bridges) witnesses someone dumping something in an alley; it turns out to be the body of a young girl. When Cutter hears about it, he embarks on a crusade to expose the killer, enlisting the help of the murdered girl's sister. Bone reluctantly joins them. Are they right or are they in search of their white whale? Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

On Marco 20, 1981 a film titled "Cutter and Bone" opened in New York. In the months that followed the film became a legend. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 February 1982 (France)  »

Also Known As:

Cutter and Bone  »

Filming Locations:

 »

Box Office

Budget:

$3,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The eye patch worn by Alex Cutter (John Heard) was worn over the character's left eye. See more »

Goofs

Just after Bone's car breaks down in the alleyway we see a shot of the second car pulling up behind his and stopping. In the following shot from the inside of Bone's car you can see the the headlights of the second car still moving through the back windscreen. See more »

Quotes

Maureen Cutter, 'Mo': Speaking of which, you're home awfully early, aren't you? Couldn't you find a matron with a taste for gutter squalor?
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Connections

Referenced in DVD-R Hell: Cavemen (2013) See more »

Soundtracks

We're Old Enough to Know
Music by Jack Nitzsche
Lyrics by John Byrum
Vocals by Jack Nitzsche
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User Reviews

 
Radically better than anyone could expect....
21 June 2006 | by (United Kingdom) – See all my reviews

Ostensibly this film appears to be a buddy movie from the 1980s, but it is actually something much more interesting. Employing standard Hollywood clinches with its thriller/ investigation narrative and many of of its "stock" characters and situations, the little guys - Heard and Bridges - take on Mr Fat Cat Capitalist who rules the peacetime world like an untouchable and corrupt monarch. The film, though well-executed and enjoyable, at first seems no more than a well-scripted, well-acted (Heard is particularly good as the embittered, crippled Vietnam Veteran) genre piece. However, what emerges by the end is something far more exciting and radical - an indictment of US politics and power relations, and a genuinely bleak reflection on the impossibility and rarity of real justice both at the micro and macro levels.

Vietnam and its true significance is used to great effect in the film, as is the interplay between the two buddies. Whilst Bridges won't accept that he has witnessed the ultimate, bleak truth of US power relations until the film's abrupt, punchy end, Heard knows the truth intuitively and automatically because he understands and hates the world from the the start. He has given up on notions such as forgiveness and even the need for legal process, and seeks only revenge on the rich and the powerful. He understands, correctly, that is the only way a kind of momentary justice is possible, since everything else is either controlled by the elites or made to protect them. Without wishing to spoil the film's brilliant final moments, it is here that the whodunnit story is stripped away and the guilt they have been seeking to prove, as Richard Bone realises, becomes entirely political or metaphysical, and the the crime itself becomes irrelevant.


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