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Conan the Barbarian (1982)

A vengeful barbarian warrior sets off to avenge his tribe and his parents whom were slain by an evil sorcerer and his warriors when he was a boy.

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(based on the character created by), | 1 more credit »
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Won 1 Golden Globe. Another 1 win & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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King Osric (as Max Von Sydow)
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Ben Davidson ...
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The Witch (as Cassandra Gaviola)
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The Wizard / Narrator
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The Princess (as Valerie Quennessen)
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Luis Barboo ...
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Leslie Foldvary ...
Gary Herman ...
Erik Holmey ...
Turanian War Officer (as Erick Holmey)
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Storyline

A village is attacked by the evil ruler of the Snake Cult, Thulsa Doom (James Earl Jones) and his evil warriors, when Thulsa Doom and his warriors kills his parents, a young boy named Conan (Jorge Sanz) is enslaved. Years later, Conan grows up and becomes a mighty warrior and is trained as a fighter. After years as a slave and as a gladiator, Conan is set free. Conan sets out on a quest as he vows to avenge his parents and solve the riddle of steel. Joined by a archer named Subotai (Gerry Lopez), a beautiful thief who falls in love with Conan, Valeria (sandahl Bergman') and a Chinese wizard (Mako), Conan and his companions sets out to rescue Princess Yasmina (Valérie Quennessen), daughter of King Osric (Max von Sydow), from the Snake Cult, and get his revenge on Thulsa Doom and avenge his parents. Written by Daniel Williamson

Plot Summary | Plot Synopsis

Taglines:

He conquered an empire with his sword. She conquered HIM with her bare hands. See more »

Genres:

Adventure | Fantasy

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

Language:

Release Date:

14 May 1982 (USA)  »

Also Known As:

Conan, el bárbaro  »

Filming Locations:

 »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$9,479,373 (USA) (14 May 1982)

Gross:

$37,567,440 (USA)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Gilbert Taylor was the film's original cinematographer and was replaced after the dailies of the first interior footage that they shot looked too dark. Taylor had been working with very low light levels and being sure his exposures were all right, asked to send the negative to a UK lab to get developed. But when the dailies still came severely underexposed, they found out that there was a problem with the stop markings on the lenses, which weren't accurate and didn't reflect the actual transmission of light through the lens to the film stock. Since the first assistant cameraman of the show was Peter Taylor, Gilbert's son, the production fired him as they felt he should have checked the lenses prior to the shoot. When his son was fired, Taylor left the picture and was replaced by TV cameraman Duke Callaghan, who had shot "Jeremiah Johnson", scripted by John Milius. The final cut of the picture only feature a few scenes which were shot by Taylor, such as the opening scenes with the village being attacked, Conan trying to escape from the wolves (a scene which has been timed day-for-day for the Blu-ray, but looked like day-for-night in previous transfers) and the scene with Conan and the witch. When Callaghan took over the film, the crew performed precise lens test to hand mark the actual and real transmission stop on each lens, and thus the underexposure risk due to faulty markings was gone. See more »

Goofs

When Conan leaves the wizard to go to the mountain on the camel, he carries a bunch of purple flowers. By the time he reaches the mountain, the flowers are white. See more »

Quotes

[first lines]
The Wizard: Between the time when the oceans drank Atlantis and the rise of the sons of Aryas, there was an age undreamed of. And unto this, Conan, destined to wear the jeweled crown of Aquilonia upon a troubled brow. It is I, his chronicler, who alone can tell thee of his saga. Let me tell you of the days of high adventure!
See more »

Crazy Credits

"A SPECIAL THANKS TO ALFREDO" See more »

Connections

Referenced in Order Up! (2008) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Great Sword And Sorcery Epic!
23 July 2004 | by (Marlow, England) – See all my reviews

A cracking sword and sorcery yarn that has divided movie goer opinions since it's release. Some believing it's a beefy and shallow action movie, glossed up with big sets and fancy costumes. Others believing it is a truly eye popping visual feast of a film with hidden depth. The film was panned on its original release but since then has been something of a critical favourite. While the film is too murky and turgid at times, it is still engaging, despite needing to lighten up a touch, because this is based on a comic book after all. The film is fantastical but at the same time the film doesn't go quite as fantastical as the comic books did. This seems to be more based in reality but it still features a snake-man, giant snakes and witches.

The film follows Conan from childhood when his parents are killed and follows him through his early years as a slave to adulthood when he becomes a fighter and a thief. What drives Conan is pure bloodthirsty revenge on the man who killed his parents(James Earl Jones) and he is constantly spurred on by the belief he is doing his god's (Krom the god of steel) will. Conan constantly interprets important moments as messages from Krom.This film is so visual. The dialogue is minimal and yet meaningful. This gives the film a great atmosphere and really brings to mind two other fantasy action movies I really love, Crying Freeman and Highlander. They are all very similar in style. They all have the same strengths, in that they are both great looking, have a lead character driven by a spirit guide, controlled by his beliefs and a sense of destiny and all three have similar romantic subplot, all told with visuals, and little dialogue. They are all also blessed with unique and rousing scores. It's all very mythical and philosophical in each, with love at first site important. It is the love of the women that drive the men to their goals. In Freeman Dacascos wants to break away from his controlled regime, and take back his life when his love gives him the will to do so. In Highlander McLeod wants to lead a mortal life, to love and grow old with someone, to be human. Conan wants a life after he takes his revenge. The greatness of their romantic story and the purely visual way it is told is that during the movie he says only 5 words to her,and they all come in their first meeting. The film should not get away with something like that, yet it works well. The twist in Conan is that his lover sacrifices herself for him and in effect once he has achieved his goal the film is left with the feeling Conan has no further purpose in life.

The cast are good. Arnold was made into a star here. He is physically the best shape he's ever been in a movie. He is smaller than his bodybuilding days yet as big as he's ever been on screen and at the same time fleet of foot and nimble. Lest we not forget by the time he hit mega stardom he was in his 40's, but Arnold is truly in his prime here. It is a performance though of glaring inconsistency which is the likes of which I have never seen. It is at once his best and his worst performance. For all that Schwarzenegger does with a depth and humanity not seen in his films since, he overplays and looks amateurish in others, because of course he was an amateur here. What really does work is the chemistry between Sandahl Bergman and Schwarzy. She gets the best out of him and their scenes together are generally his best. Bergman received a Golden Globe for this and had Arnie consistently been as good as his higher points here, who knows? You get the feeling the philosophical side might occasionally have gone over his head. At times he would bawl out "Kraaoomm!!!" without knowing why he was delivering the line. Bergman is good. She is enigmatic and quite sexy in a "why is she sexy?" kind of a way. Bergman kicks ass and her dance background shows as she moves with grace. The showstoppers though are the supporting cast with the legend Mako, excellent as the wizard and narrator. Max Von Sydow is superb as king Osric and he gets some of the best dialogue but it is the chilling James Earl Jones who is particularly excellent as Thulsa Doom.

What makes this film great is the fact that it feels older than it is. It feels like a b-movie fantasy film from the golden ages of the 50's and 60's, with some of the charming elements of the legendarily cheap Italian fantasy films. The film even at times feels like it is dubbed. While all it lacks is a stand out Ray Harryhausen moment. The nearest we get is the giant snake. I would have loved to have seen more creatures and beasts in this movie with some HarryHausen effects but it come a tad too late really. Also Basil Poledouris' score is fantastic and old fashioned a big reason the film feels like it is from the golden age of this sword and sorcery quest movies. The score is the real standout part of the movie. It's very old fashioned, medieval and a bit baroque and works marvellously well with some rousing themes.

The film is directed with visual flourish by John Milius, whose tragically lame career since makes you wonder what happened. In that sense it has another similarity with Highlander as the even more talented Russell Mulcahy was never matched the quality or success of Highlander since. This is a top notch film that fantasy enthusiasts will love. ****


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