A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used car salesman while terrorists smuggle nuclear war heads into the United States.
Jamie Lee Curtis,
A village is attacked by the evil ruler of the Snake Cult, Thulsa Doom (James Earl Jones) and his evil warriors, when Thulsa Doom and his warriors kills his parents, a young boy named Conan (Jorge Sanz) is enslaved. Years later, Conan grows up and becomes a mighty warrior and is trained as a fighter. After years as a slave and as a gladiator, Conan is set free. Conan sets out on a quest as he vows to avenge his parents and solve the riddle of steel. Joined by a archer named Subotai (Gerry Lopez), a beautiful thief who falls in love with Conan, Valeria (sandahl Bergman') and a Chinese wizard (Mako), Conan and his companions sets out to rescue Princess Yasmina (Valérie Quennessen), daughter of King Osric (Max von Sydow), from the Snake Cult, and get his revenge on Thulsa Doom and avenge his parents. Written by
Gilbert Taylor was the film's original cinematographer and was replaced after the dailies of the first interior footage that they shot looked too dark. Taylor had been working with very low light levels and being sure his exposures were all right, asked to send the negative to a UK lab to get developed. But when the dailies still came severely underexposed, they found out that there was a problem with the stop markings on the lenses, which weren't accurate and didn't reflect the actual transmission of light through the lens to the film stock. Since the first assistant cameraman of the show was Peter Taylor, Gilbert's son, the production fired him as they felt he should have checked the lenses prior to the shoot. When his son was fired, Taylor left the picture and was replaced by TV cameraman Duke Callaghan, who had shot Jeremiah Johnson (1972), scripted by John Milius. The final cut of the picture only feature a few scenes which were shot by Taylor, such as the opening scenes with the village being attacked, Conan trying to escape from the wolves (a scene which has been timed day-for-day for the Blu-ray, but looked like day-for-night in previous transfers) and the scene with Conan and the witch. When Callaghan took over the film, the crew performed precise lens test to hand mark the actual and real transmission stop on each lens, and thus the underexposure risk due to faulty markings was gone. See more »
While sneaking into the orgy, Valeria slowly and quietly makes her way over a low ledge on her way to the main area of the cave. At one point, her foot kicks a set of large hanging chains, causing them to swing. In the very next shot of her, presumably after only mere seconds of a cutaway shot, she is in the same position as last we saw her, but the chains are completely still. See more »
Between the time when the oceans drank Atlantis and the rise of the sons of Aryas, there was an age undreamed of. And unto this, Conan, destined to wear the jeweled crown of Aquilonia upon a troubled brow. It is I, his chronicler, who alone can tell thee of his saga. Let me tell you of the days of high adventure!
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I think this is the best sword and magic / fantasy movie ever made. Unlike the second Conan movie (the destroyer, which was a huge disappointment) this is dark, dirty, violent (with the harsh way) and most of all faithful to the original Conan by Howard. By that i mean that conan wasn't a joker and babyoiled coverboy like in the sequel. Only part of the movie that i weren't content about was the childhood of conan, the part where he grows up spinning some goddamn wheel of fortune, Howard specifically points in many novels that Conan was grown free in the Cimmeria. Despite the this awkward transition to skip the childhood of Conan this still is the best fantasy movie ever made.
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