During the Civil War a group of Union soldiers and two Confederates escape the stockade using a hot air balloon and end up on a strange Pacific island.
Director:
Cy Endfield
Stars:
Michael Craig,
Joan Greenwood,
Michael Callan
Doctor Gulliver is poor, so nothing - not even his charming fiancée Elisabeth - keeps him in the town he lives. He signs on to a ship to India, but in a storm he's washed off the ship and ... See full summary »
On another planet in the distant past, a Gelfling embarks on a quest to find the missing shard of a magical crystal, and so restore order to his world.
A scientist is nearly assassinated. In order to save him, a submarine is shrunken to microscopic size and injected into his blood stream with a small crew. Problems arise almost as soon as they enter the bloodstream.
Perseus is the favored son of the god Zeus, but he has unwittingly ticked off the sea goddess Thetis. Just to make things worse, Perseus falls in love with the lovely Princess Andromeda, who used to be engaged to Thetis's son. Soon Perseus is off on one quest after another, with Zeus helping, Thetis hindering, and lots of innocent bystanders getting stabbed, drowned, and squished. Written by
Anthony Pereyra {hypersonic91@yahoo.com}
Despite the film being notable for its stop-motion special effects, the picture was not Oscar nominated for either Make-up or Visual Effects. See more »
Goofs
Despite her firing several shots, the number of arrows in Medusa's quiver remains the same. See more »
Quotes
Zeus:
Perseus has won. My son has triumphed.
Hera:
A fortunate young man.
Zeus:
Fortune is ally to the brave.
Thetis:
What a dangerous precedent. What if there more heroes like him? What if courage and imagination became everyday mortal qualities? What will become of us?
Zeus:
We would no longer be needed. But, for the moment, there is sufficient cowardice, sloth and mendacity down there on Earth to last forever.
See more »
Crazy Credits
In the closing credits, the cast is divided into three categories: The Immortals (for the gods of Olympus), The Mortals (humans, etc.), and The Mythologicals (As Themselves) (In Alphabetical Order) Bubo, Charon, Dioskilos, Kraken, Medusa, Pegasus, Scorpions, Vulture. Those 8 are the non-human animated characters supplied by special effects. See more »
This movie has been a favorite of mine since i was a kid--i was very into Greek mythology during grade school, so i loved this film, even though i've seen it about two dozen times (it continues to be a Sunday-afternoon staple on TV). There are a number of mythological inaccuracies in this film (the Kraken wasn't a mythological monster; Perseus didn't have Pegasus, but actually borrowed Hermes' winged sandals, etc.), but it's still a good kids' introduction to ancient mythology. While the actors playing the "mortals" are definitely inferior to those playing the Gods, i suppose it works in the sense of their being the Olympians' puppets and, well, a little limpness in the thespian department is somewhat de rigeur (as is the wise/comic sidekick of Burgess Meredith and the 'little and cute' factor of the mechanical owl) for the kind of classic matinee swashbuckler that "Clash of the Titans" is.
But all these complaints that the Harryhausen effects are crap and it would be so much better done with CGI... well, that's pure craziness. Sure, the monsters don't look convincing, but they look a hell of a lot more convincing then they would as cheap computer animation--can you honestly imagine the Medusa sequence being done any better with some cartoon computer program? (Why? So it could look like the crap in "Phantom Menace"?) I've always felt that Harryhausen's stop-motion technique and the resultant odd way in which the monsters moved added to the sense of their mythic status, their unreality, the sense that these are creatures from another world, another plane. (The recent Asian fantasy/action film "Onmyoji" paid tribute to the master by having a CGI demon army move in Harryhausen stop-motion style and damn me if they didn't look scarier, more unearthly for it.) In my opinion, CGI looks even less "real," more like a painted-on cartoon. There's a depth and detail to creatures that have actually been created in the three-dimensional real world that those who have only existed on a computer screen don't have. Also, no matter how good an actor is, there's a difference between someone who's in the same room with the monster he's fighting, or who at least knows what it looks like, and someone who's just trying to "act scared" in the general direction where something will be inserted later. (Imagine the "Alien" movies made with a hyped-up animated creature: you know that even motionless and plastic squeezed between light stands, that giant H.R. Geiger monster gave everyone on set the creeps.) Maybe people like CGI because they feel safer with obviously fake monsters, things that never even existed as a three-foot high model next to the ham sandwich in someone's shop.
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This movie has been a favorite of mine since i was a kid--i was very into Greek mythology during grade school, so i loved this film, even though i've seen it about two dozen times (it continues to be a Sunday-afternoon staple on TV). There are a number of mythological inaccuracies in this film (the Kraken wasn't a mythological monster; Perseus didn't have Pegasus, but actually borrowed Hermes' winged sandals, etc.), but it's still a good kids' introduction to ancient mythology. While the actors playing the "mortals" are definitely inferior to those playing the Gods, i suppose it works in the sense of their being the Olympians' puppets and, well, a little limpness in the thespian department is somewhat de rigeur (as is the wise/comic sidekick of Burgess Meredith and the 'little and cute' factor of the mechanical owl) for the kind of classic matinee swashbuckler that "Clash of the Titans" is.
But all these complaints that the Harryhausen effects are crap and it would be so much better done with CGI... well, that's pure craziness. Sure, the monsters don't look convincing, but they look a hell of a lot more convincing then they would as cheap computer animation--can you honestly imagine the Medusa sequence being done any better with some cartoon computer program? (Why? So it could look like the crap in "Phantom Menace"?) I've always felt that Harryhausen's stop-motion technique and the resultant odd way in which the monsters moved added to the sense of their mythic status, their unreality, the sense that these are creatures from another world, another plane. (The recent Asian fantasy/action film "Onmyoji" paid tribute to the master by having a CGI demon army move in Harryhausen stop-motion style and damn me if they didn't look scarier, more unearthly for it.) In my opinion, CGI looks even less "real," more like a painted-on cartoon. There's a depth and detail to creatures that have actually been created in the three-dimensional real world that those who have only existed on a computer screen don't have. Also, no matter how good an actor is, there's a difference between someone who's in the same room with the monster he's fighting, or who at least knows what it looks like, and someone who's just trying to "act scared" in the general direction where something will be inserted later. (Imagine the "Alien" movies made with a hyped-up animated creature: you know that even motionless and plastic squeezed between light stands, that giant H.R. Geiger monster gave everyone on set the creeps.) Maybe people like CGI because they feel safer with obviously fake monsters, things that never even existed as a three-foot high model next to the ham sandwich in someone's shop.