This movie portrays the drug scene in Berlin in the 1970s, following tape recordings of Christiane F. 14-year-old Christiane lives with her mother and little sister in a typical multi-story... See full summary »
Berlin stories behind sex for money. Despised, stigmatised and suppressed to the fringe of society - this is the reality young, male prostitutes face in Berlin. Most of the hustlers are ... See full summary »
Rosa von Praunheim
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The action comedy is set in 1944. Hitler appears in it as physically and mentally destroyed person who takes the advice of Goebbels in the actor-teacher of Jewish concentration camp for ... See full summary »
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Vicco von Bülow,
Vicco von Bülow,
French sailor Querelle arrives in Brest and starts frequenting a strange whorehouse. He discovers that his brother Robert is the lover of the lady owner, Lysiane. Here, you can play dice ... See full summary »
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This movie portrays the drug scene in Berlin in the 1970s, following tape recordings of Christiane F. 14-year-old Christiane lives with her mother and little sister in a typical multi-story apartment building in Berlin. She's fascinated by 'The Sound', a new disco with the most modern equipment. Although legally she's too young, she asks a friend to take her. There, she meets Detlef, who's in a clique where everybody's on drugs. Step by step she gets drawn deeper into the scene. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The concert sequence starring David Bowie was filmed in New York in October 1980 at the Hurrah Club. As Bowie was appearing on Broadway several nights a week at the time, director Uli Edel had to shoot the scenes in that city. The venue was set dressed so as to resemble a Berlin nightclub. The big concert crowd scenes utilized footage from an AC/DC concert in the then West Germany. See more »
After Christiane meets two friends inside of the Zoo station building, all three leave through a door looking for Detlef (Christiane's boyfriend) where the male prostitutes stand in line. One of her friends (Axel) wears flares-type light blue jeans inside the station, but outside he suddenly wears slim-fit dark blue jeans. See more »
Dedicated to: Andreas W. "Atze" (1960 - 77), Axel W. (1960 - 77), Babette D. "Babsi" (1963 - 77) and all others who didn't have the luck and strength to survive. See more »
For a long time I had misgivings about this film. I thought that it would be like so many others, where a teenager enters in the world of drugs, lives through hell and, in the end, returns safely to the womb of family and society - in-between we are treated with edifying speeches delivered by mothers and/or fathers, with rights to tears and lots of sentimentality.
This is not the case of "Christiane F. - Wir Kinder vom Bahnhof Zoo". The film is direct and honest and shows the events as viewed by the children from Bahnhof Zoo. The film tries to show things as they are and be objective. No moralist speeches are given. That's why the film has such power. The first film scenes show Berlin in the night. The main attraction for Christiane and friends is the discotheque Sound. It all begins there.
There are many night scenes in the film. The days look dark and gloomy. In the beginning their meeting place is Sound, but as the road becomes narrower, there remains only one place for them: The Bahnhof Zoo. Days and nights seem to merge more and more. And the day resembles more and more the night. A long night, a short step can lead to eternal night.
This stuff almost begs to be treated in a sensationalistic way. But "Christiane F. - Wir Kinder vom Bahnhof Zoo" is a serious film. It deserves to be seen.
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