This movie portrays the drug scene in Berlin in the 1970s, following tape recordings of Christiane F. 14-year-old Christiane lives with her mother and little sister in a typical multi-story...
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A poet falls in love with an art student who gravitates to his bohemian lifestyle -- and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
Jorgos, a migrant worker from Greece, joins a group of young people in Munich usually hanging around. This foreigner incites hostility and jealousy among them, and he is insulted as a "... See full summary »
Rainer Werner Fassbinder
Rudolf Waldemar Brem
With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
This movie portrays the drug scene in Berlin in the 1970s, following tape recordings of Christiane F. 14-year-old Christiane lives with her mother and little sister in a typical multi-story apartment building in Berlin. She's fascinated by 'The Sound', a new disco with the most modern equipment. Although legally she's too young, she asks a friend to take her. There, she meets Detlef, who's in a clique where everybody's on drugs. Step by step she gets drawn deeper into the scene. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The significance of the Berlin Zoo Station in the source book and film's sub-title and story is that it was the place which was a terminating point for many German teenagers who died there from drug overdoses in its squalid lavatory cells and cubicles. See more »
After Christiane meets two friends inside of the Zoo station building, all three leave through a door looking for Detlef (Christiane's boyfriend) where the male prostitutes stand in line. One of her friends (Axel) wears flares-type light blue jeans inside the station, but outside he suddenly wears slim-fit dark blue jeans. See more »
Dedicated to: Andreas W. "Atze" (1960 - 77), Axel W. (1960 - 77), Babette D. "Babsi" (1963 - 77) and all others who didn't have the luck and strength to survive. See more »
Having read the book twice, it wasn't easy for the movie to get 10 out of 10 points. Of course no movie can be a substitute for a book, so you have to distinguish between them and their functions.
The movie really should discourage everyone from taking drugs and the actors, too, do a great job when giving you an impression how horrid such a life can be.
But there are some definitive lacks the movie has: in the book, relatives and people who were involved in the case "Christiane F" commented on the text and told their point of view (in the current state of the book). Like that, you got a more complete view and there's an even more important fact: The enlightenment work has more effect and more awareness on the reader-side is created.
Another huge lack is: Her childhood and thoughts are completely left out. Like this, the causes for drug addiction are not really traceable. It all seems like "a quest for something new" in her dull life. In her psychological work "Am Anfang war Erziehung" (don't know the English title) Alice Miller describes the quite perfect awareness of Christiane F. and her ability to pronounce her fears and the mechanisms she follows. The plot of the movie makes it sort of one-dimensional.
With this background one might tend to dislike the movie and call it superficial and "just feeding those craving for sensation".
There's another argument corroborating this: The whole process which led her out of the drug scene is left out. There's just a cut and she's at her Grandma's. It's a pity the movie doesn't involve the recipients more in her family life...
In spite of the rather bad plot it's worth 5 out of 10 points.
14 of 21 people found this review helpful.
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