When a lonely ex-New Yorker moves into the home of a rural senior to act as a hospice worker, the two initially couldn't seem to be less alike. However, as time passes, the two find much ... See full summary »
Ryder and Julina have just fallen madly in love. But this passionate romance is forbidden--it goes against the laws of their polygamous community. Things only get more complicated when ... See full summary »
Haley Lu Richardson,
When the New York journalist Jake Bridges catches his girlfriend with another guy, he goes to Atlantic City to drink himself to oblivion. He is saved from a bar brawl by a small-time ... See full summary »
It is 1957. J.C. Cullen is a young man from a small town, with a talent for winning at craps, who leaves for the big city to work as a professional gambler. While there, he breaks the bank ... See full summary »
A woman with two children believes she has three and her husband and oldest daughter play along with her to keep her balanced (or as close to balanced that a woman with an invisible child ... See full summary »
Stacy, a rebellious teenager, leaves home for the freedom and adventure of life on the road away from her parents. Afraid and alone, she is befriended by Richard, a handsome ex-con ... See full summary »
Bill L. Norton
Teen-age mother (D'Angelo) is forced to give up her baby for adoption and, 19 years later, when she tries to contact her son, she learns that he died, under questionable circumstances when ... See full summary »
Dramatization of the lives of the people of Colorado City, Arizona, and Hildale, Utah, collectively known as "Short Creek," a community made up of members of the Fundamentalist Church of Latter Day Saints, a Mormon separatist group practicing child marriage and polygamy. Written by
Producers Laurence Schiller and Paul Monash with the Art Director Hub Braden scouted the ghost town location in the Spring of 1981, deciding to film the NBC-TV MOW in Utah. The actual Short Creek was located South of Hurricane approximately 40 miles. Art Director and Construction Coordinator Jerry Esposito established their base in the only motel in Hurricane six weeks prior to photography. Esposito hired construction carpenters and painters at the St George Unemployment office for his crew. They established Short Creek Productions with a local bank, with a sizable account for credit purposes, for purchasing lumber and materials prior to construction. The producers, cast and production department followed establishing their group in several motels in St. George Utah for the filming and wrap. The distance from St. George to the ghost town location was about 30 miles. The construction coordinator built a foot bridge over the shallow creek bed adjacent the ghost town and main road. Otherwise the travel time to reach the town was an additional 20 miles; ten miles to reach a creek crossing bridge, and another ten miles back to the ghost town. The actual Shortcreek Mormon-Polygamist group in Colorado City and Hilldale township had knowledge of the intended filming. The production was advised that a rumored possible raid of the filming location by the Polygamist male leadership might occur. The local Sheriff, Glennwood Humphries, became a major contact for the construction department, making his presence established prior to and during filming. Filming was neither delayed nor prevented during the production schedule. Two brothers, from Tooele, Utah, were hired to live in their parents house trailer located adjacent the creek, the bridge, and the location, acting as security both during the day and night from first day of construction, till end of filming. The two boys also became town extras during their security detail. See more »
I have seen this film twice and have wanted to add it to my collection of personal favorites, but so far it has not been shown again on T.V. and is hard to find in DVD/VHS format. The movie stars a very young Diane Lane and Helen Hunt (i.e. before they were famous) with a then up and coming young star Christopher Atkins (a.k.a. Blue Lagoon heart-throb). The plot was full of melodrama about a polygamist cult and a young man falling for a young woman betroth to his father. What was most engaging about the film was no matter what the environment, that timeless boy-girl true love dynamic was in play. If the movie focused more on the injustices and immoralities of polygamy than love; I think something in this heart-warming film would have been lost. After all that is what documentaries are for, not movies of the week.
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