Famous detective Charlie Chan is called out of retirement to help a San Francisco detective solve a mysterious series of murders. With his bumbling grandson as his sidekick, Chan also ... See full summary »
Led by their comedic and pranking leader, Newbomb Turk, the Hollywood Knights car gang raise hell throughout Beverly Hills on Halloween Night, 1965. Everything from drag racing to Vietnam ... See full summary »
Hercule Poirot attends a dinner party in which one of the guests clutches his throat and suddenly dies. The cause seems to be natural until another party with most of the same guests produces another corpse.
Michael has written a schollarly book on the revolutionary war. He has sold the film rights. The arrival of the film crew seriously disrupts him as actors want to change their characters, ... See full summary »
Charlie is the intended murder victim here, and he avoids death only by chance. To find the murderer (since, of course, murder does occur), Charlie must outguess Scotland Yard and New York City police.
John G. Blystone
Famous detective Charlie Chan is called out of retirement to help a San Francisco detective solve a mysterious series of murders. With his bumbling grandson as his sidekick, Chan also encounters an old nemesis known as the Dragon Queen who is the prime suspect. Written by
Character Actors Redeem Otherwise Uninspired Parody
During the 1930s Charlie Chan films were extremely popular with Asian American audiences; by the 1980s a later generation derided them for their use of Caucasian actors Warner Oland and Sidney Tolar in the title role. CHARLIE CHAN AND THE CURSE OF THE DRAGON QUEEN attempts to play to both sides of the coin, acting as both homage and parody of the original films. Not surprisingly, when released in 1981 it pleased neither.
Set in San Francisco, DRAGON QUEEN finds Chan called out of retirement in Hawaii to uncover a serial killer whose trademark is "bizarre deaths;" he is assisted by his grandson, a bumbling Lee Chan Jr. who proves as much hindrance as help. Like most films that do not fulfill their promise, the problem begins with the script: it never really references the Chan films in any significant way, nor does it ever develop the fangs required of an effective parody. Nor are the two leads well suited to their roles: both Peter Ustinov and Angie Dickinson are wildly out of place as Chan and the Dragon Queen, utterly unfunny in every imaginable way.
The saving grace of the film is in the supporting players. Perhaps the single most successful performer is Lee Grant in the role of Jimmy Jr.'s maternal and very Jewish grandmother. Grant aside, the always memorable Roddy McDowell and the brilliant Rachel Roberts jolt their every scene to life; Brian Keith plays against type as a hysterical and wildly profane police officer; and Richard Hatch is surprisingly good as Chan's bumbling grandson. Michelle Pfeiffer, in one of her earliest roles, is thrown in for good measure--and while the script gives her little to do beyond look pretty and giggle she does both extremely well.
Even so, this is not enough to save the film, which slowly but surely dissolves into a morass of very obvious slapstick humor; when all is said and done, the end result is rather like THE GOOD EARTH MEETS THE PINK PANTHER. It has moments, but it is more awkward than amusing. Four stars for the efforts of Lee Grant, Roddy McDowell, Rachel Roberts and company, but--and in the words of the original screen Chan--most viewers should say "Thank you so much!" and pass along another way.
GFT, Amazon Reviewer
8 of 10 people found this review helpful.
Was this review helpful to you?