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Chariots of Fire (1981)

 -  Drama | History | Sport  -  9 April 1982 (USA)
7.3
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Ratings: 7.3/10 from 33,356 users  
Reviews: 203 user | 85 critic

Two British track athletes, one a determined Jew and the other a devout Christian, compete in the 1924 Olympics.

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(original screenplay)
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Title: Chariots of Fire (1981)

Chariots of Fire (1981) on IMDb 7.3/10

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Won 4 Oscars. Another 17 wins & 16 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Lord Andrew Lindsay
...
...
...
Henry Stallard
...
...
Master of Trinity (as Sir John Gielgud)
...
Master of Caius
...
...
Jennie Liddell
...
...
...
Patrick Magee ...
Lord Cadogan
...
Duke of Sutherland
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Storyline

The story, told in flashback, of two young British sprinters competing for fame in the 1924 Olympics. Eric, a devout Scottish missionary runs because he knows it must please God. Harold, the son of a newly rich Jew runs to prove his place in Cambridge society. In a warmup 100 meter race, Eric defeats Harold, who hires a pro trainer to prepare him. Eric, whose qualifying heat is scheduled for a Sunday, refuses to run despite pressure from the Olympic committee. A compromise is reached when a nobleman allows Eric to compete in his 400 meter slot. Eric and Harold win their respective races and go on to achieve fame as missionary and businessman/athletic advocate, respectively. Written by Joe Jurca

Plot Summary | Plot Synopsis

Taglines:

With Wings on their Heels and Hope in their Hearts See more »

Genres:

Drama | History | Sport

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

9 April 1982 (USA)  »

Also Known As:

Carros de fuego  »

Box Office

Budget:

$5,500,000 (estimated)

Gross:

$58,800,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Although it received a standing ovation when shown in competition at the 1981 Cannes Film Festival, this movie was mercilessly savaged by the French critics, because it called the French "the frogs" and "an unprincipled lot." In order to prevent the negative critical response from hurting its international distribution, Roger Ebert lobbied the other American critics in attendance to award it the "American Critics Prize", which they did in a 6-5 vote. This marks the only time in the 60-year history of the festival that this award has been presented. See more »

Goofs

At the beginning of the Scotland vs. France match, the "Marseillaise" has been edited and is not sung in its original words and music. See more »

Quotes

[first lines]
Lord Andrew Lindsay: Let us praise famous men and our fathers that begat us. All these men were honoured in their generations and were a glory in their days. We are here today to give thanks for the life of Harold Abrahams. To honour the legend. Now there are just two of us - young Aubrey Montague and myself - who can close our eyes and remember those few young men with hope in our hearts and wings on our heels.
See more »

Connections

Referenced in The 79th Annual Academy Awards (2007) See more »

Soundtracks

God Save the King
(1744) (uncredited)
Traditional
Written by Henry Carey
See more »

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User Reviews

 
Truly an outstanding film.
26 January 2003 | by (Florida, USA) – See all my reviews

I beg to differ with several previous reviewers. This film is neither bland nor is it solely about professionalism vs. amateurism.

This film is about what drives people to do what they do. Eric Liddell (Ian Charleson) runs for the glory of God, whereas Harold Abrahams (Ben Cross) runs to prove his worth to a society that was anti-Semitic. Even though they run for different reasons, their drive and determination spur them on. They stand up for what they believe in and refuse to sacrifice their principles because it is the easy way out.

The supporting cast is also extraordinary, with Nigel Havers, Nicholas Farrell, Ian Holm and Sir John Gielgud all making important contributions to the final product.

There is absolutely nothing unnecessary in this film. The writing, the direction, the acting, the dialogue are all outstanding. And then there's that haunting score.

Once again, this is truly an outstanding film. One with universal themes that transcend time and place.


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