Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
The story, told in flashback, of two young British sprinters competing for fame in the 1924 Olympics. Eric, a devout Scottish missionary runs because he knows it must please God. Harold, the son of a newly rich Jew runs to prove his place in Cambridge society. In a warmup 100 meter race, Eric defeats Harold, who hires a pro trainer to prepare him. Eric, whose qualifying heat is scheduled for a Sunday, refuses to run despite pressure from the Olympic committee. A compromise is reached when a nobleman allows Eric to compete in his 400 meter slot. Eric and Harold win their respective races and go on to achieve fame as missionary and businessman/athletic advocate, respectively. Written by
The scene in which Harold Abrahams first sees Sybil Gordon, singing as Yum-Yum in "The Mikado", is based on either a mistake of fact or a deliberate alteration to make the story more romantic. In real life, the name of Abrahams' bride was Sybil Evers. Evers was a member of the D'Oyly Carte Opera Company, but while Sybil Gordon was its principal soprano, Sybil Evers was a minor soprano, who sang the role of Peep-Bo The Mikado, not the lead role Yum-Yum as it appears in the movie. Moreover, she only appeared with the D'Oyly Carte company for one season, 1930-31. Evers and Abrahams did not meet until 1934, 10 years after Abrahams' Olympic victory. They were married in 1936. (In real life, while he was a Cambridge student, Abrahams was engaged to a young woman, Christina McLeod Innes, but they broke up when he decided to devote himself full time to athletics and the Olympics.) See more »
When Colonel John Keddie meets Sam Mussabini, the cane in Keddie's hand jumps from his right hand to his left, so that his right hand is free to shake Mussambini's. See more »
Lord Andrew Lindsay:
Let us praise famous men and our fathers that begat us. All these men were honoured in their generations and were a glory in their days. We are here today to give thanks for the life of Harold Abrahams. To honour the legend. Now there are just two of us - young Aubrey Montague and myself - who can close our eyes and remember those few young men with hope in our hearts and wings on our heels.
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I beg to differ with several previous reviewers. This film is neither bland nor is it solely about professionalism vs. amateurism.
This film is about what drives people to do what they do. Eric Liddell (Ian Charleson) runs for the glory of God, whereas Harold Abrahams (Ben Cross) runs to prove his worth to a society that was anti-Semitic. Even though they run for different reasons, their drive and determination spur them on. They stand up for what they believe in and refuse to sacrifice their principles because it is the easy way out.
The supporting cast is also extraordinary, with Nigel Havers, Nicholas Farrell, Ian Holm and Sir John Gielgud all making important contributions to the final product.
There is absolutely nothing unnecessary in this film. The writing, the direction, the acting, the dialogue are all outstanding. And then there's that haunting score.
Once again, this is truly an outstanding film. One with universal themes that transcend time and place.
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