Fabrice del Dongo, a young archbishop, gives his all to romance rather than to the Church, creating complications for everyone around. The Countess of San Severina, is but one of the women ... See full summary »
It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post- Napoleonic era, his intensely romantic liaisons ... See full summary »
In a small village in Latin America, Santiago Nasar is killed in the morning, which surprises nobody. The Vicario brothers were openly declaring they would kill him to regain the lost honor... See full summary »
Gian Maria Volontè
Enrico Mattei helped change Italy's future, first as freedom-fighter against the Nazis, then as an investor in methane gas through a public company, A.G.I.P., and ultimately as the head of ... See full summary »
Gian Maria Volontè,
A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to ... See full summary »
Luca Manzi is a fourteen year old boy while the Northern Italy Republic of Salò is governed by the Fascists. Luca becomes a partisan but after the end of the war he is disappointed because ... See full summary »
Teresa Ann Savoy,
Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from "Do Aphrodisiacs Work?" in which a court ... See full summary »
The love story of 2 youths during the '700s. Fabrizio, a boy who was supposed to be a noble and part of Napoleons army, and Clelia a beautiful girl of a important Noble of the high society ... See full summary »
In my adolescence, Stendhal was to me an author of swashbucklers. Yet I was profoundly impressed by his style, by the charm of his two most known novels. So I did not revere him yet, but the style already made the profoundest impression upon me. I looked it upon as the ideal style (I repeat, I mean the style of his novels, of his narrations).
Then came a few sentences from a Nietzsche's book. That rehabilitated to me Stendhal as a classic novelist, if I am to use this label. Then there was a lesson at school, when our teacher resumed for us, briefly, LE ROUGE .Again, I was very impressedthis time, by the very content of the novel, its richness and density and intrinsic interest.
The entire rehabilitation came from an essay by Genette, read in '97 (and reread later ). That essay lead me to join the cult, the club of our master. In short, the others' perspectives on his books greatly improved my knowledge of him. I was as impressed with his books as with others' enthusiasm for him.
I belong to those who find much more interesting his novels themselves, than the man who wrote them (i.e., I am not interested in his two main novels as personal ,private documents or confessions, but as fiction). I loathe _biographism. I loathe biographic explanations and approaches in literary criticism. I tax it as cheap, petty exploitation.
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