Based on the novel of the same name by Graham Greene, this is a story of a French advocate Chavel who, while imprisoned by the Germans during the occupation, trades his material possessions... See full summary »
Kristin Scott Thomas,
Quasimodo, the hunchback bellringer of Notre Dame's cathedral meets a beautiful gypsy dancer, Esmeralda, and falls in love with her. So does Quasimodo's guardian, the archdeacon of the ... See full summary »
Carefully chronicling in great detail the early years of Hitler s life and the events that shaped him into the zealous leader of Germany. This documentary offers a critical insight into the... See full summary »
In 1945, The Third Reich is in its death throes with the Allies relentlessly attacking the capital city of Berlin. Its Fuehrer, Adolf Hitler, retreats into his fortified bunker in Berlin with his senior staff. There, gripped with both delusions of grandeur and despair, Hitler commands a hopeless last stand with resources existing largely in his own mind. While resisting the pleas of rational minions like Albert Speer, basic reality finally comes unavoidable. With that, Hitler and his fanatical fellows prepare for their own end even as their grandiose dreams are becoming a smoking ruin above. Written by
Kenneth Chisholm (email@example.com)
Reporters on the set said the sense of realism was so intense that at one point, when Anthony Hopkins entered the room to prepare for the next scene, actors portraying SS troops found themselves snapping to attention. See more »
At the very end of the movie, the SS man/switchboard operator, Misch is seen talking to mechanic Hentschel while preparing to flee "The Bunker". The rifle Misch has shouldered is a Russian Mosin Nagant; he would have been carrying the German Mauser of which plenty would have been available with all the wounded in the proximity. I doubt if anyone would have taken a Nagant down into Hitler's Bunker. See more »
A tour de force performance by Hopkins manages to propel this sometimes slow-moving docudrama. The supporting performances, especially by Piper Laurie and Richard Jordan, also drive this intensely psychological take on the last days of the Third Reich. One criticism though: is a German accent really that difficult for professional actors to mimic?
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