In 1945, The Third Reich is in its death throes with the Allies relentlessly attacking the capital city of Berlin. Its Fuehrer, Adolf Hitler, retreats into his fortified bunker in Berlin with his senior staff. There, gripped with both delusions of grandeur and despair, Hitler commands a hopeless last stand with resources existing largely in his own mind. While resisting the pleas of rational minions like Albert Speer, basic reality finally comes unavoidable. With that, Hitler and his fanatical fellows prepare for their own end even as their grandiose dreams are becoming a smoking ruin above. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Reporters on the set said the sense of realism was so intense that at one point, when Anthony Hopkins entered the room to prepare for the next scene, actors portraying SS troops found themselves snapping to attention. See more »
At the very end of the movie, the SS man/switchboard operator, Misch is seen talking to mechanic Hentschel while preparing to flee "The Bunker". The rifle Misch has shouldered is a Russian Mosin Nagant; he would have been carrying the German Mauser of which plenty would have been available with all the wounded in the proximity. I doubt if anyone would have taken a Nagant down into Hitler's Bunker. See more »
As a military historian, I've probably seen every film depicting Hitler and the last days of the Third Reich there is. Some stand out. "Inside the Third Reich" with Derek Jacobi, and "Hitler: The Last Ten Days," with Alec Guinness, to name a few. But as slow and downright melodramatic as this film is, I think that Anthony Hopkins' Hitler is right on the money, A superb acting job with a difficult role. He brings the image of an old man, difficult, palsied, volatile, confused, distant and changeable as a chameleon on an acid trip to life for the screen. It's not hard to play the classic Hitler with fits of rages and dour looks, but there is a lot more to it, and Hopkins pulls it off magnificently. He literally ages before your eyes and the gray pallor of the Bunker's stone walls seems to seep into his skin with every scene. Jordan as Speer is believable, and the somber, dirgelike music pulls out the hopelessness of the last gasp of the Nazi rat pack's future. Accurately done, but Hopkins is the real star here. But as one other user commented, is it really so hard for a Brit or an American to manage a German accent? Do all civilized Germans sound as if they had been raised in coventry? Ach du Lieber!
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