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Directed by | |||
| Wolfgang Petersen | |||
Writing credits(in alphabetical order) | ||
| Lothar G. Buchheim | novel | |
| Wolfgang Petersen | ||
Produced by | |||
| Michael Bittins | .... | co-producer | |
| Mark Damon | .... | executive producer (director's cut) | |
| Ortwin Freyermuth | .... | producer (director's cut) | |
| John W. Hyde | .... | executive producer (director's cut) | |
| Edward R. Pressman | .... | executive producer (director's cut) | |
| Günter Rohrbach | .... | producer | |
Original Music by | |||
| Klaus Doldinger | |||
Cinematography by | |||
| Jost Vacano | |||
Film Editing by | |||
| Hannes Nikel | |||
Casting by | |||
| Willy Schlenter | |||
Production Design by | |||
| Rolf Zehetbauer | |||
Art Direction by | |||
| Götz Weidner | |||
Set Decoration by | |||
| Götz Weidner | |||
| Rolf Zehetbauer | |||
Costume Design by | |||
| Monika Bauert | |||
Makeup Department | |||
| Alfred Rasche | .... | makeup artist | |
| Ago von Sperl | .... | makeup artist | |
| Rüdiger von Sperl | .... | makeup artist | |
Production Management | |||
| Jürgen Bieske | .... | unit manager | |
| Michael Bittins | .... | production manager | |
| William H. Brown | .... | post-production supervisor (director's cut) (as Bill Brown) | |
| Philippe Dussart | .... | production manager: France | |
| Kurt von Vietinghoff | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Georg Borgel | .... | assistant director | |
| Marie-Antoinette Petersen | .... | assistant director | |
Art Department | |||
| Rudolf Braun | .... | assistant production designer | |
| Knuth Christiansen | .... | assistant production designer | |
| Peter Dürst | .... | property master | |
| Erhard Hose | .... | assistant production designer | |
| Pius Hüngerl | .... | assistant production designer | |
| Monika Moritz | .... | property master | |
| Kurt Musegg | .... | assistant production designer | |
| Bernhard Neureiter | .... | assistant production designer | |
| Walter E. Richarz | .... | assistant art director | |
| Heinz Schäfer | .... | assistant production designer | |
| Joseph Teppert | .... | assistant production designer | |
| Friedrich Thaler | .... | scenic artist | |
| Philipp von Seil | .... | assistant art director | |
| Rüdiger Wagner | .... | property master | |
Visual Effects by | |||
| Thomas Gitt | .... | front projection | |
| Jan Jacobsen | .... | front projection | |
| Jörg M. Kunsdorff | .... | optical effects | |
| Gerhard Neumeier | .... | miniatures and technical effects | |
| Theo Nischwitz | .... | front projection | |
| Hans Nothof | .... | miniatures and technical effects | |
| Oliver Nothof | .... | miniatures and technical effects | |
| Rudolf Roemmelt | .... | optical effects | |
| Alfred Schallmeier | .... | miniatures and technical effects | |
| Erwin Schnetzer | .... | miniatures and technical effects | |
| Sebastian Schwerte | .... | optical effects | |
| Ernst Wild | .... | miniature effects | |
Camera and Electrical Department | |||
| Ray Andrew | .... | assistant camera | |
| Stan Andrew | .... | assistant camera | |
| Horst Becker | .... | assistant camera | |
| Jürgen Bretzinger | .... | assistant camera | |
| Rudi Denk | .... | electrician | |
| Iko Dimitri | .... | electrician | |
| Hermann Fahr | .... | assistant camera | |
| Gerhard Fromm | .... | additional camera operator | |
| Frank Heinig | .... | assistant camera | |
| Leander R. Loosen | .... | additional camera operator | |
| Peter Maiwald | .... | additional camera operator | |
| Mike Rutter | .... | assistant camera | |
| Ludwig Sauermann | .... | key grip | |
| Franz Schlammer | .... | electrician | |
| Ernst Schmid | .... | additional camera operator | |
| Ernst Stritzinger | .... | additional camera operator | |
| Wolfgang Treu | .... | additional camera operator | |
| Karl-Heinz Vogelmann | .... | still photographer (as Karlheinz Vogelmann) | |
| Robert Wiesmann | .... | assistant camera | |
| Egil S. Woxholt | .... | additional camera operator | |
| Willi Zopf | .... | electrician | |
Costume and Wardrobe Department | |||
| Hans Diessbacher | .... | costumer | |
| Karin Geuer | .... | costumer | |
| Siegi Haubold | .... | costumer | |
| Karl-Heinz Stempel | .... | costumer | |
Editorial Department | |||
| Carola Brandes | .... | assistant editor | |
| Todd Busch | .... | assistant editor (director's cut) | |
| Gunthard Böhm | .... | color timer (original version) | |
| Eva Claudius | .... | assistant editor | |
| Linda DeMarco | .... | color timer (director's cut restored version) | |
| Jennifer Neysa Jew | .... | assistant editor (director's cut) | |
| Renato Liapaki | .... | assistant editor | |
| Marc Liesendahl | .... | assistant editor | |
| Lisa Lössl | .... | assistant editor (as Lisa Loeßl) | |
| Babette Nischwitz | .... | assistant editor | |
| Susanne Nischwitz-Blössl | .... | assistant editor (as Susanne Nischwitz) | |
| Claudia Schumann | .... | assistant editor | |
| Angelika Siegmeier | .... | assistant editor | |
| Lilli von Otting | .... | assistant editor | |
| Doris Wutz | .... | assistant editor | |
| Thomas Nikel | .... | additional editor (uncredited) | |
Music Department | |||
| Bill Abbott | .... | music editor (director's cut) | |
| Tommy Klemt | .... | music re-mastering engineer (director's cut) | |
| Denise Okimoto | .... | music editor (director's cut) | |
| Alan Willis | .... | music editor | |
Other crew | |||
| Heinrich Bader | .... | mechanical engineer | |
| Jan-Michael Brandt | .... | production assistant | |
| Daniel Braunschweig | .... | crew member: French production | |
| Karlheinz Böhm | .... | naval advisor | |
| Arlette Danis | .... | crew member: French production | |
| Eric Dussart | .... | crew member: French production | |
| Nicole Front | .... | crew member: French production | |
| Isabel Goslar | .... | continuity | |
| François Hamel | .... | crew member: French production | |
| Lutz Hengst | .... | production executive | |
| Thomas Henkel | .... | representative: Bavaria Film (director's cut) | |
| Christl Kirchner | .... | production accountant (as Christel Kirchner) | |
| Achim Krug | .... | naval advisor | |
| Ludwig Kurz | .... | hydrotechnologist | |
| Jean Lara | .... | crew member: French production | |
| Suzanne Schnulle Murphy | .... | production accountant director's cut | |
| Gérard Nicolas | .... | crew member: French production | |
| Caroline Perchaud | .... | production secretary | |
| Joël Picaud | .... | crew member: French production | |
| Isabel Prochnow | .... | script supervisor | |
| Pierre Sicre | .... | crew member: French production | |
| Brad Stephens | .... | assistant to producer (director's cut) | |
| Manichanh Tangpraserth | .... | assistant: Mr. Freyermuth (director's cut) | |
| Lucas Van Alen | .... | post-production coordinator director's cut | |
| Ingrid von Anka | .... | production secretary | |
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| IMDb West Germany section |
on modern "boats" life isn't easy- but compared to the living hell that the German U-Boats were, modern submariners have nothing to complain about. People in certain professions don't like to watch movies about those professions (Doctors and Nurses shy away from hospital dramas, for example). Submarine sailors are different. We love to watch every submarine movie ever made, from "Run Silent, Run Deep" and "Destination: Tokyo" to "The Hunt For Red October", "Crimson Tide" and "U-571". Why? Because we can always use a good laugh. For those in the know, submarine movies are usually absolutely hilarious. Except this one. After being in the Navy for four years, serving with around 350 different men, and being acquainted with a further 200-300, all of them submarine sailors, I think that I can state with absolute certainty that this film is the ONLY submarine movie that ALL submariners take seriously. And that is the highest praise a movie like this can possibly get.