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Directed by | |||
| Wolfgang Petersen | |||
Writing credits(in alphabetical order) | ||
| Lothar G. Buchheim | novel | |
| Wolfgang Petersen | writer | |
| Dean Riesner | uncredited | |
Produced by | |||
| Michael Bittins | .... | co-producer | |
| Mark Damon | .... | executive producer (director's cut) | |
| Ortwin Freyermuth | .... | producer (director's cut) | |
| John W. Hyde | .... | executive producer (director's cut) | |
| Edward R. Pressman | .... | executive producer (director's cut) | |
| Günter Rohrbach | .... | producer | |
| Edward Summer | .... | assistant executive producer | |
Original Music by | |||
| Klaus Doldinger | |||
Cinematography by | |||
| Jost Vacano | |||
Film Editing by | |||
| Hannes Nikel | |||
Casting by | |||
| Willy Schlenter | |||
Production Design by | |||
| Rolf Zehetbauer | |||
Art Direction by | |||
| Götz Weidner | |||
Set Decoration by | |||
| Götz Weidner | |||
| Rolf Zehetbauer | |||
Costume Design by | |||
| Monika Bauert | |||
Makeup Department | |||
| Alfred Rasche | .... | makeup artist | |
| Ago von Sperl | .... | makeup artist | |
| Rüdiger von Sperl | .... | makeup artist | |
Production Management | |||
| Jürgen Bieske | .... | unit manager | |
| Michael Bittins | .... | production manager | |
| Bill Brown | .... | post-production supervisor (director's cut) | |
| Philippe Dussart | .... | production manager: France | |
| Kurt von Vietinghoff | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Georg Borgel | .... | first assistant director | |
| Marie-Antoinette Petersen | .... | assistant director | |
Art Department | |||
| Rudolf Braun | .... | assistant production designer | |
| Knuth Christiansen | .... | assistant production designer | |
| Peter Dürst | .... | property master | |
| Erhard Hose | .... | assistant production designer | |
| Pius Hüngerl | .... | assistant production designer | |
| Monika Moritz | .... | property master | |
| Kurt Musegg | .... | assistant production designer | |
| Bernhard Neureiter | .... | assistant production designer | |
| Walter E. Richarz | .... | assistant art director | |
| Heinz Schäfer | .... | assistant production designer | |
| Joseph Teppert | .... | assistant production designer | |
| Friedrich Thaler | .... | scenic artist | |
| Philipp von Seil | .... | assistant art director | |
| Rüdiger Wagner | .... | property master | |
Visual Effects by | |||
| Jörg M. Kunsdorff | .... | optical effects | |
| Gerhard Neumeier | .... | miniatures and technical effects | |
| Hans Nothof | .... | miniatures and technical effects | |
| Oliver Nothof | .... | miniatures and technical effects | |
| Rudolf Roemmelt | .... | optical effects | |
| Alfred Schallmeier | .... | miniatures and technical effects | |
| Erwin Schnetzer | .... | miniatures and technical effects | |
| Sebastian Schwerte | .... | optical effects | |
| Ernst Wild | .... | miniature effects | |
Camera and Electrical Department | |||
| Ray Andrew | .... | assistant camera | |
| Stan Andrew | .... | assistant camera | |
| Horst Becker | .... | assistant camera | |
| Jürgen Bretzinger | .... | assistant camera | |
| Rudi Denk | .... | electrician | |
| Iko Dimitri | .... | electrician | |
| Hermann Fahr | .... | assistant camera | |
| Gerhard Fromm | .... | additional camera operator | |
| Frank Heinig | .... | assistant camera | |
| Leander R. Loosen | .... | additional camera operator | |
| Peter Maiwald | .... | additional camera operator | |
| Mike Rutter | .... | assistant camera | |
| Ludwig Sauermann | .... | key grip | |
| Franz Schlammer | .... | electrician | |
| Ernst Schmid | .... | additional camera operator | |
| Ernst Stritzinger | .... | additional camera operator | |
| Wolfgang Treu | .... | additional camera operator | |
| Karl-Heinz Vogelmann | .... | still photographer (as Karlheinz Vogelmann) | |
| Robert Wiesmann | .... | assistant camera | |
| Egil S. Woxholt | .... | additional camera operator | |
| Willi Zopf | .... | electrician | |
Costume and Wardrobe Department | |||
| Hans Diessbacher | .... | costumer | |
| Karin Geuer | .... | costumer | |
| Siegi Haubold | .... | costumer | |
| Karl-Heinz Stempel | .... | costumer | |
Editorial Department | |||
| Gunthard Böhm | .... | color timer (original version) | |
| Carola Brandes | .... | assistant editor | |
| Todd Busch | .... | assistant editor (director's cut) | |
| Eva Claudius | .... | assistant editor | |
| Linda DeMarco | .... | color timer (director's cut restored version) | |
| Jennifer Neysa Jew | .... | assistant editor (director's cut) | |
| Renato Liapaki | .... | assistant editor | |
| Marc Liesendahl | .... | assistant editor | |
| Lisa Loeßl | .... | assistant editor | |
| Babette Nischwitz | .... | assistant editor | |
| Susanne Nischwitz-Blössl | .... | assistant editor (as Susanne Nischwitz) | |
| Claudia Schumann | .... | assistant editor | |
| Angelika Siegmeier | .... | assistant editor | |
| Lilli von Otting | .... | assistant editor | |
| Doris Wutz | .... | assistant editor | |
| Thomas Nikel | .... | additional editor (uncredited) | |
Music Department | |||
| Bill Abbott | .... | music editor (director's cut) | |
| Tommy Klemt | .... | music re-mastering engineer (director's cut) | |
| Tommy Klemt | .... | music recordist | |
| Denise Okimoto | .... | music editor (director's cut) | |
| Alan Willis | .... | music editor | |
Other crew | |||
| Heinrich Bader | .... | mechanical engineer | |
| Karlheinz Böhm | .... | naval advisor | |
| Jan-Michael Brandt | .... | production assistant | |
| Daniel Braunschweig | .... | crew member: French production | |
| Arlette Danis | .... | crew member: French production | |
| Eric Dussart | .... | crew member: French production | |
| Nicole Front | .... | crew member: French production | |
| Thomas Gitt | .... | front projectionist | |
| Isabel Goslar | .... | continuity | |
| François Hamel | .... | crew member: French production | |
| Lutz Hengst | .... | production executive | |
| Thomas Henkel | .... | representative: Bavaria Film (director's cut) | |
| Jan Jacobsen | .... | front projectionist | |
| Christl Kirchner | .... | production accountant (as Christel Kirchner) | |
| Achim Krug | .... | naval advisor | |
| Ludwig Kurz | .... | hydrotechnologist | |
| Jean Lara | .... | crew member: French production | |
| Suzanne Schnulle Murphy | .... | production accountant director's cut | |
| Gérard Nicolas | .... | crew member: French production | |
| Theo Nischwitz | .... | front projectionist | |
| Caroline Perchaud | .... | production secretary | |
| Joël Picaud | .... | crew member: French production | |
| Isabel Prochnow | .... | script supervisor | |
| Pierre Sicre | .... | crew member: French production | |
| Brad Stephens | .... | assistant to producer (director's cut) | |
| Manichanh Tangpraserth | .... | assistant: Mr. Freyermuth (director's cut) | |
| Lucas Van Alen | .... | post-production coordinator director's cut | |
| Ingrid von Anka | .... | production secretary | |
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The first time I saw this film I could not take my eyes from it. I was mesmerized with the transition of a hearty young crew leaving port evolving as the sheer moments of terror (deep under water battles and personal struggles as well as the final scene) lead them all to rethink their actual cause, and their very own mortality (as well as our own in the perils of war!). I can't imagine another film actually displaying what it must have been like to be on one of Nazi Germany's U-boats - young nationalist boys being plucked from their mother's bosom and cast into the claustrophobic iron wolfs in the heat and height of the second world war, who begin to doubt the cause and victory of the fuhrer they've been taught to love and trust. Very colorful, contrasting characters and a script and plot thick with surprises and emotional drama/trauma. Top-notch direction, action, acting and sets. This is perhaps the greatest movie ever made in my opinion. Sorry I couldn't be more specific with the review, there is just too much to cover without spoiling anything for those yet to enjoy it, and thus I just highly recommend it to anybody, not just war movie buffs. I have seen both the regular version and the director's cut (which I own on DVD now) and I must say that the DC is superior. A masterpiece!