It is 1942 and the German submarine fleet is heavily engaged in the so-called "Battle of the Atlantic" to harass and destroy British shipping. With better escorts of the Destroyer Class, however, German U-Boats have begun to take heavy losses. "Das Boot" is the story of one such U-Boat crew, with the film examining how these submariners maintained their professionalism as soldiers and attempted to accomplish impossible missions, all the while attempting to understand and obey the ideology of the government under which they served. Written by
Anthony Hughes <firstname.lastname@example.org>
The bulk of the film's $15 million budget was spent on constructing U-boats. Specifications for the original Type VII-C U-boat were found at the Chicago Museum of Science and Industry. The plans were taken to the original builder of the subs, who was commissioned to build a full-sized, sea-going replica, their first such assignment since the war ended. A second full-sized model was built for interior filming. See more »
SS Weser was built in 1922 by Norddeutscher Lloyd and was the third ship to bear that name. The SS Weser was captured by HMCS Prince Robert off the Pacific coast of Mexico in 1940 and so could not have been interned in Spain. During the war the SS Weser was thought to have been responsible for the sinking of the British ship, SS Anglo-Saxon (sunk August 21 1940), but this sinking was later attributed to the German merchantman, SS Widder. See more »
[Captain looks at the birds overhead]
[Discovers the watchman's yawning]
Nay Nay Nay
Excuse me, Captain.
If you can't handle it, don't do it.
Were you part of it? Fireboat drill?
At least you can aim.
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Using the term 'authenticity' in connection with any kind of art is rather difficult and daring as well. Sometimes it looks posed or is by certain purposes manipulated. Referring to Petersen´s "Das Boot" however, I consider it justified to call it authentic and true. I think this statement can be strengthened mainly by the fact that Lothar Gunther Buchheim was consulted. He composed the novel this breathtaking movie bases on and he himself was employed as a war correspondent in the Second World War.
The entire plot has no weak points. Starting at "Bar Royal" at the very night before the forces living journey of the submarine crew begins, the director fittingly manages to confront the audience with the protagonists and their way of dealing with the pounding uncertainty. Once put to sea, the character of the scenes changes abruptly. Every member of the crew and the audience as well comes into very close contact with the tightness of the action space. At this point it is necessary to underline the excellent work of the cameramen. The fast and partial hectic cuts draw an exact picture of the drama on board. Too do not forget the outstanding lighting. However besides this abundance of obvious suspense, there are also a number of moments going into in-depth psychology and thoughtfulness. To outline only a few of them: At "Bar Royal", when the chief engineer reflects about the uncertain fate of his family, or when the captain, with a kind of 'Weltschmerz' in his eyes, is astound and proud of the unbelievable efforts of the crew. It would probably be too laborious to refer to the decisive symbols the director uses, therefore I recommend this movie to everybody, especially those who are interested in the Second World War.
It presumably sounds pretty weird, yet I suppose that mankind gladly participates on the misfortune of others, without being closely involved with it. This closing notion may account for the huge success of this movie.>
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