It is 1942 and the German submarine fleet is heavily engaged in the so-called "Battle of the Atlantic" to harass and destroy British shipping. With better escorts of the Destroyer Class, however, German U-Boats have begun to take heavy losses. "Das Boot" is the story of one such U-Boat crew, with the film examining how these submariners maintained their professionalism as soldiers and attempted to accomplish impossible missions, all the while attempting to understand and obey the ideology of the government under which they served. Written by
Anthony Hughes <firstname.lastname@example.org>
To simulate the storm in the Atlantic, a model of the tower was splashed with water from a large tank. Actor Jan Fedder lost his grip on the railing and was washed off the model, breaking a few ribs in the fall, one of the other actors instantly shouted "Man Overboard". At first Petersen didn't realize it was an accident but enthusiastically yelled "Good idea, Jan. We'll do that one more time!". Peterson still kept the scene and rewrote Jan Fedder's part in the film, so that his character spent a short portion of the movie in bed. The actor actually had to be brought back and forth from the hospital every day because of concussion. The painful expression on his face is real and not acted. (The scene which features him bedridden is available on the uncut edition.) See more »
U-32 is stated to have made contact with an enemy convoy. Following the convoy attack, Kriechbaum reads a report from U-112. U-32, a Type VIIA boat, actually sank in October 1940, a year prior to the events of this film. U-112 was a proposed Type IXB boat, which was designed to be a seaplane carrier but was never completed. See more »
[La Rochelle is under attack. Werner and the crew take refuge in the U-boat bunker; several of the men are injured]
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Das Boot is not just a great war film: it's a great film period. Maybe it is true that epic themes make the greatest novels and films. Here is a movie that explores heroism, duty, patriotism, hope, fear and the futility of war--all grand themes--explored in the confined, and collapsing, spaces of a German u-boat.
I saw this film when I was a freshman in college during a weekend that I later dubbed my "depressing movie festival." (The Wall and Apocalypse Now were the other weekend "entries.") Of these films, it was Das Boot that haunted me--when I laid down at night, I saw Jurgen Proctow's pained blue eyes. When I woke in the morning, I felt as if I were escaping through the hatch of the submarine. I could not shake the images, and now some fifteen years later, I still remember how completely meaningless the movie made everything seem, and the nihilistic message stayed with me for a long, long time. How few films are there which affect the viewers on this level. To say this film is "powerful" seems so weak a description.
Part of the "power" of the film comes, I think, from a certain restraint in the direction. So often, films which aspire to move the audience quickly fall into melodrama, over-acting, and overblown images. Too much. These often succeed in the immediate response (usually crying) but fail to impact the viewer on anything more than a surface level. Here, it is the small moments which fill the screen. Everywhere, all around is War, but for these men as we witness them, war does not begin with a capital "W". It is reality, not a grand concept. The director lets the story shock and horrify the audience, not by forcing it, but by letting the story just tell itself. Drama, tension and resolution occur naturally in Das Boot, which contributes to the very real impact of the film.
Story is a 10, direction is a 10, acting is a 10 and the cinematography is a 10. One of the all-time greatest films.
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