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Das Boot (1981)
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Overview
User Rating:
Director:
Writers:
Release Date:
10 February 1982 (USA)
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Tagline:
This is the story of 42 raw recruits caught up in a war they didn't understand, and the Captain who must lead them in their struggle to survive. more
Plot:
The claustrophobic world of a WWII German U-boat; boredom, filth, and sheer terror. full summary | full synopsis
Awards:
Nominated for 6 Oscars.
Another 5 wins
&
4 nominations
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NewsDesk:
(5 articles)
"The NeverEnding Story" Returns! The Leonardo DiCaprio Connection!
(From Manny the Movie Guy. 26 February 2009, 12:04 PM, PST)
Remake of the Day #3: 'The NeverEnding Story'
(From Rope Of Silicon. 26 February 2009, 12:33 AM, PST)
(From Manny the Movie Guy. 26 February 2009, 12:04 PM, PST)
Remake of the Day #3: 'The NeverEnding Story'
(From Rope Of Silicon. 26 February 2009, 12:33 AM, PST)
User Comments:
15 years and I'm still thinking about it
more (346 total)
Cast
(Cast overview, first billed only)| Jürgen Prochnow | ... | Capt.-Lt. Henrich Lehmann-Willenbrock - Der Alte | |
| Herbert Grönemeyer | ... | Lt. Werner - Correspondent | |
| Klaus Wennemann | ... | Chief Engineer Fritz Grade - Der Leitende-Der LI | |
| Hubertus Bengsch | ... | 1st Lieutenant - Number One-1WO | |
| Martin Semmelrogge | ... | 2nd Lieutenant - 2WO | |
| Bernd Tauber | ... | Kriechbaum - Chief Quartermaster-Navigator | |
| Erwin Leder | ... | Johann | |
| Martin May | ... | Ullman | |
| Heinz Hoenig | ... | Hinrich (as Heinz Hönig) | |
| Uwe Ochsenknecht | ... | Chief Bosun | |
| Claude-Oliver Rudolph | ... | Ario | |
| Jan Fedder | ... | Pilgrim | |
| Ralf Richter | ... | Frenssen (as Ralph Richter) | |
| Joachim Bernhard | ... | Preacher | |
| Oliver Stritzel | ... | Schwalle |
Additional Details
Also Known As:
The Boat (Philippines: English title) (USA) (dubbed version)
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MPAA:
Rated R for some war violence and brief language. (director's cut)
Parents Guide:
Runtime:
149 min | 209 min (director's cut) | 293 min (uncut version)
Country:
Color:
Color (Fujicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Iceland:12 |
Canada:14A (Ontario) |
South Korea:15 |
Brazil:14 |
Argentina:13 |
Australia:M |
Chile:14 |
Finland:K-16 |
France:U |
Ireland:15 |
Netherlands:12 |
Netherlands:16 (director's cut) |
Norway:15 (director's cut) |
Norway:16 |
Portugal:M/12 (original rating) |
Portugal:M/16 (director's cut) |
Singapore:PG |
Spain:13 |
Sweden:15 |
UK:12 (dubbed directors cut) |
UK:15 (subtitled directors cut) |
USA:R |
USA:Unrated (original uncut version) |
West Germany:12 (w)
Filming Locations:
Company:
Fun Stuff
Trivia:
The bulk of the film's $15 million budget was spent on constructing U-boats. Specifications for the original Type VII-C U-boat were found at the Chicago Museum of Science and Industry. The plans were taken to the original builder of the subs, who was commissioned to build a full-sized, sea-going replica, their first such assignment since the war ended. A second full-sized model was built for interior filming.
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Goofs:
Revealing mistakes: When the U-96 surfaces after the drill and test dive the bow wake of the camera boat can be clearly seen at the bottom of the frame.
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Quotes:
Lt. Werner:
What's going on? Why are we diving?
2nd Lieutenant: Hydrophone check. At sea, even in a storm you can hear more down here than you can see up there.
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2nd Lieutenant: Hydrophone check. At sea, even in a storm you can hear more down here than you can see up there.
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Movie Connections:
Referenced in "The Starter Wife: Das Booty Call (#1.5)" (2008)
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Soundtrack:
La Paloma
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FAQ
How much sex, violence, and profanity are in this movie?What type of submarine is U-96?
A NOTE REGARDING SPOILERS
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more (346 total)
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Das Boot is not just a great war film: it's a great film period. Maybe it is true that epic themes make the greatest novels and films. Here is a movie that explores heroism, duty, patriotism, hope, fear and the futility of war--all grand themes--explored in the confined, and collapsing, spaces of a German u-boat.
I saw this film when I was a freshman in college during a weekend that I later dubbed my "depressing movie festival." (The Wall and Apocalypse Now were the other weekend "entries.") Of these films, it was Das Boot that haunted me--when I laid down at night, I saw Jurgen Proctow's pained blue eyes. When I woke in the morning, I felt as if I were escaping through the hatch of the submarine. I could not shake the images, and now some fifteen years later, I still remember how completely meaningless the movie made everything seem, and the nihilistic message stayed with me for a long, long time. How few films are there which affect the viewers on this level. To say this film is "powerful" seems so weak a description.
Part of the "power" of the film comes, I think, from a certain restraint in the direction. So often, films which aspire to move the audience quickly fall into melodrama, over-acting, and overblown images. Too much. These often succeed in the immediate response (usually crying) but fail to impact the viewer on anything more than a surface level. Here, it is the small moments which fill the screen. Everywhere, all around is War, but for these men as we witness them, war does not begin with a capital "W". It is reality, not a grand concept. The director lets the story shock and horrify the audience, not by forcing it, but by letting the story just tell itself. Drama, tension and resolution occur naturally in Das Boot, which contributes to the very real impact of the film.
Story is a 10, direction is a 10, acting is a 10 and the cinematography is a 10. One of the all-time greatest films.