The claustrophobic world of a WWII German U-boat; boredom, filth, and sheer terror.

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(screenplay), (novel)
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Top Rated Movies #70 | Nominated for 6 Oscars. Another 13 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Klaus Wennemann ...
Hubertus Bengsch ...
1st Lieutenant - Number One-1WO
...
2nd Lieutenant - 2WO
Bernd Tauber ...
Kriechbaum - Chief Quartermaster-Navigator
...
Johann
Martin May ...
Ullman
...
Hinrich (as Heinz Hönig)
...
Chief Bosun
...
...
Ralf Richter ...
Frenssen (as Ralph Richter)
...
Preacher
...
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Storyline

It is 1942 and the German submarine fleet is heavily engaged in the so-called "Battle of the Atlantic" to harass and destroy British shipping. With better escorts of the Destroyer Class, however, German U-Boats have begun to take heavy losses. "Das Boot" is the story of one such U-Boat crew, with the film examining how these submariners maintained their professionalism as soldiers and attempted to accomplish impossible missions, all the while attempting to understand and obey the ideology of the government under which they served. Written by Anthony Hughes <husnock31@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Eine Reise ans Ende des Verstandes See more »


Motion Picture Rating (MPAA)

Rated R for some war violence and brief language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

| |

Release Date:

10 February 1982 (USA)  »

Also Known As:

Das Boot  »

Filming Locations:

 »

Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend:

$68,369 (USA) (4 April 1997)

Gross:

$11,433,134 (USA) (25 April 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut) | (VHS) | (special uncut DVD) | (Original Uncut Version)

Sound Mix:

(director's cut)| (original release)| (director's cut)

Color:

(Fujicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The sailors who urinate into the road are actually spraying water through small hoses. See more »

Goofs

After returning to La Rochelle, and as the submarine base is attacked by allied airplanes, a presumably dead soldier can be seen lying on the ground that has his eyes wide open for a second, then notices that filming the shot has begun, and quickly closes his eyes to simulate death. See more »

Quotes

Ullman: [writing a letter] Dearest Françoise, this is my fourteenth letter to you, but you have yet to see one.
See more »

Connections

Referenced in Laat maar zitten: Hand in Hand (1988) See more »

Soundtracks

Sing Nachtigall Sing
(uncredited)
Written by Michael Jary and Bruno Balz
Performed by Evelyn Künneke
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
15 years and I'm still thinking about it
8 September 1999 | by (Southwestern Indiana) – See all my reviews

Das Boot is not just a great war film: it's a great film period. Maybe it is true that epic themes make the greatest novels and films. Here is a movie that explores heroism, duty, patriotism, hope, fear and the futility of war--all grand themes--explored in the confined, and collapsing, spaces of a German u-boat.

I saw this film when I was a freshman in college during a weekend that I later dubbed my "depressing movie festival." (The Wall and Apocalypse Now were the other weekend "entries.") Of these films, it was Das Boot that haunted me--when I laid down at night, I saw Jurgen Proctow's pained blue eyes. When I woke in the morning, I felt as if I were escaping through the hatch of the submarine. I could not shake the images, and now some fifteen years later, I still remember how completely meaningless the movie made everything seem, and the nihilistic message stayed with me for a long, long time. How few films are there which affect the viewers on this level. To say this film is "powerful" seems so weak a description.

Part of the "power" of the film comes, I think, from a certain restraint in the direction. So often, films which aspire to move the audience quickly fall into melodrama, over-acting, and overblown images. Too much. These often succeed in the immediate response (usually crying) but fail to impact the viewer on anything more than a surface level. Here, it is the small moments which fill the screen. Everywhere, all around is War, but for these men as we witness them, war does not begin with a capital "W". It is reality, not a grand concept. The director lets the story shock and horrify the audience, not by forcing it, but by letting the story just tell itself. Drama, tension and resolution occur naturally in Das Boot, which contributes to the very real impact of the film.

Story is a 10, direction is a 10, acting is a 10 and the cinematography is a 10. One of the all-time greatest films.


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