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The Boogens (1981)

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The "Boogens" are scaly monsters that look somewhat like giant turtles with lots of sharp, nasty teeth. They are released from an abandoned, boarded-up silver mine in Colorado and proceed ... See full summary »

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Title: The Boogens (1981)

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Cast

Complete credited cast:
Rebecca Balding ...
Trish Michaels
Fred McCarren ...
Mark Kinner
Anne-Marie Martin ...
Jessica Ford
...
Roger Lowrie
John Crawford ...
Brian Deering
Med Flory ...
Dan Ostroff
Jon Lormer ...
Greenwalt, the old man
Peg Stewart ...
Victoria Tusker
Scott Wilkinson ...
Deputy Blanchard
Marcia Reider ...
Martha Chapman
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Storyline

The "Boogens" are scaly monsters that look somewhat like giant turtles with lots of sharp, nasty teeth. They are released from an abandoned, boarded-up silver mine in Colorado and proceed to do away with character after character Written by <jlshan@ix.netcom.com>

Plot Summary | Add Synopsis

Taglines:

Afraid of not knowing... Afraid to find out... After a 100 years someone has reawakened "The Boogens" See more »

Genres:

Horror

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

25 September 1981 (USA)  »

Also Known As:

Viernes negro  »

Filming Locations:

 »

Box Office

Budget:

$600,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The interior of the house was a set built in an elf lodge in Park City, Utah. See more »

Connections

Referenced in Scream (1996) See more »

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User Reviews

 
Surprisingly Good, Deserving Of A Higher Rating
1 March 2010 | by (South Korea) – See all my reviews

An old mining town in the American West harbors a deadly, 70-year secret, one that is about to be awakened when its silver mine is re-opened.

'The Boogens' is a largely-forgotten classic B-grade horror film with a title that suggests monsters emerging from people's noses and inflicting green, slimy terror. Thankfully, that idea is light years wide of the mark, the film instead occupying the 'monsters beneath the ground' category, predating the silliness of the more well-known 'Tremors' franchise by 9 years. In fact, though its modus operandi is principally just to provide shivers for 95 minutes, it's actually quite well-executed and has more to offer than at first might seem apparent. The script treats its audience with some intelligence by avoiding gratuitous blood-splattering early on, instead allowing the story and the menace to develop at a meaningful pace. This in turn allows us time to get to know the principal characters, who are fairly well-drawn and likable, thanks to the naturalistic performances of Fred McCarren, Rebecca Balding, Anne-Marie Martin and Jeff Harlan - as opposed to the performance of Jon Lormer, who gives his best 'mad loon' acting as the crazed local who knows what's happening but isn't very forthcoming with the details. Of course, the cynic might argue that keeping the monsters of the piece out of the limelight for as long as possible is more to do with the limitations of the practical effects budget, and it's true that once they do appear, they don't stand up to 21st Century scrutiny. However director James L. Conway, who would go on to work on a number of high-profile shows (Star Trek fans should be familiar with his efforts), knows how to make the best of limited resources and accentuating the production's strengths, for example, drawing rising tension from good lighting and suggestions of menace just beyond vision with well-placed camera angles and good cutting - which is probably just another way of saying that you see the characters more than the monsters, but this leads to a good build up of suspense, and that when something nasty happens to one of the leads, it makes an impact. These are the hallmarks of a decent film and they elevate 'The Boogens' as far as I'm concerned to greater heights - doubtless also the reason why Stephen King gave it the thumbs up upon its release.

The film is also helped by some very good choices for location backdrops, from the sleepy mountain town featured (Park City, Utah, according to the end credits) to the presumably authentic mine entrance. The sense of isolation is helped by the rolling hills and coating of snow to make it clear that civilisation, and therefore help when the Boogens hit the fan, is far distant. The musical score provided by Bob Summers is fairly unmemorable, but it fits the bill, boosting tension where appropriate. Finally, special note has to be made of the dog who played Tiger the poodle, the mischievous pet of one of the leads. Between the obvious talents this dog had to respond on cue to verbal and visual stimulus and the committed efforts off-screen to get him to do so, Tiger is very much a character in his own right, practically stealing the show - and not in a cheesy Disney way, either.

'The Boogens' was for me a pleasant surprise, very much surpassing my expectations, given that it could so easily have been an unintelligent exploitation gorefest. Genre fans should definitely check it out, possibly fogging up their lenses a little when the Boogens hit centre-stage.


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DVD RELEASE NOW!!! charles-133
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