Body Heat (1981)

Director:

Lawrence Kasdan

Writer:

Lawrence Kasdan (written by)

Release Date:

28 August 1981 (USA)

Genre:

Crime | Drama | Thriller

Tagline:

It's a hot summer. Ned Racine is waiting for something special to happen. And when it does... He won't be ready for the consequences.

Plot:

In the midst of a searing Florida heat wave, a woman convinces her lover, a small-town lawyer, to murder her rich husband.

Plot Keywords:

Florida | Lawyer | Murder | Prenuptial Agreement | Sex

Awards:

Nominated for Golden Globe. Another 3 nominations

Cast

William Hurt	...	Ned Racine
Kathleen Turner	...	Matty Walker
Richard Crenna	...	Edmund Walker
Ted Danson	...	Peter Lowenstein
J.A. Preston	...	Oscar Grace
Mickey Rourke	...	Teddy Lewis
Kim Zimmer	...	Mary Ann
Jane Hallaren	...	Stella
Lanna Saunders	...	Roz Kraft
Carola McGuinness	...	Heather Kraft
Michael Ryan	...	Miles Hardin
Larry Marko	...	Judge Costanza
Deborah Lucchesi	...	Beverly
Lynn Hallowell	...	Angela
Thom Sharp	...	Michael Glenn (as Thom J. Sharp)

Runtime:

113 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Australia:M (original rating) | Singapore:M18 | Canada:14+ (Ontario) | South Korea:18 | New Zealand:R16 | Philippines:R-18 | Argentina:16 | Australia:MA | Finland:K-16 | Norway:15 | Peru:18 | Portugal:M/16 | Sweden:15 | UK:18 | USA:R (PCA #26275) | West Germany:18 | Ireland:18 | UK:X (original rating) | Iceland:16

Filming Locations:

Delray Beach, Florida, USA

Company:

Ladd Company, The

Trivia:

Directorial debut of Lawrence Kasdan. Prior to this he had written Star Wars: Episode V - The Empire Strikes Back (1980) and Raiders of the Lost Ark (1981) for George Lucas, and was in the process of writing Star Wars: Episode VI - Return of the Jedi (1983). Lucas returned the favor by serving as an uncredited executive producer on this film.

Goofs:

Crew or equipment visible: The shadow of the crew is visible on the pier when Ned is running in the morning.

Quotes:

Peter: Assistant County Prosecutor is not the end of the line for me.
Ned: No, no. Someday, Deputy County Prosecutor.

Movie Connections:

Referenced in Sex at 24 Frames Per Second (2003) (V)

Soundtrack:

Feel Like a Number

A sultry, sweaty update of Double Indemnity

The coastal Florida town in Lawrence Kasdan's Body Heat brings to mind remote colonial outposts in movies like The Letter (nearby Miami, here, seems as far away as London). A sweltering spell of weather settles down for a long roost, and the distant glow of an old hotel – a relic of the peninsula's past as an exotic getaway for northerners with money – lights the opening scene; it's been torched for the insurance, an occurrence so common as to warrant little comment.

It's a town where William Hurt, a lawyer who's neither very bright nor very scrupulous, ekes out a modest existence that seems to suit him; he can dine at the best restaurant in town once a month so long as he doesn't order an appetizer. The rest of his time he spends lazily with bourbon or beer or in bed with whoever obliges him.

Then he meets up with Kathleen Turner, who hangs around cocktail lounges when her wheeler-dealer husband (Richard Crenna) is out of town, which is a lot. After the ritual game of cat-and-mouse, Turner and Hurt kindle a torrid romance, despite the enervating heat that keeps everything else limp as dishrags. Soon, the pillow talk works around to murder....

Of course, Body Heat is a latter-day version of the story for which Double Indemnity serves as archetype: Duplicitous woman seduces lust-addled stud into killing rich older husband, then leaves him to twist slowly, slowly in the wind. There's not even enough wind to stir the chimes that festoon the porch off Turner's bedroom -- can't the rich old cuckold spring for air conditioning? Hurt and Turner are reduced to emptying the refrigerator's ice tray into the post-coital bath they share -- but Hurt's left twisting nonetheless, in one of the better updates of this ageless tale.

In her movie debut, Turner makes her deepest impression with her best asset, that dimple-Haig voice of hers, all silk and smoke (but neither she nor Kasdan, who also wrote the script, quite justify her character's long and intricate back-story of ruthless scheming). With his long, lithe college-boy's build and wife-swapper's mustache left over from the '70s, Hurt embodies the self-satisfied patsy whose zipper leads him through life. Crenna (who played this Walter Neff role in the 1973 TV remake of Double Indemnity) now takes on the role of the disposable husband, the victim (or rather, the first victim).

But it's two smaller parts that give the movie a special shine. Mickey Rourke, as the local arsonist whom Hurt once helped out of a jam, ups the voltage in his two scenes, warning the heedless Hurt, then warning him again when it's all but too late. And, as Hurt's amiable adversary in the town's tiny legal circle, Ted Danson proves surprisingly spry and intuitive an actor (and he contributes a lovely little idyll, doing a soft-shoe routine under a street lamp on a pier). There's a twist or two too many in Body Heat -- it's a bit gimmicky -- but, after watching it, you feel as though you, too, should be stripping off your clothes, if only to wring them out.