| Photos (see all 31 | slideshow) | Videos |
| William Hurt | ... | Ned Racine | |
| Kathleen Turner | ... | Matty Walker | |
| Richard Crenna | ... | Edmund Walker | |
| Ted Danson | ... | Peter Lowenstein | |
| J.A. Preston | ... | Oscar Grace | |
| Mickey Rourke | ... | Teddy Lewis | |
| Kim Zimmer | ... | Mary Ann | |
| Jane Hallaren | ... | Stella | |
| Lanna Saunders | ... | Roz Kraft | |
| Carola McGuinness | ... | Heather Kraft | |
| Michael Ryan | ... | Miles Hardin | |
| Larry Marko | ... | Judge Costanza | |
| Deborah Lucchesi | ... | Beverly | |
| Lynn Hallowell | ... | Angela | |
| Thom Sharp | ... | Michael Glenn (as Thom J. Sharp) | |
| Ruth Thom | ... | Mrs. Singer | |
| Diane Lewis | ... | Glenda | |
| Robert Traynor | ... | Prison Trustee | |
| Meg Kasdan | ... | Nurse | |
| Ruth P. Strahan | ... | Betty the Housekeeper | |
| Filomena Triscari | ... | Hostess at Tulio's | |
| Bruce A. Lee | ... | Man on Beach | |
| Ramiro Velasco | ... | Cuban Trio | |
| Tomas Choy | ... | Cuban Trio | |
| Servio T. Moreno | ... | Cuban Trio |
Directed by | |||
| Lawrence Kasdan | |||
Writing credits | ||
| Lawrence Kasdan | (written by) | |
Produced by | |||
| Fred T. Gallo | .... | producer | |
| Robert Grand | .... | associate producer | |
| George Lucas | .... | executive producer (uncredited) | |
Original Music by | |||
| John Barry | (music composed by) | ||
Cinematography by | |||
| Richard H. Kline | (director of photography) | ||
Film Editing by | |||
| Carol Littleton | |||
Casting by | |||
| Wallis Nicita | (as Wally Nicita) | ||
Production Design by | |||
| Bill Kenney | |||
Set Decoration by | |||
| Rick Gentz | (as Rick T. Gentz) | ||
Costume Design by | |||
| Renié | (as Renie Conley) | ||
Makeup Department | |||
| Robert Sidell | .... | makeup artist (as Robert A. Sidell) | |
| Adele Taylor | .... | hair stylist | |
Production Management | |||
| Robert Grand | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jeffrey Chernov | .... | second assistant director | |
| Michael Grillo | .... | first assistant director | |
| Bruce Humphrey | .... | directors guild trainee | |
Art Department | |||
| Robert L. Anderson | .... | construction coordinator | |
| Dennis Butterworth | .... | greens foreman | |
| Ray Jarvis | .... | stand-by painter | |
| Richard McKenzie | .... | set designer | |
| Robert Planck | .... | leadman | |
| Sig Tingloff | .... | set designer (as Sig Tinglof) | |
| Sonny Van Hecke | .... | assistant property master | |
| Robert J. Visciglia Sr. | .... | property master (as Robert Visciglia Sr.) | |
| Doug Wilson | .... | paint foreman | |
| Joseph Musso | .... | production illustrator (uncredited) | |
Sound Department | |||
| Jim Cook | .... | re-recording mixer (as James Cook) | |
| Patrick Drummond | .... | sound editor | |
| Robert Grieve | .... | sound editor | |
| Maury Harris | .... | production sound mixer | |
| Chris Jenkins | .... | re-recording mixer (as Christopher Jenkins) | |
| Richard Portman | .... | re-recording mixer | |
| David Sanucci | .... | boom man | |
Special Effects by | |||
| Hal Bigger | .... | special effects man | |
| Howard Jensen | .... | special effects supervisor | |
Stunts | |||
| William H. Burton | .... | stunt coordinator (as Bill Burton) | |
| Steven Chambers | .... | stuntman (as Steve Chambers) | |
| Gary Combs | .... | stuntman | |
| James M. Halty | .... | stuntman (as Jim Halty) | |
| Ron Stein | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Albert Bettcher | .... | camera operator | |
| Eric Engler | .... | camera assistant | |
| Larry D. Howard | .... | gaffer | |
| Pat King | .... | second grip | |
| Michael McGowan | .... | camera operator | |
| John Monte | .... | still photographer | |
| Ted Morris | .... | electrical best boy | |
| Ron Phillips | .... | still photographer | |
| Robert Sordal | .... | key grip | |
| William Tobin | .... | camera assistant (as Bill Tobin) | |
| Robert A. Wise | .... | camera assistant | |
Casting Department | |||
| Pearl Kempton | .... | extras casting | |
| Deborah Lucchesi | .... | casting coordinator | |
Costume and Wardrobe Department | |||
| Winnie D. Brown | .... | costumer (as Winnie Brown) | |
| Barbara Siebert | .... | costume supervisor (as Barbara Siebert Bolticoff) | |
Editorial Department | |||
| Bruce Cannon | .... | second assistant editor | |
| Mia Goldman | .... | assistant editor | |
| Robert Raring | .... | color timer | |
Music Department | |||
| John Barry | .... | conductor | |
| Cliff Kohlweck | .... | music editor (as Clifford C. Kohlweck) | |
| Dan Wallin | .... | scoring mixer | |
Transportation Department | |||
| James Antúnez | .... | transportation coordinator (as James Antunez) | |
| Michael Antunez | .... | transportation captain | |
| Sam Segal | .... | transportation captain | |
Other crew | |||
| Pamela Alch | .... | script supervisor | |
| Celeste Angiolillo | .... | assistant: Mr. Kasdan | |
| Lynne Birdt | .... | production coordinator | |
| Wayne Fitzgerald | .... | title designer | |
| Mark Indig | .... | location manager: Florida | |
| Art Schaeffer | .... | production accountant (as Art Schaefer) | |
| Daniel Schneider | .... | location manager | |
| Peter J. Silbermann | .... | unit publicist (as Peter Silbermann) | |
| Bernard S. Styles | .... | production assistant | |
| Tad Tadlock | .... | choreographer | |
| Jim Bigham | .... | location manager (uncredited) | |
| Bundy Chanock | .... | set medic (uncredited) | |
| Shawn McAllister | .... | stand-in (uncredited) | |
|
|
|
|
|
| Body Double | Basic Instinct | Poodle Springs | La coda dello scorpione | Tightrope |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
| Add this title to MyMovies |
The coastal Florida town in Lawrence Kasdan's Body Heat brings to mind remote colonial outposts in movies like The Letter (nearby Miami, here, seems as far away as London). A sweltering spell of weather settles down for a long roost, and the distant glow of an old hotel a relic of the peninsula's past as an exotic getaway for northerners with money lights the opening scene; it's been torched for the insurance, an occurrence so common as to warrant little comment.
It's a town where William Hurt, a lawyer who's neither very bright nor very scrupulous, ekes out a modest existence that seems to suit him; he can dine at the best restaurant in town once a month so long as he doesn't order an appetizer. The rest of his time he spends lazily with bourbon or beer or in bed with whoever obliges him.
Then he meets up with Kathleen Turner, who hangs around cocktail lounges when her wheeler-dealer husband (Richard Crenna) is out of town, which is a lot. After the ritual game of cat-and-mouse, Turner and Hurt kindle a torrid romance, despite the enervating heat that keeps everything else limp as dishrags. Soon, the pillow talk works around to murder....
Of course, Body Heat is a latter-day version of the story for which Double Indemnity serves as archetype: Duplicitous woman seduces lust-addled stud into killing rich older husband, then leaves him to twist slowly, slowly in the wind. There's not even enough wind to stir the chimes that festoon the porch off Turner's bedroom -- can't the rich old cuckold spring for air conditioning? Hurt and Turner are reduced to emptying the refrigerator's ice tray into the post-coital bath they share -- but Hurt's left twisting nonetheless, in one of the better updates of this ageless tale.
In her movie debut, Turner makes her deepest impression with her best asset, that dimple-Haig voice of hers, all silk and smoke (but neither she nor Kasdan, who also wrote the script, quite justify her character's long and intricate back-story of ruthless scheming). With his long, lithe college-boy's build and wife-swapper's mustache left over from the '70s, Hurt embodies the self-satisfied patsy whose zipper leads him through life. Crenna (who played this Walter Neff role in the 1973 TV remake of Double Indemnity) now takes on the role of the disposable husband, the victim (or rather, the first victim).
But it's two smaller parts that give the movie a special shine. Mickey Rourke, as the local arsonist whom Hurt once helped out of a jam, ups the voltage in his two scenes, warning the heedless Hurt, then warning him again when it's all but too late. And, as Hurt's amiable adversary in the town's tiny legal circle, Ted Danson proves surprisingly spry and intuitive an actor (and he contributes a lovely little idyll, doing a soft-shoe routine under a street lamp on a pier). There's a twist or two too many in Body Heat -- it's a bit gimmicky -- but, after watching it, you feel as though you, too, should be stripping off your clothes, if only to wring them out.