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In the midst of a searing Florida heat wave, a woman convinces her lover, a small-town lawyer, to murder her rich husband.

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Nominated for 1 Golden Globe. Another 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Edmund Walker
...
...
...
Teddy Lewis
...
Jane Hallaren ...
Lanna Saunders ...
Roz Kraft
Carola McGuinness ...
Heather Kraft
Michael Ryan ...
Miles Hardin
Larry Marko ...
Judge Costanza
Deborah Lucchesi ...
Beverly
Lynn Hallowell ...
Angela
...
Michael Glenn (as Thom J. Sharp)
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Storyline

Ned Racine is a seedy small town lawyer in Florida. During a searing heatwave he's picked up by married Matty Walker. A passionate affair commences but it isn't long before they realise the only thing standing in their way is Matty's rich husband Edmund. A plot hatches to kill him but will they pull it off? Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

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She taught him everything she knew - about passion and murder. See more »

Genres:

Crime | Drama | Thriller

Certificate:

R | See all certifications »

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Details

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Release Date:

18 September 1981 (USA)  »

Also Known As:

Cuerpos ardientes  »

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(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Whilst developing and making this picture, writer-director Lawrence Kasdan did not know whether he would ever get to make another movie. See more »

Goofs

Just before seeing the clown driving a car, Ned Racine walks into reflected sunlight. This light causes the camera and crew to cast a large and distinct moving shadow on the road next to his convertible. See more »

Quotes

Oscar: Whatcha got for pie today, Stella?
Stella: I got cherry, cherry and cherry.
Oscar: Well, what do you recommend?
Stella: I like the cherry.
Oscar: Bring it on.
See more »

Connections

Referenced in Fame: Street Kid (1982) See more »

Soundtracks

That Old Feeling
(1937) (uncredited)
Music by Sammy Fain
Played in the score in a bar and at a concert
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Frequently Asked Questions

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User Reviews

 
A sultry, sweaty update of Double Indemnity
11 December 2004 | by (Western New York) – See all my reviews

The coastal Florida town in Lawrence Kasdan's Body Heat brings to mind remote colonial outposts in movies like The Letter (nearby Miami, here, seems as far away as London). A sweltering spell of weather settles down for a long roost, and the distant glow of an old hotel – a relic of the peninsula's past as an exotic getaway for northerners with money – lights the opening scene; it's been torched for the insurance, an occurrence so common as to warrant little comment.

It's a town where William Hurt, a lawyer who's neither very bright nor very scrupulous, ekes out a modest existence that seems to suit him; he can dine at the best restaurant in town once a month so long as he doesn't order an appetizer. The rest of his time he spends lazily with bourbon or beer or in bed with whoever obliges him.

Then he meets up with Kathleen Turner, who hangs around cocktail lounges when her wheeler-dealer husband (Richard Crenna) is out of town, which is a lot. After the ritual game of cat-and-mouse, Turner and Hurt kindle a torrid romance, despite the enervating heat that keeps everything else limp as dishrags. Soon, the pillow talk works around to murder....

Of course, Body Heat is a latter-day version of the story for which Double Indemnity serves as archetype: Duplicitous woman seduces lust-addled stud into killing rich older husband, then leaves him to twist slowly, slowly in the wind. There's not even enough wind to stir the chimes that festoon the porch off Turner's bedroom -- can't the rich old cuckold spring for air conditioning? Hurt and Turner are reduced to emptying the refrigerator's ice tray into the post-coital bath they share -- but Hurt's left twisting nonetheless, in one of the better updates of this ageless tale.

In her movie debut, Turner makes her deepest impression with her best asset, that dimple-Haig voice of hers, all silk and smoke (but neither she nor Kasdan, who also wrote the script, quite justify her character's long and intricate back-story of ruthless scheming). With his long, lithe college-boy's build and wife-swapper's mustache left over from the '70s, Hurt embodies the self-satisfied patsy whose zipper leads him through life. Crenna (who played this Walter Neff role in the 1973 TV remake of Double Indemnity) now takes on the role of the disposable husband, the victim (or rather, the first victim).

But it's two smaller parts that give the movie a special shine. Mickey Rourke, as the local arsonist whom Hurt once helped out of a jam, ups the voltage in his two scenes, warning the heedless Hurt, then warning him again when it's all but too late. And, as Hurt's amiable adversary in the town's tiny legal circle, Ted Danson proves surprisingly spry and intuitive an actor (and he contributes a lovely little idyll, doing a soft-shoe routine under a street lamp on a pier). There's a twist or two too many in Body Heat -- it's a bit gimmicky -- but, after watching it, you feel as though you, too, should be stripping off your clothes, if only to wring them out.


62 of 69 people found this review helpful.  Was this review helpful to you?

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