Jenny Nix, wife of eminent child psychologist Carter Nix, becomes increasingly concerned about her husband's seemingly obsessive concern over the upbringing of their daughter. Her own ... See full summary »
Brian De Palma
Carrie White is shy and outcast 17-year old girl who is sheltered by her domineering, religious mother, and unleashes her telekinetic powers after being humiliated by her classmates for the last time at her senior prom.
This stylish Brian De Palma thriller plays off the theme of the unsuspecting witness who discovers a crime and is thereby put in grave danger, but with a novel twist. Jack Terry is a master sound recordist who works on grade-B horror movies. Late one evening, he is recording sounds for use in his movies when he hears something unexpected through his sound equipment and records it. Curiosity gets the better of him when the media become involved, and he begins to unravel the pieces of a nefarious conspiracy. As he struggles to survive against his shadowy enemies and expose the truth, he does not know whom he can trust. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Another DePalma thriller that owes a lot to Hitchcock...
BLOW OUT deserves more attention than a lot of other thrillers from the '80s, partly because it's taut with suspense most of the time and owes a lot of its chill to JOHN LITHGOW's performance as a cold-blooded psychotic killer.
It's also one of JOHN TRAVOLTA's best early roles as a soundman looking for "the perfect scream" for one of his horror movies who accidentally shoots some film of a car careening off a bridge. He dives into the water to try saving the victims but is only able to rescue the woman (NANCY ALLEN). It turns out that the driver was a senator who was a presidential candidate (shades of Chappaquiddick).
From then on, the mystery deepens as he comes to suspect there's some kind of conspiracy involved. DENNIS FRANZ is Allen's boss, a sleazy photographer, who offers to help Travolta. The whole story is filmed with all the DePalma camera tricks and touches that keep the suspense boiling until the climactic shoot-out at the climax.
But it's JOHN LITHGOW who steals the film as the merciless killer with undisclosed political reasons for his murderous mission.
A forgotten gem among the stylish DePalma films that deserves more recognition today. I'm not much of a Travolta fan, but this is one of his better roles.
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