This stylish Brian DePalma thriller plays off the theme of the unsuspecting witness who discovers a crime and is thereby put in grave danger, but with a novel twist. Jack is a sound recordist who works on grade-B horror movies. Late one evening, he is recording sounds for use in his movies when he hears something unexpected through his sound equipment and records it. Curiosity gets the better of him when the media become involved, and he begins to unravel the pieces of a nefarious conspiracy. As he struggles to survive against his shadowy enemies and expose the truth, he doesn't know whom he can trust. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
As the Burke character (John Lithgow) speaks to his contact from the "secure" public phone in downtown Philadelphia, the same maroon MGB convertible is seen directly across in the same metered space throughout the conversations that take place on different days. See more »
Jack Terri is a soundman for a B-movie studio. One night as he is out recording sounds for a film he sees an accident - a car swerves through a guard rail and into a river. Jack jumps in in effort to help and sees that the driver is dead, but he manages to save the passenger. He soon finds out that the driver was the current favorite in the presidential election and after listening to the recording he suspects that what happened was no accident.
This is the type of movie many people call a rip-off as not only does it take an idea from a previous story and film ('Blow Up') it is one of DePalma's many Hitchcockian efforts. However, under his direction the film feels fresh and moves very well. It is 13 years before John Travolta made 'Pulp Fiction' but he was already a good lead actor. Dennis Franz also gives a good turn as a photographer who knows more than he is telling.
However, the scene stealer, would have to be John Lithgow who stoically walks his way through the film as a ruthless killer who wants to remove Jack Terri for the evidence he has. Rarely is such a emotionless and callous role played out so well to such great effect.
Then there is DePalma's direction which is the great thing that put all the good stuff together. He has a particular skill of blending shots/scenes without dissolves and that carries the movie is an interesting way. Using shadows, silhouettes, rotating camera shots he is truly a master in good form here. 9/10
Rated R: some grisly violence, and profanity
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