Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's ... See full summary »
Three women, all strangers to each other, meet in a dress boutique. One of the three is approached by the male proprietor as she is shoplifting a garment. When he approaches her the other ... See full summary »
Award-winning drama deals with the many in Mailand China who dream of emigration to the U.S. Set primarily in New York City, the film follows Zhou who follows his wife's journey to America ... See full summary »
Tony Leung Ka Fai,
After the Sino-Japanese War, Kwei Dz, one of the family members of Japanese soldiers accepted a Chinese officer's proposal and remained in China. Later they had a daughter named Ann. The ... See full summary »
Tan Lang Jachi Tian
Germany in Autumn does not have a plot per se; it mixes documentary footage, along with standard movie scenes, to give the audience the mood of Germany during the late 1970s. The movie ... See full summary »
Germany, 1968: The priest's daughters Marianna and Juliane both fight for changes in society, like making abortion legal. However their means are totally different: while Juliane's committed as a reporter, her sister joins a terroristic organization. After she's caught by the police and put into isolation jail, Juliane remains as her last connection to the rest of the world. Although she doesn't accept her sister's arguments and her boyfriend Wolfgang doesn't want her to, Juliane keeps on helping her sister. She begins to question the way her sister is treated. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
"Die Bleierne Zeit" (German Sisters) is a prime example of the New German Cinema phase of the late seventies and early eighties. The film follows two sisters, both trying to assert their feminism through different means; one writes articles for a magazine, the other a member of the Bader Meinhof gang. The film deals mainy with the emotional viewpoint of Marianne, the journalist, as she struggles through the tests that life throws at her. Typical of a film of this period, the film is often bleak and focuses on building the scene rather than dialogue. Fans of New German Cinema will love it, anyone else should steer well clear as the film lacks any pace and struggles to hold your attention. Rating: A poor 3/10.
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