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A Good Marriage (1982)
"Le beau mariage" (original title)

7.0
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Ratings: 7.0/10 from 1,231 users  
Reviews: 13 user | 10 critic

Sabine vows to give up married lovers, and is determined to find a good husband. Her best friend Clarisse introduces her to her cousin Edmond, a busy lawyer from Paris. Sabine pursues ... See full summary »

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(as Éric Rohmer)

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Title: A Good Marriage (1982)

A Good Marriage (1982) on IMDb 7/10

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Cast

Complete credited cast:
Béatrice Romand ...
Sabine
...
Edmond
...
Simon
...
Clarisse
Huguette Faget ...
Maryse, Antique Dealer
Thamila Mezbah ...
Mother of Sabine
Sophie Renoir ...
Lise
Hervé Duhamel ...
Frédéric
Pascal Greggory ...
Nicolas
Virginie Thévenet ...
The Bride
Denise Bailly ...
Comtesse
Vincent Gauthier ...
Claude
Anne Mercier ...
La secrétaire
Catherine Rethi ...
Cliente
Patrick Lambert ...
Voyageur
Edit

Storyline

Sabine vows to give up married lovers, and is determined to find a good husband. Her best friend Clarisse introduces her to her cousin Edmond, a busy lawyer from Paris. Sabine pursues Edmond, with the encouragement of Clarisse, but Edmond does not seem very interested. Written by Will Gilbert

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Romance

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

27 August 1982 (USA)  »

Also Known As:

A Good Marriage  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
See  »
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Did You Know?

Trivia

The second of Rohmer's six-part Comedies et Proverbes series. See more »

Connections

Followed by Pauline at the Beach (1983) See more »

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User Reviews

carefully shaped discourse on life, love, penguins, et cetera
23 December 2003 | by (chicago, illinois, USA) – See all my reviews

eric rohmer's films are so clearly his. The slow but deliberate pacing and crisp, to-the-point dialogue are two hallmarks of his style for me, and this film is an excellent example of those two qualities.

As with the other rohmer films I have seen, the characters are less individual, specific personalities than they are vessels for a type of person or for one side of an argument. Here we have the two female leads almost skipping exposition entirely, and going straight into philosophical discussions of love and marriage. What I like about monsieur rohmer is that he manages to do this without taking away all our empathy for his characters. He always shows us how the character's hands are played out, so we can see what the result of their actions were, and think about what we would have done, or will do in our lives. tres bien, monsieur rohmer; j'adore vos travails.


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