Emma is a divorced woman with a teen-aged son who moves into a small town and tries to make a go of a horse ranch. Murphy is the widowed town druggist who steers business her way. Things ... See full summary »
Unassuming and single thirty-three year old Tillie Shlain is at that phase of her life of being known as a soon to be spinster if she doesn't marry soon. She isn't looking forward to ... See full summary »
A biplane pilot who had missed flying in WWI takes up barnstorming and later a movie career in his quest for the glory he had missed, eventually getting a chance to prove himself in a film ... See full summary »
Biographical story of Loretta Lynn, a legendary country singer that came from poverty to worldwide fame. She rose from humble beginnings in Kentucky to superstardom and changing the sound and style of country music forever.
A wealthy writer, who has had terrible experiences with money-hungry girlfriends and ex-wives, pretends to be a broke, washed-up novelist, to see if the woman he loves wants him for himself, or just for his money.
Sally Field has said that her character in this movie was similar to her Norma Rae (1979) character in that both women were tough, streetwise and Southern. See more »
[referring to the meal he's just ordered for Amy]
The hamburger you are about to eat will *not* make you feel any better, but they will give you a prize if you can get out the door before you throw up.
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There's nothing more exciting than seeing a slick Hollywood player like Sally Field getting down-and-dirty like she does in "Back Roads". At one point, she and her two male pals (Tommy Lee Jones and David Keith) are at a county fair and have no money. No problem! Sally fixes her hair and says to the guys, "Don't wait up." She knows how to make money (with her body) and nonchalantly sets out to do it. She's proving nothing to no one--it's second-nature to her--and when Keith calls her a 'whore' she tells him, "A whore is a sixteen-year-old with a bad reputation. I...am...a...hustler!" There are many moments to cherish in this rough jewel: Field standing outside the school where the little boy she gave up for adoption attends, running into his angry mother; Field writing a letter to the same child, telling him how sorry she is; Jones and Field getting off their bus after a fight and going their separate ways, each trudging down two dusty streets. It's a top-notch road comedy with Field and Jones overcoming the obvious sentimentality of the overall conception and making a memorable duo. *** from ****
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