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Back Roads (1981)

5.5
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Ratings: 5.5/10 from 432 users  
Reviews: 10 user | 13 critic

A prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.

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Title: Back Roads (1981)

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Cast

Cast overview, first billed only:
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Elmore Pratt
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Mason
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Angel
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Tazio
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Spivey
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Arthur
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Rickey's Mom
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Waitress
Alex Colon ...
Enrique
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Red
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Gosler
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The Father
Bruce M. Fischer ...
Ezra
...
Gilly
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Storyline

A prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.

Add Full Plot | Add Synopsis

Taglines:

Running from the past, and backing into love.


Certificate:

R | See all certifications »
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Details

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Release Date:

13 March 1981 (USA)  »

Also Known As:

Back Roads  »

Filming Locations:

 »

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

At first, Sally Field felt that her character in this movie may be too similar to her character in Norma Rae (1979). See more »

Quotes

Mason: When was your last fight?
Elmore Pratt: I ain't had it yet!
See more »

Soundtracks

Ask Me No Questions (I'll Tell You No Lies)
Written by Henry Mancini
Lyrics by Alan Bergman and Marilyn Bergman
Performed by Sue Raney
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User Reviews

 
Sally Field on the glory road
21 January 2001 | by (las vegas, nv) – See all my reviews

There's nothing more exciting than seeing a slick Hollywood player like Sally Field getting down-and-dirty like she does in "Back Roads". At one point, she and her two male pals (Tommy Lee Jones and David Keith) are at a county fair and have no money. No problem! Sally fixes her hair and says to the guys, "Don't wait up." She knows how to make money (with her body) and nonchalantly sets out to do it. She's proving nothing to no one--it's second-nature to her--and when Keith calls her a 'whore' she tells him, "A whore is a sixteen-year-old with a bad reputation. I...am...a...hustler!" There are many moments to cherish in this rough jewel: Field standing outside the school where the little boy she gave up for adoption attends, running into his angry mother; Field writing a letter to the same child, telling him how sorry she is; Jones and Field getting off their bus after a fight and going their separate ways, each trudging down two dusty streets. It's a top-notch road comedy with Field and Jones overcoming the obvious sentimentality of the overall conception and making a memorable duo. *** from ****


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