| Photos (See all 25 | slideshow) | Videos (see all 2) |
| Dudley Moore | ... | Arthur Bach | |
| Liza Minnelli | ... | Linda Marolla | |
| John Gielgud | ... | Hobson | |
| Geraldine Fitzgerald | ... | Martha Bach | |
| Jill Eikenberry | ... | Susan Johnson | |
| Stephen Elliott | ... | Burt Johnson | |
| Ted Ross | ... | Bitterman | |
| Barney Martin | ... | Ralph Marolla | |
| Thomas Barbour | ... | Stanford Bach | |
| Anne De Salvo | ... | Gloria | |
| Marjorie Barnes | ... | Hooker | |
| Dillon Evans | ... | Plaza Maitre D' | |
| Maurice Copeland | ... | Uncle Peter | |
| Justine Johnston | ... | Aunt Pearl | |
| Paul Vincent | ... | Plaza Waiter | |
| Mary Alan Hokanson | ... | Secretary | |
| Paul Gleason | ... | Executive | |
| Phyllis Somerville | ... | Saleslady | |
| Irving Metzman | ... | Security Guard | |
| Joe Doolan | ... | Kid in Street | |
| John Doolan | ... | Kid in Street | |
| Melissa Ballan | ... | Kid in Street | |
| Florence Tarlow | ... | Mrs. Nesbitt | |
| Lou Jacobi | ... | Plant Store Owner | |
| Gordon Press | ... | Prize Man | |
| Bob Maroff | ... | Prize Man | |
| Marcella Lowery | ... | Harriet (as Marcella Lowry) | |
| Jerome Collamore | ... | Johnson Butler | |
| Mark Fleischman | ... | Waiter | |
| Helen Hanft | ... | Perry's Wife | |
| John Bentley | ... | Perry | |
| Raymond Serra | ... | Racetrack Owner | |
| Peter Evans | ... | Preston | |
| Dominic Guastaferro | ... | Party Guest | |
| Phil Oxnam | ... | Orderly | |
| Richard Hamilton | ... | Bill | |
| George Riddle | ... | Bartender | |
| Lawrence Tierney | ... | Man in Coffee Shop | |
| Bobo Lewis | ... | Lady in Coffee Shop | |
| B. Constance Barry | ... | Wedding Guest | |
| Kurt Schlesinger | ... | Wedding Guest | |
| rest of cast listed alphabetically: | |||
| Bella Jarrett | |||
| Steve James | ... | Man Outside Tie Store (uncredited) | |
| Mark Margolis | ... | Wedding Guest (uncredited) | |
| Judi Passeltiner | ... | Wedding Guest (uncredited) | |
Directed by | |||
| Steve Gordon | |||
Writing credits | ||
| Steve Gordon | (written by) | |
Produced by | |||
| Robert Greenhut | .... | producer | |
| Charles H. Joffe | .... | executive producer | |
Original Music by | |||
| Burt Bacharach | |||
Cinematography by | |||
| Fred Schuler | (director of photography) | ||
Film Editing by | |||
| Susan E. Morse | |||
Casting by | |||
| Howard Feuer | |||
| Jeremy Ritzer | |||
| Juliet Taylor | |||
Production Design by | |||
| Stephen Hendrickson | |||
Set Decoration by | |||
| Carol Joffe | |||
| Steven J. Jordan | (as Steven Jordan) | ||
Costume Design by | |||
| Jane Greenwood | |||
Makeup Department | |||
| Fern Buchner | .... | makeup artist | |
| Romaine Greene | .... | hair stylist | |
| Jay Cannistraci | .... | additional makeup artist (uncredited) | |
Production Management | |||
| Michael Peyser | .... | production manager | |
| Ezra Swerdlow | .... | assistant unit production manager | |
| Joel Chernoff | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert Greenhut | .... | first assistant director | |
| Jerry Olinick | .... | dga trainee | |
| Thomas A. Reilly | .... | second assistant director (as Thomas Reilly) | |
Art Department | |||
| Joseph Badalucco Jr. | .... | chief set dresser | |
| Paul Eads | .... | assistant art director | |
| W. Steven Graham | .... | assistant art director | |
| James Mazzola | .... | property master (as Jim Mazzola) | |
| Arne Olsen | .... | construction grip | |
| Cosmo Sorice | .... | stand-by scenic artist | |
| James Sorice | .... | master scenic artist | |
| Edward Swanson | .... | construction coordinator | |
| Carl Landi | .... | carpenter (uncredited) | |
Sound Department | |||
| Louis Bertini | .... | assistant sound editor | |
| Marjorie Deutsch | .... | sound editor | |
| Melissa A. Higgins | .... | apprentice sound editor | |
| Vito L. Ilardi | .... | boom operator (as Vito Ilardi) | |
| Sanford Rackow | .... | supervising sound editor | |
| James Sabat | .... | sound mixer | |
| Louis Sabat | .... | sound recordist | |
| Dick Vorisek | .... | re-recording mixer: Trans Audio, Inc. (as Richard Vorisek) | |
| Bob Olari | .... | sound recordist (uncredited) | |
Stunts | |||
| Edgard Mourino | .... | stunts | |
Camera and Electrical Department | |||
| Ricki-Ellen Brooke | .... | second assistant camera | |
| Sandy Brooke | .... | assistant camera | |
| Norman Buck | .... | key grip | |
| Brian Hamill | .... | still photographer | |
| Dick Mingalone | .... | camera operator | |
| David L. Quaid | .... | additional photographer (as David Quaid) | |
| William Ward | .... | gaffer (as Bill Ward) | |
Costume and Wardrobe Department | |||
| William A. Campbell | .... | wardrobe supervisor (as Bill Campbell) | |
| David Charles | .... | assistant costume designer | |
| Patricia Eiben | .... | wardrobe supervisor | |
| Helen Tarr | .... | wardrobe supervisor | |
Editorial Department | |||
| Pamela Scott Arnold | .... | assistant film editor (as Pamela S. Arnold) | |
| Jonathan Oppenheim | .... | assistant film editor | |
| Meri Weingarten | .... | assistant film editor | |
Music Department | |||
| Jim Boyer | .... | music recording engineer | |
| Randy Brecker | .... | musician: Flugelhorn solo | |
| Ron Dante | .... | musician: vocal soloist | |
| Richard Hazard | .... | music orchestrator (as Dick Hazard) | |
| Artie Kaplan | .... | musical contractor | |
| Bernie Leighton | .... | musician: piano solo | |
| George Marge | .... | musician: oboe solo | |
| Dan Pinsky | .... | music editor | |
| Toots Thielemans | .... | musician: harmonica solo | |
| Roy B. Yokelson | .... | music recording engineer (uncredited) | |
Transportation Department | |||
| Walter Charleston | .... | transportation captain | |
| Michael Lindgren | .... | vehicle consultant | |
| Bobby Marsh | .... | driver (uncredited) | |
Other crew | |||
| Nicholas Bernstein | .... | production assistant | |
| Ruth Bonomo | .... | production assistant | |
| Jack Brubach | .... | assistant location auditor | |
| Kay Chapin | .... | script supervisor | |
| Peggy Crago | .... | production assistant | |
| Steven Giovinco | .... | production assistant | |
| Wendi Lazar-Pillot | .... | location supervisor | |
| Ellen Levene | .... | unit publicist | |
| Gail Matthews | .... | assistant: Mr. Gordon | |
| Louis Phillips | .... | production assistant | |
| Helen Robin | .... | production coordinator | |
| Margaret Roiphe | .... | location auditor | |
| Todd M. Thaler | .... | production assistant (as Todd Thaler) | |
Thanks | |||
| Elizabeth Forsling Harris | .... | the producers gratefully acknowledge the cooperation of: executive director, The New York State Office for Motion Picture and Television Development | |
| Leona Johnpoll | .... | the producers gratefully acknowledge the cooperation of: associate director, The New York State Office for Motion Picture and Television Development | |
| Ed Koch | .... | the producers gratefully acknowledge the cooperation of: Mayor | |
| Nancy Littlefield | .... | the producers gratefully acknowledge the cooperation of: executive director, Mayors Office for Motion Pictures and Television | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This 1981 comedy still sparkles thanks to the combined efforts of writer/director Steve Gordon and stars Dudley Moore and John Gielgud. Sadly, Gordon, only in his early forties, died soon after completing this, his only feature film. It's an especially unfortunate loss since he shows a truly deft hand at character-driven farce that makes the whole film irresistible. It plays almost like a 1930's-style screwball comedy revamped for contemporary tastes. The plot centers on Arthur Bach, a drunken, diminutive millionaire playboy who is at risk of losing his $750 million inheritance if he doesn't marry the dowdy and boring Susan Johnson, an heiress handpicked by his old-money father and dotty grandmother. Of course, he doesn't love her and by chance, runs into Linda Marolla, a working-class waitress (and of course, aspiring actress) after she pilfers a Bergdorf Goodman tie for her father.
The standard complications ensue but in a most endearing way with loads of alcohol-fueled slapstick executed with classic élan by Moore. That he makes such a spoiled character likable is a credit not only to his comic talents but to Gielgud's feisty, acidic turn as Hobson, Arthur's devoted but reality-grounded valet. It's the type of role he could play in his sleep, but Gielgud makes Hobson such a truly memorable character that his fate in the film brings a welcome injection of poignancy in the proceedings. In probably her most likable film role, Liza Minnelli hands the picture to her male co-stars by toning down her usual razzle-dazzle personality and making Linda quite genuine in motivation.
A pre-"LA Law" Jill Eikenberry plays Susan just at the right passive-aggressive note, while Barney Martin (Jerry's dad on "Seinfeld") steals all his scenes as Linda's slovenly father Ralph. The one fly in the ointment is veteran actress Geraldine Fitzgerald, who overdoes the eccentricities of the grandmother. And I have to admit that I still can't stand the very dated, overplayed Christopher Cross song that inevitably won the Oscar for that year's best song. Unfortunately, the 1997 DVD, certainly in need of remastering, has no extras worth noting except some photos and production notes.