Arthur (1981)

Director:

Steve Gordon

Writer:

Steve Gordon (written by)

Release Date:

7 August 1981 (Brazil)

Genre:

Comedy | Romance

Tagline:

Not everyone who drinks is a poet, some of us drink because we're not.

Plot:

Arthur is a happy drunk with no pretensions at any ambition. He is also the heir to a vast fortune which...

Plot Keywords:

Sentimental | Opposites Attract | Forbidden Love | Culture Clash | Cinderella Story

Awards:

Won 2 Oscars. Another 9 wins & 6 nominations

Cast

Dudley Moore	...	Arthur Bach
Liza Minnelli	...	Linda Marolla
John Gielgud	...	Hobson
Geraldine Fitzgerald	...	Martha Bach
Jill Eikenberry	...	Susan Johnson
Stephen Elliott	...	Burt Johnson
Ted Ross	...	Bitterman
Barney Martin	...	Ralph Marolla
Thomas Barbour	...	Stanford Bach
Anne De Salvo	...	Gloria - Hooker
Marjorie Barnes	...	Hooker
Dillon Evans	...	Plaza Maitre d'
Maurice Copeland	...	Uncle Peter Bach
Justine Johnston	...	Aunt Pearl Bach
Paul Vincent	...	Plaza Waiter

Runtime:

97 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Australia:M (TV rating) | Canada:PG (Manitoba/Ontario) | Singapore:PG | Australia:PG (original rating) | Canada:13+ (Quebec) | Canada:A (Nova Scotia) | Argentina:13 | Chile:14 | Finland:K-12 | Iceland:L | Norway:12 (1981) | Sweden:11 | UK:15 | USA:PG

Filming Locations:

5th Avenue, Manhattan, New York City, New York, USA

Company:

Orion Pictures Corporation

Trivia:

Bud Cort was originally suggested for the role of Arthur.

Goofs:

Continuity: When Hobson comes to Linda's apartment, she comes out of her bedroom and closes the door behind her. Later in the scene, the door has mysteriously opened.

Quotes:

Arthur: [to the mounted moosehead in Burt's den] This must be awfully embarrassing for you.

Movie Connections:

Referenced in Not Only But Always (2004) (TV)

Soundtrack:

Strangers in the Night

Still a Charmer a Quarter Century Later Especially for the Well-Missed Talents of Moore and Gielgud

This 1981 comedy still sparkles thanks to the combined efforts of writer/director Steve Gordon and stars Dudley Moore and John Gielgud. Sadly, Gordon, only in his early forties, died soon after completing this, his only feature film. It's an especially unfortunate loss since he shows a truly deft hand at character-driven farce that makes the whole film irresistible. It plays almost like a 1930's-style screwball comedy revamped for contemporary tastes. The plot centers on Arthur Bach, a drunken, diminutive millionaire playboy who is at risk of losing his $750 million inheritance if he doesn't marry the dowdy and boring Susan Johnson, an heiress handpicked by his old-money father and dotty grandmother. Of course, he doesn't love her and by chance, runs into Linda Marolla, a working-class waitress (and of course, aspiring actress) after she pilfers a Bergdorf Goodman tie for her father.

The standard complications ensue but in a most endearing way with loads of alcohol-fueled slapstick executed with classic élan by Moore. That he makes such a spoiled character likable is a credit not only to his comic talents but to Gielgud's feisty, acidic turn as Hobson, Arthur's devoted but reality-grounded valet. It's the type of role he could play in his sleep, but Gielgud makes Hobson such a truly memorable character that his fate in the film brings a welcome injection of poignancy in the proceedings. In probably her most likable film role, Liza Minnelli hands the picture to her male co-stars by toning down her usual razzle-dazzle personality and making Linda quite genuine in motivation.

A pre-"LA Law" Jill Eikenberry plays Susan just at the right passive-aggressive note, while Barney Martin (Jerry's dad on "Seinfeld") steals all his scenes as Linda's slovenly father Ralph. The one fly in the ointment is veteran actress Geraldine Fitzgerald, who overdoes the eccentricities of the grandmother. And I have to admit that I still can't stand the very dated, overplayed Christopher Cross song that inevitably won the Oscar for that year's best song. Unfortunately, the 1997 DVD, certainly in need of remastering, has no extras worth noting except some photos and production notes.