Marie has two appetites, sex and blood. Her career as a vampire is going along fine until two problems come up, she is interrupted while feeding on Sal (the shark) Macelli and she begins to... See full summary »
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case ... See full summary »
Two American college students are on a walking tour of Britain and are attacked by a werewolf. One is killed, the other is mauled. The werewolf is killed but reverts to its human form, and the local townspeople are unwilling to acknowledge its existence. The surviving student begins to have nightmares of hunting on four feet at first but then finds that his friend and other recent victims appear to him, demanding that he commit suicide to release them from their curse, being trapped between worlds because of their unnatural deaths. Written by
John Vogel <firstname.lastname@example.org>
At the close of the credits is a congratulatory message for the wedding of 'Prince Charles' and Princess Diana (as Lady Diana Spencer). It was included because when David is trying to get arrested, he shouts, "Prince Charles is a f--got!" The film was shot months before the preparations for the couple's July 1981 wedding. See more »
In the Slaughtered Lamb when David and Jack order tea, the conversation resumes around the room. The noise sounds like thirty people speaking but in two shots we can't see any mouths moving. See more »
That way is Proctor, and over here is the moors. I go this way.
Thanks for the ride, sir. You have lovely sheep.
Boys, keep off the moors, stick to the roads. The best to ya...
[then to the sheep]
We'll miss you.
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All characters and events in this film are fictitious. Any similarity to actual events or persons, living, dead, or undead, is purely coincidental. See more »
I love werewolf movies, even the stupid one's with the exception of any "Howling" sequels. 1981 was the turning point for our hairy hero's, gone were the Elvis chop wearing dudes with terrible under-bites, and in were the really scary "werewolves" that walked on all fours and ripped their pray to pieces. An American Werewolf In London is one of two films released that year, that showed us what a little latex and a lot of imagination (and bladders) can do. John Landis, fresh off the heals of "The Blues Brothers" gives us a masterpiece of modern horror, and leaves us thinking "Are there two John Landis'?" The movie is brilliantly shot in terrifying fashion, yet Landis manages to throw us some off beat humor, so we don't soil ourselves to bad. Set in England (obviously), we follow two buddies as they hitchhike across Europe. David Kessler (David Naughton) and Jack Goodman (Griffin Dunne) have not a care in the world until they end up on "The Moors"... At night... With a full moon... Okay this is getting redundant, but I bet you get where I'm going (if not: refer to title). If you ever do find yourself in merry Ole' England, at night etc, etc, etc. Stay clear of a place called "The Slaughtered Lamb", in fact, just stay on sheep truck until sunlight comes around. Besides (the first) Howling, American Werewolf is the best werewolf flick out there, and holds up nicely to today's cheesy horror flops. Take warning though, if you are going to rent this film, make sure cover says: "London", not "Paris", which is a little more like... Benji in Paris.
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