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An American Werewolf in London (1981)

R  |   |  Comedy, Horror  |  21 August 1981 (USA)
7.6
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Ratings: 7.6/10 from 57,417 users   Metascore: 60/100
Reviews: 330 user | 179 critic | 6 from Metacritic.com

Two American college students on a walking tour of Britain are attacked by a werewolf that none of the locals will admit exists.

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Title: An American Werewolf in London (1981)

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Won 1 Oscar. Another 2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Joe Belcher ...
...
...
...
Brian Glover ...
Lila Kaye ...
...
Sean Baker ...
Paddy Ryan ...
...
Anne-Marie Davies ...
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Don McKillop ...
Paul Kember ...
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Storyline

Two American college students are on a walking tour of Britain and are attacked by a werewolf. One is killed, the other is mauled. The werewolf is killed but reverts to its human form, and the local townspeople are unwilling to acknowledge its existence. The surviving student begins to have nightmares of hunting on four feet at first but then finds that his friend and other recent victims appear to him, demanding that he commit suicide to release them from their curse, being trapped between worlds because of their unnatural deaths. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

A masterpiece of terror See more »

Genres:

Comedy | Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

21 August 1981 (USA)  »

Also Known As:

Un hombre lobo americano en Londres  »

Box Office

Budget:

$10,000,000 (estimated)

Gross:

SEK 3,103,703 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (heavily cut)

Sound Mix:

(re-release)|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The total duration of composer Elmer Bernstein's original score for the film is a total of seven minutes, much to the surprise of film music aficionados who have wanted for a release of this music for years. The music is more in the vein of transitional orchestral cues in between the prerecorded songs featured throughout the film, to give the film more dramatic weight where needed. See more »

Goofs

As the doctor gets out of his car to enter The Slaughtered Lamb, it's pouring rain so he grabs his umbrella and runs into the pub pulling his jacket over his head, not using the umbrella. See more »

Quotes

[first lines]
Truck Driver: That way is Proctor, and over here is the moors. I go this way.
Jack: Thanks for the ride, sir. You have lovely sheep.
Truck Driver: Boys, keep off the moors, stick to the roads. The best to ya...
David: Thanks again.
[then to the sheep]
David: We'll miss you.
David: Bye girls...
See more »

Crazy Credits

Lyncanthrope Films Limited wishes to extend its heartfelt congratulations to Lady Diana Spencer and His Royal Highness The Prince of Wales on the occasion of their marriage - July 29th 1981. See more »

Connections

Referenced in The Fly (1986) See more »

Soundtracks

Moondance
Written by Van Morrison (uncredited)
Performed by Van Morrison
Courtesy of Warner Bros. Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
One of my favorite films
29 January 2005 | by (New York City) – See all my reviews

While backpacking through Europe, two friends, David Kessler (David Naughton) and Jack Goodman (Griffin Dunne), find themselves out on England's moors, despite advice to avoid them. When a wild animal attacks them, one of them dies, and the other just might be turning into a monster.

Director John Landis' "pet project"--he had to sit on the script for 10 years before he had enough clout from other films for this one to be greenlighted--is an excellent, seamless melding of comedy and horror, with a surprising amount of brutality and one of the most wonderfully dark, abrupt conclusions ever made.

John Irving once said that he loves to put comedy and tragedy in close conjunction because each can make the other more effective. That's just the effect that the combination has in An American Werewolf In London. Both the comedy and the horror in the film are fully committed to, unlike many attempts to merge the two. If "the whole is greater than the sum of its parts" is ever true, this is an example. The comic bits wouldn't be nearly as delightful if they didn't supervene on the disturbing, and the horror wouldn't have near the impact if they didn't arrive in the context where you half-expect the next moment to be just as lighthearted and amusing. Both the initial "animal attack" and the apocalyptic ending are perfect examples of this.

Aside from that exquisite unusualness, An American Werewolf In London has many other superb characteristics. The cast is perfect. Naughton, who also starred in the seriously underrated Desire, The Vampire (aka I, Desire) (1982), carries the film with ease. The cinematography is excellent. The shots of the countryside (actually filmed in Wales) are actually both beautiful and very eerie at the same time. The make-up effects are awesome, and the transformation effects are unsurpassed. The music, which is primarily a number of different "moon" related pop songs, is also perfect, partially because of the bizarre contrasts in mood that the music creates, which echoes the comedy/tragedy juxtaposition. Unlike many other films, every scene in this one is a something I'd like to spend years exploring. The settings, the characters, the scenarios are all so fascinating.

This film is a 10 out of 10 even with one hand tied behind its back. If you enjoy it, and you're open minded about newer horror film styles, the "sequel", An American Werewolf in Paris, is also worth a watch.


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