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An American Werewolf in London (1981)

Two American college students on a walking tour of Britain are attacked by a werewolf that none of the locals will admit exists.

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Cast

Cast overview, first billed only:
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Sean Baker ...
Paddy Ryan ...
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Anne-Marie Davies ...
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Don McKillop ...
Paul Kember ...
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Storyline

Two American college students are on a walking tour of Britain and are attacked by a werewolf. One is killed, the other is mauled. The werewolf is killed but reverts to its human form, and the local townspeople are unwilling to acknowledge its existence. The surviving student begins to have nightmares of hunting on four feet at first but then finds that his friend and other recent victims appear to him, demanding that he commit suicide to release them from their curse, being trapped between worlds because of their unnatural deaths. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Beware the Moon See more »

Genres:

Comedy | Horror

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

Release Date:

21 August 1981 (USA)  »

Also Known As:

En amerikansk varulv i London  »

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$3,786,512 (USA) (23 August 1981)

Gross:

$30,565,292 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (heavily cut)

Sound Mix:

(re-release)|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Universal Studios' Halloween event in Orlando Florida, "Halloween Horror Nights" had a walk through maze based on this movie, it was voted the best maze at the 2013 event. Due to its popularity, Universal Studios Orlando has confirmed that the house will return for the Halloween Horror Nights 25 this year 2015. See more »

Goofs

When Dr. Hirsch speaks on the intercom during his meeting with Scotland Yard, he initially presses the button with his right hand but in the next shot he is using his left hand. See more »

Quotes

[first lines]
Truck Driver: That way is Proctor, and over here is the moors. I go this way.
Jack: Thanks for the ride, sir. You have lovely sheep.
Truck Driver: Boys, keep off the moors, stick to the roads. The best to ya...
David: Thanks again.
[then to the sheep]
David: We'll miss you.
David: Bye girls...
See more »

Crazy Credits

All characters and events in this film are fictitious. Any similarity to actual events or persons, living, dead, or undead, is purely coincidental. See more »

Connections

Featured in Cinemassacre's Monster Madness: Fright Night (2010) See more »

Soundtracks

Bad Moon Rising
Written by John Fogerty (uncredited)
Performed by Creedence Clearwater Revival
Courtesy of Fantasy Records
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Our Dual Natures Served Up Hollywood Style
26 September 2005 | by (United States) – See all my reviews

John Landis reveals a philosophical take on mankind in this film, namely, that we have two natures: one benign, one monstrous. The werewolf legend handily serves as that proposition's allegorical vehicle, and compared to the alluded-to Nazi atrocities in two scenes, the legend actually pales. Sadly, under the dark impetus of our arrogance and vanity, our metaphorical "full moon", man is perfectly capable of transforming into nightmarish beast.

As a director, Landis approaches Hitchcock in terms of scene economy and symbolism. For example, the opening sequence set on the moors of northern England features the tragic hero David and his friend Jack climbing out of the bed of a truck laden with sheep - benign animals destined for slaughter. Biped "sheep" David and Jack meander to "The Slaughtered Lamb", a pub sheltering cowering, xenophobic locals from the monster afoot on the moors during full moon. Soon the inhospitality of the town folk compels the two lambs to leave - virtually sending them to their slaughter.

And so it goes throughout this brilliant film. Without revealing the ending, it can be stated that Landis makes his case against the idea that love conquers all; instead, he suggests that love only gives the beast within us pause.

Beware the moon.


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