FantasticFest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, and action movies from all around the world. Here's a list of some of our favorite movies at FantasticFest.
A monkey-type monster falls in love with a blind girl, which thinks that he's a giant dog. After kidnapping the girl and fleeing king-kong-like onto the roof of a gym, he gets involved with... See full summary »
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Marie has two appetites, sex and blood. Her career as a vampire is going along fine until two problems come up, she is interrupted while feeding on Sal (the shark) Macelli and she begins to... See full summary »
Two American college students are on a walking tour of Britain and are attacked by a werewolf. One is killed, the other is mauled. The werewolf is killed but reverts to its human form, and the local townspeople are unwilling to acknowledge its existence. The surviving student begins to have nightmares of hunting on four feet at first but then finds that his friend and other recent victims appear to him, demanding that he commit suicide to release them from their curse, being trapped between worlds because of their unnatural deaths. Written by
John Vogel <firstname.lastname@example.org>
Unlike most motion pictures it was filmed in sequence, with the opening scenes filmed first and the closing sequences filmed last. See more »
When they leave the truck with the sheep, the farmer has to unbolt two bolts. When he closes it he only uses one. See more »
That way is Proctor, and over here is the moors. I go this way.
Thanks for the ride, sir. You have lovely sheep.
Boys, keep off the moors, stick to the roads. The best to ya...
[then to the sheep]
We'll miss you.
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All characters and events in this film are fictitious. Any similarity to actual events or persons, living, dead, or undead, is purely coincidental. See more »
John Landis reveals a philosophical take on mankind in this film, namely, that we have two natures: one benign, one monstrous. The werewolf legend handily serves as that proposition's allegorical vehicle, and compared to the alluded-to Nazi atrocities in two scenes, the legend actually pales. Sadly, under the dark impetus of our arrogance and vanity, our metaphorical "full moon", man is perfectly capable of transforming into nightmarish beast.
As a director, Landis approaches Hitchcock in terms of scene economy and symbolism. For example, the opening sequence set on the moors of northern England features the tragic hero David and his friend Jack climbing out of the bed of a truck laden with sheep - benign animals destined for slaughter. Biped "sheep" David and Jack meander to "The Slaughtered Lamb", a pub sheltering cowering, xenophobic locals from the monster afoot on the moors during full moon. Soon the inhospitality of the town folk compels the two lambs to leave - virtually sending them to their slaughter.
And so it goes throughout this brilliant film. Without revealing the ending, it can be stated that Landis makes his case against the idea that love conquers all; instead, he suggests that love only gives the beast within us pause.
Beware the moon.
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