Marie has two appetites, sex and blood. Her career as a vampire is going along fine until two problems come up, she is interrupted while feeding on Sal (the shark) Macelli and she begins to... See full summary »
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case ... See full summary »
Two American college students are on a walking tour of Britain and are attacked by a werewolf. One is killed, the other is mauled. The werewolf is killed but reverts to its human form, and the local townspeople are unwilling to acknowledge its existence. The surviving student begins to have nightmares of hunting on four feet at first but then finds that his friend and other recent victims appear to him, demanding that he commit suicide to release them from their curse, being trapped between worlds because of their unnatural deaths. Written by
John Vogel <firstname.lastname@example.org>
The total duration of composer Elmer Bernstein's original score for the film is a total of seven minutes much to the surprise of film music aficionados who have wanted for a release of this music for years. The music is more in the vein of transitional orchestral cues in between the pre-recorded songs featured throughout the film to give the film more dramatic weight where needed. See more »
When the werewolf is seen approaching the escalator in the Tottenham Court Road underground station, a foot of one of the crew pushing the werewolf along is clearly visible at the end of the shot. See more »
That way is Proctor, and over here is the moors. I go this way.
Thanks for the ride, sir. You have lovely sheep.
Boys, keep off the moors, stick to the roads. The best to ya...
[then to the sheep]
We'll miss you.
See more »
All characters and events in this film are fictitious. Any similarity to actual events or persons, living, dead, or undead, is purely coincidental. See more »
A Film maker's film that's an homage and a refreshing take on the werewolf legend. It's scary; rich in dialogue; practical... (in a horror movie???) AND Funny!
Especially in DTS sound... It's Scary!!!
Specifically...for anyone who enjoys the old 'Universal Studios' classic renditions of the "Wolf Man" saga, this modern 'fairy tale horror' doesn't violate any traditions. If you haven't seen the old classics, not to worry;...this flick stands on its own.
The story unfolds!...And the tension begins!...slowly!
Actors Naughton and Dunne are perfectly cast as your typical college students, backpacking their way thru Europe for...well...for what ELSE!!?!! Their back & forth banter is priceless!! Their 'on screen' chemistry is, unfortunately, too short (that's kinda redeemed in the DVD commentary by both actors). And their trek across the fog laden moor ranks as one of the most frightening scenes in movie history.
But the real star of the film is director John Landis!
Along with the Cast!
And make-up artist Rick Baker.
Not since "Bud Abbott & Lou Costello Meet Frankenstein" has Comedy/Horror worked so well. The difference is: unlike "A&C Meet Frankenstein", this film is a horror story laced with a sharp and clever 'comic relief'. And Landis captures that fine line balance between horror/humor that is unprecedented.
A near definitive werewolf movie that's bloody! scary! funny! satirical! funny! intelligent! sexy! charming!...and ultimately sad!!!...(did I say funny twice?). HEY...if you ever take time to see only one werewolf movie; then...
Well...everyone's got their opinion.
But this film ranks way up their in horror. A Classic!!
With a soundtrack that's perfectly placed! And composer Elmer Bernstein perfectly placing the music.
Grab the popcorn! And Hang On!
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